She's My Baby (Wings song)

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PublishedMcCartney Music Ltd.
Released25 March 1976
Recorded7 January 1976
"She's My Baby"
Song by Wings
from the album Wings at the Speed of Sound
PublishedMcCartney Music Ltd.
Released25 March 1976
Recorded7 January 1976
GenrePop
Length3:06
LabelMPL Communications (UK)
MPL Communications/Capitol (US)
Songwriters
ProducerPaul McCartney
Wings at the Speed of Sound track listing
11 tracks
Side one
  1. "Let 'Em In"
  2. "The Note You Never Wrote"
  3. "She's My Baby"
  4. "Beware My Love"
  5. "Wino Junko"
Side two
  1. "Silly Love Songs"
  2. "Cook of the House"
  3. "Time to Hide"
  4. "Must Do Something About It"
  5. "San Ferry Anne"
  6. "Warm and Beautiful"

"She's My Baby" is a song credited to Paul and Linda McCartney that was first released by Wings on their 1976 album Wings at the Speed of Sound. It is a love song sung by Paul directed at Linda. Critical opinion of the song has ranged from a description as Paul McCartney's "sweetest, daftest love song" to a suggestion that it deserves an "honor for sheer awfulness." In 1998, after Linda's death, Paul McCartney rearranged the song for string quartet to be played at memorial concerts for his late wife. This version was included on the 1999 album Working Classical.

"She's My Baby" is a love song inspired by Linda.[1][2] Paul McCartney sings the lead vocal.[1] In each of the verses, the song describes characteristics of the singer's "baby."[2] Some of these have been criticized as being trite; for example, the woman is described as gravy to be mopped up by the singer:[2]

Like gravy, down to the last drop
I keep mopping her up
Oh yeah, she's my baby

The verses are in the key of C major.[2] The bridge begins in the key of F major, which is the subdominant key to the verses, and ends on a dominant seventh chord on G major, which is the dominant of C, facilitating the transition back to the verse.[2] Like the hit singles from Wings at the Speed of Sound, "Let 'Em In" and "Silly Love Songs," the bass guitar is prominent in the mix.[1] This was done intentionally to make the song more danceable.[1] Paul McCartney has stated that "That is the bass in your face. And that was really because we were making a dance record."[1]

Personnel

Critical reception

String quartet version

References

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