Royal Academy Exhibition of 1847
1847 art exhibition in London
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The Royal Academy Exhibition of 1847 was an art exhibition held in London. It was the seventy ninth annual Summer Exhibition held by the British Royal Academy of Arts. It took place at the National Gallery between 3 May and 24 July 1847 and featured many of the leading painters, sculptors and architects of the early Victorian era.[1] While Martin Archer Shee was the President of the Royal Academy, he was deputised in the role by J.M.W. Turner. Amongst the works Turner himself displayed was The Hero of a Hundred Fights, a tribute to the Duke of Wellington.

The exhibition reflected the growing prominence of the art group The Clique. Edward Matthew Ward displayed his Hogarthian history painting The South Sea Bubble.[2] Romanticism continued to be strongly represented. Edwin Landseer's The Deer Drive features a scene in the Scottish Highlands.[3] Clarkson Stanfield's French Troops Fording the Magra combined landscape with history by showing a scene from the French Revolutionary Wars.[4] William Etty showed a trilogy of paintings with scenes from the life of Joan of Arc. The future Pre-Raphaelite William Holman Hunt submitted Dr Rochecliffe Performing Divine Service in the Cottage of Joceline Joliffe, a scene from Walter Scott's novel Woodstock.[5] John Everett Millais also entered a single, early work Elgiva Seized by Order of Archbishop Odo.[6] The French artist Paul Delaroche exhibited a version of Napoleon at Fontainebleau.
In portraiture Henry William Pickersgill displayed his Portrait of Robert Vernon, depicting the noted art collector who the same year presented the large Vernon Gift of artworks to the nation including this picture.[7] Francis Grant's Portrait of Sidney Herbert has been described as one of his finest portraits.[8] In addition he exhibited a portrait of the railway tycoon George Hudson.
Gallery
- On the Zuyder Zee by Clarkson Stanfield
- West Front of Antwerp Cathedral by David Roberts
- Among the Cumberland Mountains by Thomas Sidney Cooper
- The Village Holiday by Frederick Goodall
- Joan of Arc by William Etty
- Una Among the Fauns and Wood Nymphs by William Edward Frost
- Neptune Resigning to Britannia the Empire of the Sea by William Dyce
- The Origin of the Stocking Loom by Alfred Elmore
- The Charity Boy's Debut by James Collinson
- Warships off Spithead by John Ward
- Mated by Frank Stone
- The Fair Maid of Perth at the Dungeon Wall by Robert Scott Lauder
- Isaac van Amburgh and His Animals by Edwin Landseer
- The Combat by Richard Ansdell
- The Deserter's Home by Richard Redgrave
- Refreshing the Weary by Robert Hannah
- The Liberation of Slaves by Henry Le Jeune
- The Miller's Boat by Frederick Richard Lee
- Elgiva Seized by Order of Archbishop Odo by John Everett Millais
- The London Road a Hundred Years Ago by Thomas Creswick
- Maiden Meditation by Charles West Cope
- The Guardian Angel by Richard Redgrave
- Countess of Mount Edgcumbe with Her Two Youngest Children by James Sant
- Portrait of Earl of Mount Edgcumbe by James Sant
- Portrait of Adam Black by John Watson Gordon
- Portrait of Earl of Dalhousie by John Watson Gordon
- Portrait of John Lee by John Watson Gordon
- Portrait of John Bright by John Prescott Knight
- Portrait of Thomas Sands by George Patten
- Portrait of Joseph Baxendale, print based on the painting by Henry William Pickersgill
- Portrait of Thomas Gaisford by Henry William Pickersgill
- Portrait of Theobald Mathew by Edward Daniel Leahy
- Portrait of Frederick Pollock by Samuel Laurence
- Portrait of William Whewell by Samuel Laurence
- Portrait of Henry Dover by Francis Grant
See also
- Salon of 1847, a contemporary art exhibition held in Paris