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Shiva Sutras

14 verses organizing the phonemes of Sanskrit From Wikipedia, the free encyclopedia

The Śiva·sūtras, technically akṣara·samāmnāya, variously called माहेश्वरसूत्राणि (IAST: māheśvarāṇi sūtrāṇi), प्रत्याहारसूत्राणि (IAST: pratyāhāra·sūtrāṇi), वर्णसमाम्नाय (IAST: varṇa·samāmnāya), etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.[1][2]


Text and notation

Mahesvara sutrani
  1. a i u Ṇ
  2. ṛ ḷ K
  3. e o Ṅ
  4. ai au C
  5. ha ya va ra Ṭ
  6. la Ṇ
  7. ña ma ṅa ṇa na M
  8. jha bha Ñ
  9. gha ḍha dha Ṣ
  10. ja ba ga ḍa da Ś
  11. kha pha cha ṭha tha ca ṭa ta V
  12. ka pa Y
  13. śa ṣa sa R
  14. ha L

Each verse consists of a group of basic Sanskrit phonemes (i.e. open syllables consisting either of initial vowels or consonants followed by the basic vowel "a") followed by a single 'dummy letter', or anubandha, conventionally rendered in upper case and named 'IT' by Pāṇini.

Shiva Sutras

The following table shows the Shiva Sutras in Devanāgarī Script and their transliteration into the well-used transliteration scheme of Indic characters by Latin scripts viz. ISO 15919, ITRANS, and IPA.

More information ISO 15919 (Indic), Roman (ITRANS) ...
ISO 15919 (Indic) Roman (ITRANS) IPA Devanagari
1. a i u ṇ,

2. r̥ l̥ k,

3. ē ō ṅ,

4. ai au c,

5. ha ya va ra ṭ,

6. la ṇ,

7. ña ma ṅa ṇa na m,

8. jha bha ñ

9. gha ḍha dha ṣ

10. ja ba ga ḍa da ś

11. kha pha cha ṭha tha ca ṭa ta v

12. ka pa y

13. śa ṣa sa r

14. ha l

1. a i u N,

2. R^i L^i k,

3. e o ~N,

4. ai au ch,

5. ha ya va ra T,

6. la N,

7. ~na ma ~Na Na na m,

8. jha bha ~n

9. gha Dha dha Sh

10. ja ba ga Da da sh

11. kha pha Cha Tha tha cha Ta ta v

12. ka pa y

13. sha Sha sa r

14. ha l

1. ə ɪ u ɳ,

2. ɾɨ lɨ k,

3. eː oː ŋ,

4. əɪ əu t͡ʃ,

5. ɦə jə ʋə ɾə ʈ,

6. lə ɳ,

7. ɲə mə ŋə ɳə n̪ə m,

8. d͡ʒʰə bʰə ɲ

9. gʰə ɖʰə d̪ʰə ʂ

10. d͡ʒə bə gə ɖə d̪ə ʃ

11. kʰə pʰə t͡ʃʰə ʈʰə t̪ʰə t͡ʃə ʈə t̪ə ʋ

12. kə pə j

13. ʃə ʂə s̪ə ɾ

14. ɦə l

१. अ इ उ ण्,

२. ऋ ऌ क्,

३. ए ओ ङ्,

४. ऐ औ च्,

५. ह य व र ट्,

६. ल ण्,

७. ञ म ङ ण न म्,

८. झ भ ञ्

९. घ ढ ध ष्

१०. ज ब ग ड द श्

११. ख फ छ ठ थ च ट त व्

१२. क प य्

१३. श ष स र्

१४. ह ल्

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Scheme

This allows Pāṇini to refer to groups of phonemes with pratyāhāras, which consist of a phoneme-letter and an anubandha (and often the vowel a to aid pronunciation) and signify all of the intervening phonemes. Pratyāhāras are thus single syllables, but they can be declined (see Aṣṭādhyāyī 6.1.77 below). Hence the pratyāhāra aL refers to all phonemes (because it consists of the first phoneme of the first verse (a) and the last anubandha of the last verse (L)); aC refers to vowels (i.e., all of the phonemes before the anubandha C: i.e. a i u ṛ ḷ e o ai au); haL to consonants, and so on.

Issues

Note that some pratyāhāras are ambiguous. The anubandha occurs twice in the list, which means that you can assign two different meanings to pratyāhāra aṆ (including or excluding , etc.); in fact, both of these meanings are used in the Aṣṭādhyāyī. On the other hand, the pratyāhāra haL is always used in the meaning "all consonants"—Pāṇini never uses pratyāhāras to refer to sets consisting of a single phoneme.

Combinations

From these 14 verses, a total of 280 pratyāhāras can be formed: 14*3 + 13*2 + 12*2 + 11*2 + 10*4 + 9*1 + 8*5 + 7*2 + 6*3 + 5*5 + 4*8 + 3*2 + 2*3 +1*1, minus 14 (as Pāṇini does not use single element pratyāhāras) minus 11 (as there are 11 duplicate sets due to h appearing twice); the second multiplier in each term represents the number of phonemes in each. But Pāṇini uses only 41 (with a 42nd introduced by later grammarians, raṆ=r l) pratyāhāras in the Aṣṭādhyāyī.

