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Qaidi No. 911

1959 Indian film From Wikipedia, the free encyclopedia

Qaidi No. 911 (transl.Convict no. 911) is a 1959 Indian Hindi-language crime film produced and directed by Aspi Irani, and written by C. J. Pavri. The film stars Sheikh Mukhtar, Nanda and Mehmood in Lead roles. It focuses on a man who is arrested for a robbery he never committed. The film was remade in Tamil as Kaithi Kannayiram (1960) and in Telugu as Khaidi Kannayya (1962).

Directed byAspi Irani
Written byC. J. Pavri
Produced byAspi Irani
Quick facts Directed by, Written by ...
Qaidi No. 911
Poster
Directed byAspi Irani
Written byC. J. Pavri
Produced byAspi Irani
StarringSheikh Mukhtar
Nanda
Mehmood
CinematographyDali Daroowala
Music byDattaram
Production
company
Super Pictures
Release date
  • 1959 (1959)
CountryIndia
LanguageHindi
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Plot

A man is arrested for a robbery he never committed.[1]

Cast

Production

Qaidi No. 911 was produced and directed by Aspi Irani under Super Pictures.[2][3] The story and screenplay were written by C. J. Pavri, and the dialogue by Akhtar Ul-iman. Cinematography was handled by Dali Daroowala.[2]

Soundtrack

The soundtrack was composed by Dattaram, and the lyrics were written by Hasrat Jaipuri.[2][4] The song "Mithi Mithi Baton Se Bachna Zara" was later re-used in the Telugu film Santhi Nivasam (1960) as "Aasalu Theerchave".[5] In Qaidi No. 911's Tamil remake Kaithi Kannayiram (1960), the same song was re-used as "Konji Konji Pesi",[6]

More information No., Title ...
No.TitleSinger(s)Length
1."Tere Tir Ko Humne Pyar Se"Lata Mangeshkar3:26
2."Mithi Mithi Baton Se Bachna Zara"Lata Mangeshkar3:28
3."Pyar bhari ye ghataye"Lata Mangeshkar Manna Dey4:17
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Reception

K. B. Goel, a reviewer for the magazine Thought wrote, "[Sheikh Mukhtar] is strongly built and very tall but seems ill-adjusted in his role" and added, "All this abracadabra could have been a little intelligible had the director Mr Aspi concentrated on the character development rather than dances, which occur at the least provocation, and on enacting the same scene, with slight variations, of the night club. But he chooses what is grist in our films. And that is that."[1] The film was a commercial success.[3][7]

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