Soleil Ô
1970 French-Mauritanian film by Med Hondo
From Wikipedia, the free encyclopedia
Soleil Ô ([sɔ.lɛj o]; "Oh, Sun") is a 1970[3] French-Mauritanian drama film written and directed by Med Hondo.
Théo Légitimus
Jean-Claude Rahaga
| Soleil Ô | |
|---|---|
Film poster | |
| Directed by | Med Hondo |
| Written by | Med Hondo[1] |
| Starring | Robert Liensol Théo Légitimus |
| Cinematography | François Catonné Jean-Claude Rahaga |
| Edited by | Michèle Masnier Clément Menuet |
| Music by | George Anderson |
Production companies | Grey Films Shango Films |
| Distributed by | USA: New Yorker Films |
Release dates |
|
Running time | 98 minutes |
| Countries | Mauritania France |
| Languages | French Hassaniya Arabic |
| Budget | $30,000[2] |
The title refers to a West Indian song that tells of the pain of the black people from Dahomey (now Benin) who were taken to the Caribbean as slaves.
Premise
A black immigrant makes his way to Paris in search of his Gaul ancestors. The immigrants desperately seek work and a place to live, but find themselves face to face with indifference, rejection, and humiliation, before heeding the final call for uprising.
Cast
- Robert Liensol as Visitor
- Théo Légitimus as Afro Girl
- Gabriel Glissand
- Bernard Fresson as Friend
- Yane Barry as White Girl[4]
- Greg Germain
- Armand Meffre
- Med Hondo as the narrator[3]
Reception
The film played during the International Critics' Week at the 1970 Cannes Film Festival, where it received critical acclaim.[5] It received a Golden Leopard award at the 1970 Locarno International Film Festival.[6]
In his Family Guide to Movies on Video, Henry Herx wrote that the film's "use of ironic humor and lively music keeps the plight of the black emigrant worker from becoming totally depressing."[7]
In The New Yorker, Richard Brody wrote: "Making friends among France's white population, [the main character] finds their empathy condescending and oblivious, and his sense of isolation and persecution raises his identity crisis to a frenzied pitch. Hondo offers a stylistic collage to reflect the protagonist’s extremes of experience, from docudrama and musical numbers to slapstick absurdity, from dream sequences and bourgeois melodrama to political analyses."[8]
Restoration
In 2017, Soleil Ô was restored by Cineteca di Bologna. The funding for the restoration came from the George Lucas Family Foundation and the World Cinema Project, as part of the latter's restoration initiative called the African Film Heritage Project.[9][10]