Arrangement

The Akṣarasamāmnāya puts phonemes with a similar manner of articulation together (so sibilants in 13 śa ṣa sa R, nasals in 7 ñ m ṅ ṇ n M). Economy [α] is a major principle of their organization, and it is debated whether Pāṇini deliberately encoded phonological patterns in them (as they were treated in traditional phonetic texts called Prātiśakyas) or simply grouped together phonemes which he needed to refer to in the Aṣṭādhyāyī and which only secondarily reflect phonological patterns.[a] Pāṇini does not use the Akṣarasamāmnāya to refer to homorganic stops,[b] but rather the anubandha U: to refer to the palatals c ch j jh he uses cU.

Example

As an example, consider Aṣṭādhyāyī 6.1.77: iKaḥ yaṆ aCi:[3]

  • iK means i u ṛ ḷ,
  • iKaḥ is iK in the genitive case, so it means ' in place of i u ṛ ḷ;
  • yaṆ means the semivowels y v r l and is in the nominative, so iKaḥ yaṆ means: y v r l replace i u ṛ ḷ.
  • aC means all vowels, as noted above
  • aCi is in the locative case, so it means before any vowel.

Hence this rule replaces a vowel with its corresponding semivowel when followed by any vowel, and that is why dadhi together with atra makes dadhyatra. To apply this rule correctly we must be aware of some of the other rules of the grammar, such as:

  • 1.1.49 ṣaṣṭhī sthāneyogā which says that the genitive case in a sutra signifies "in the place of"[4]
  • 1.1.50 sthāne 'ntaratamaḥ which says that in a substitution, the element in the substitute series that most closely resembles the letter to be substituted should be used (e.g. y for i, r for etc.)[5]
  • 1.1.71 ādir antyena sahetā which says that a sequence with an element at the beginning (e.g. i) and an IT letter (e.g. K) at the end stands for the intervening letters (i.e. i u ṛ ḷ, because the Akṣarasamāmnāya sutras read i u ṛ ḷ K).[6]

Also, rules can be debarred by other rules:

  • 6.1.101 aKaḥ savarṇe dīrghaḥ [7] teaches that vowels (from the aK pratyāhāra) of the same quality come together to make a long vowel, so for instance dadhi and indraḥ make dadhīndraḥ, not *dadhyindraḥ. This aKaḥ savarṇe dīrghaḥ rule takes precedence over the general iKaḥ yaṆ aCi rule mentioned above, because this rule is more specific.

Pratyāhāras

Despite the possible combinations seen above, here are the 41 pratyāhāras in actual use by Pāṇini:[8]

More information Pratyāhāra, Phoneme class ...
PratyāhāraPhoneme classPāṇini's termPhonemes included
aLall soundsvarṇa
Syllabic nuclei (vowels & syllabic liquids)
aCall syllabicssvaraa i u ṛ ḷ e o ai au
aKsimple syllabicssamānākṣaraa i u r̥ l̥
aṆmonophthongsa i u
iCnon-open syllabics[c]nāmini u r̥ l̥ e o ai au
iKclose syllabicsi u r̥ l̥
uKnon-palatal close syllabicsu r̥ l̥
eCdiphthongs[d]sandhyakṣarae o ai au
eṆshort diphthongs[d]e o
aiClong diphthongs[d]ai au
Consonants
haLall consonantsvyañjana
haŚvoiced consonantsghoṣavats
yaRnon-glottal consonants
yaYstops & approximantssparśāntaḥstha
yaÑresonants, jh, bh
yaMresonantsy v r l ñ m ṅ ṇ n
yaṆapproximantsantaḥsthasy v r l
vaLconsonants except y
vaŚvoiced consonants except y
raLconsonants except y v
ñaMnasal stopsñ m ṅ ṇ n
maYstops except ñ
ṅaMnasals except ñ mṅ ṇ n
jhaLobstruents
jhaRobstruents except h
jhaYoral stops
jhaŚvoiced oral stopsjh bh gh ḍh dh j b g ḍ d
jhaṢbreathy voiced stopsjh bh gh ḍh dh
bhaṢbreathy voiced plosivesbh gh ḍh dh
jaŚmodal voiced oral stopsj b g ḍ d
baŚmodal voiced plosivesb g ḍ d
khaRvoiceless obstruents
khaYvoiceless stopskh ph ch ṭh th k p c ṭ t
chaVcoronal voiceless stopsch ṭh th c ṭ t
caYvoiceless unaspirated stopsk p c ṭ t
caRvoiceless unaspirated obstruents
śaLfricativesūṣmanś ṣ s h
śaRvoiceless fricativesś ṣ s
Other classes
voiced sounds
aMvoiced sonorants
aṆvoiced continuants
aṬvoiced median continuants
iṆnon-open continuantsi u ṛ ḷ e o ai au h y v r l
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See also

Organization of sounds in other languages

Notes

  1. as argued by Paul Kiparsky and Wiebke Petersen, for example
  2. These phonemes induce retroflexion, vide RUKI sound law.
  3. These phonemes are classified as diphthongs (sandhyakṣara) because they are phonologically complex. While e and o are phonetically monophthongs in Classical Sanskrit, e ai o au behave as diphthongs in Sandhi (reverting to their historical components, e.g., eay) and were historically realized as ai āi au āu. See Whitney, Sanskrit Grammar §27.[9]

Glossary

  1. lāghava

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