Noah's Ark (album)

Noah's Ark features sisters Sierra "Rosie" Casady and Bianca "Coco" Casady on vocals, with traditional instruments including guitars and harps layered over unconventional items used as instruments. The track "Bear Hides and Buffalo" includes a loop of horse and cat sounds over a toy piano hook. Upon the album's release, Bianca described the group’s sound as "sort of an eclectic montage," saying they "float around between a few different instruments and use a bunch of unconventional percussion things. Like toys."^[2]

The album was produced and recorded in many different locations, including their mother's farm in Saintes-Maries-de-la-Mer in the Camargue region of Provence.^[3] Sierra stated that "the pursuit of intimate venues" lead to the sisters "pulling over on the side of the road and just recording in a field, or taking a moment in a barn in the South of France, or a studio in Brooklyn."^[2]

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
Metacritic	67/100[6]
Review scores
Source	Rating
AllMusic	[7]
Alternative Press	4/5[8]
The Guardian	[9]
The Independent	[10]
Mojo	[11]
NME	6/10[12]
Pitchfork	3.4/10[13]
Q	[14]
Spin	F[15]
Uncut	[16]

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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 67, based on 24 reviews, indicating "generally favorable reviews".^[6]

MusicOMH London writer Michael Hubbard wrote, "Noah's Ark has a dreamlike quality to it."^[17] Sarah Peters, a former music editor and staff writer for LAS wrote, "Symbolically, the guiding light is important to all who have journeyed on Noah's Ark, and CocoRosie have presented a lesson in love, through hardship, that may not have been as powerful otherwise."^[18] In comparison to the sisters' previous work, writer Johnny Ray Huston of the San Francisco Bay Guardian noted, "Their new album, Noah's Ark (Touch and Go), has a more restless feel than their debut – the scratchy, tiny, Victrola-sounding vocals of La Maison sometimes give way to a more naturalistic recording style."^[19] Another review came from Heather Phares, writer for AllMusic, who commented on the album’s vibe in particular. "There's a lot of power in the album's darkness, particularly on the apocalyptic campfire singalong "Armageddon"".^[7]

Although some of the album's reviews were positive, some critics disagreed claiming, "Noah's Ark is more hypnotic and infiltrating than their enchanting (but short shelf-lived) debut, Le Maison de Mon Reve, but ultimately less magical."^[7] Other viewpoints were expressed about the contributing artists on the album and how "…the best offerings inevitably arrive in the presence of Antony and Devendra Banhart, whose guest appearances enhance and possibly upstage their lovely hosts."^[18]

No Ripcord placed it at number 42 on the "Top 50 Albums of 2005" list.^[20]