Maracatu Atômico

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Released1974
Length3:40
"Maracatu Atômico"
Song by Jorge Mautner
from the album Jorge Mautner
Released1974
GenreMPB
Length3:40
LabelPolydor
Songwriter(s)Jorge Mautner, Nélson Jacobina

"Maracatu Atômico" (Portuguese for "Atomic Maracatu") is a song written and composed by Brazilian musicians Jorge Mautner and Nélson Jacobina in 1974, and originally performed by Mautner on his self-titled album released in the same year. It is one of the duo's most famous creative outputs, thanks to the numerous cover versions it received over the years, the most famous of them being the one made by Nação Zumbi in 1996.

Track listing

"Maracatu Atômico"
Single by Nação Zumbi
from the album Afrociberdelia
ReleasedJune 1996
Recorded1996
GenreMangue Bit
Length4:45
LabelChaos
Songwriter(s)Jorge Mautner, Nélson Jacobina
Producer(s)Eduardo BiD, Chico Science & Nação Zumbi
Nação Zumbi singles chronology
"Manguetown"
(1996)
"Maracatu Atômico"
(1996)
"Malungo"
(1998)
Music video
"Maracatu Atômico" on YouTube

Pernambuco-based Mangue Bit band Nação Zumbi covered the song for their second studio album, Afrociberdelia, from 1996; it served as the album's second single. A critically acclaimed music video for the song, directed by Raul Machado, was shot in April of the same year.[1] It was the last music video to be ever broadcast by MTV Brasil, which ceased its activities on September 30, 2013; it was hosted by former MTV VJ Cuca Lazzarotto, who also hosted the channel's first music video back in its inauguration on October 20, 1990.[2]

In 2010, the band re-recorded the song for the soundtrack of the documentary film Senna.[3]

  1. Maracatu Atômico (Album Version) – 4:45
  2. Maracatu Atômico (Atomic Version) – 4:33
  3. Maracatu Atômico (Ragga Mix) – 3:30
  4. Maracatu Atômico (Trip Hop) – 3:42

Personnel

  • Chico Science – vocals
  • Dengue – bass
  • Gilmar Bola 8 – alfaia
  • Gira – alfaia
  • Jorge dü Peixe – alfaia
  • Lúcio Maia – electric guitar
  • Pupillo – drum kit
  • Toca Ogam – percussion, vocals

Other versions

Critical reception and legacy

References

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