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Mylapore Gowri Ammal

Indian dancer (1892–1971) From Wikipedia, the free encyclopedia

Mylapore Gowri Ammal also known as Mylapore Gowri Amma (1892–1971) was a Bharathanatyam dancer from Mylapore India. She was a temple dancer in Kapaleeshwarar Temple in Mylapore. In 1959, she received the Sangeet Natak Akademi Award for Bharathanatyam.

Born
Gowri Ammal

1892 (1892)
Died22 January 1971(1971-01-22) (aged 78–79)
OthernameMylapore Gowri Amma
OccupationBharatanatyam dancer
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Mylapore Gowri Ammal
Born
Gowri Ammal

1892 (1892)
Died22 January 1971(1971-01-22) (aged 78–79)
Other nameMylapore Gowri Amma
OccupationBharatanatyam dancer
AwardsSangeet Natak Akademi Award (1959)
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Biography

Mylapore Gowri Ammal was born in 1892, in a Devadasi family of Mylapore, Tamil Nadu.[2] Her mother Doraikannu Ammal was also a dancer. She learned dance from Nelluru Munuswamy Nattuvanar and also from her mother. Born into a family of temple dancers, she was the last person to serve at the Kapaleeshwarar Temple in Mylapore.[3] She lived in a small house given to her by the Kapaleeshwarar temple, until a law was passed banning temple dancing.[3] Having lost her guardianship and home, she survived the rest of her life by teaching dance.[3]

She died on 22 January 1971.[4]

Career

Gowri Ammal started her dancing career as a temple dancer in Kapaleeshwarar Temple in Mylapore. Ammal is often referred to as the last devadasi of the Kapaleeshwarar temple.[5] She danced for the deity in the temple until the Indian government banned the Devadasi system in 1947, under the Madras Devadasis (Prevention of Dedication) Act.[6]

As part of E. Krishna Iyer's efforts to support Bharatanatyam and have it recognised as an art form, and not dismiss it as part of a social reform movement, since it was based on the Devadasi system, in 1932, Gauri Ammal danced at the Madras Music Academy.[3] Ammal gained fame in 1936 when Rukmini Devi Arundale, her first student approached her to become her Bharatanatyam guru.[7] Rukmini had come to the Kapaleeshwarar temple to ask her to come to the Kalakshetra, to teach her the subtleties of "abhinaya" (acting).[7]

Gauri Ammal's abhinaya (acting), bhava (face expression) and musical talent in the Bharatanatyam performance were widely noted.[8] She last performed on a public stage at the Silver Jubilee celebrations of the Indian National Congress in 1935.[3]

Notable disciples

Awards and honors

She received the Sangeet Natak Akademi Award for Bharathanatyam in 1959.[2] She also received award from Madras Music Academy.[3]

References

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