Pierre Parrocel
French painter
From Wikipedia, the free encyclopedia
Pierre Parrocel (1664–1739) was a French painter of the late-Baroque period.
Pierre Parrocel | |
|---|---|
Portrait by Nicolas de Largillière | |
| Born | 1664 |
| Died | 1739 (aged 74–75) Paris, France |
| Known for | Paintings and engravings |
| Relatives | Joseph Parrocel (uncle) |
Life
He was born in Avignon, Papal States, to a large family of artists, including his uncle Joseph Parrocel and his father, Louis Parrocel. He was first instructed by his uncle, and then trained with Carlo Maratti in Rome, and in 1730 became a member of the Accademia di San Luca there.
Works
His principal work, as a painter, was in the gallery of the Hôtel de Noailles at St. Germain-en-Laye, where he represented the history of Tobit in thirteen pictures. He also painted a Coronation of the Virgin' in the church of St. Mary at Marseille. He also etched and engraved in a style analogous to that of A. Rivalz; but he was not equally successful with the graver. Of the fourteen etchings left by him, The Triumph of Aphrodite is perhaps the most noteworthy.
References
- Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 256.
