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Minor chord

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A minor chord is a triad with a minor third and a perfect fifth above the root. The minor triad built on C is spelled C–E–G.

A minor triad has a minor third (m3) on the bottom, a major third (M3) on top, and a perfect fifth (P5) between the outer notes.
Quick facts Component intervals from root, Tuning ...
minor triad
Component intervals from root
perfect fifth
minor third
Tuning
just - 10:12:15[1]
Forte no.
3-11[2]
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Structure

The primary intervals in a minor chord are the minor third above the root, and the perfect fifth above the root. There is a major third between the third and fifth.[3] It is a tertian chord because it is built in thirds.[4]:458A minor triad is represented by the integer notation {0,3,7}.[2]

On lead sheets, a minor chord is sometimes indicated by the letter of its root followed by the abbreviation "MI" in small caps font. [5] Other variations include the abbreviations (in normal font) "min", "mi", "m", or the minus sign character "-". For example, D min, D mi, D m, or D -.

The minor chord timbre is sometimes described as darker than its major counterpart.[6]

Just intonation

In just intonation, a minor chord is tuned in the frequency ratio 10:12:15, reflecting an appearance of the minor chord in the harmonic series.[7] The ratio was refined to 10/9:4/3:5/3 by Ben Johnston.[8] In a just major scale, the 10:12:15 minor triad appears on iii and vi.[9]

A justly tuned perfect fifth is 702 cents, compared to 700 cents in equal temperament. The just minor third is 316 cents, where the equal-tempered interval is 300 cents.[4]:455

Alternate just minor chord tunings include:

  • 16:19:24[10]
  • 6:7:9[4]:468[11]
  • The Pythagorean minor triad: 54:64:81.[10]

Georg Andreas Sorge derived the minor chord from the confluence of two major triads such as F-A-C and C-E-G. An A minor triad arises from the connection.[12] He pointed out that overtones 10, 12, 15, and 18 of the harmonic series form a minor seventh chord.[13]

See also

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