Monthly Afternoon

Japanese manga magazine From Wikipedia, the free encyclopedia

Monthly Afternoon (Japanese: 月刊アフタヌーン, Hepburn: Gekkan Afutanūn) is a Japanese monthly seinen manga anthology published by Kodansha. The first issue was published in December 1986, with new issues released on the 25th of each month. Monthly Afternoon has spawned many successful manga series that span a variety of different genres, such as Oh My Goddess!, Blade of the Immortal, Genshiken, and Big Windup!. Chapters of each manga series in the magazine are compiled and released as tankōbon volumes under its "Afternoon KC" imprint. A spin-off magazine, named good! Afternoon, started publishing in November 2008.

Editor-in-ChiefAkira Kanai[1]
Former editors
  • Tatsuya Shishikura[2]
  • Shohei Yoshida[3]
  • Kohei Furukawa[4]
  • Koichi Yuri[5]
  • Yoshiyuki Kurihara[6]
FrequencyMonthly
Quick facts Editor-in-Chief, Former editors ...
Monthly Afternoon
Cover of the October 2011 issue, featuring Mysterious Girlfriend X
Editor-in-ChiefAkira Kanai[1]
Former editors
  • Tatsuya Shishikura[2]
  • Shohei Yoshida[3]
  • Kohei Furukawa[4]
  • Koichi Yuri[5]
  • Yoshiyuki Kurihara[6]
CategoriesSeinen manga[7][8]
FrequencyMonthly
Circulation
  • 22,800[9]
  • (October – December 2025)
PublisherKodansha
First issueDecember 25, 1986; 39 years ago (1986-12-25)
CountryJapan
Based inTokyo
LanguageJapanese
Websiteafternoon.kodansha.co.jp
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History

The magazine was founded as a sister magazine to Morning by the same publisher, Kodansha. It originated as a special issue to the magazine, titled Morning Magnum Zōkan.[a][10] Its first issue was released on December 25, 1986, with the cover date of February 1987.[11] Its purpose was as a complementary magazine, acting as an "experimental zone" for new artists to develop unique art styles in manga.[12] Vice editor of Morning, Yasumitsu Tsutsumi, described the differences between the two magazines in 1994: "Morning uses manga to express ideas and write stories. Afternoon, of course, is similar, but it is also about manga itself, and experimenting and developing forms of expression in manga."[13]

Initially, both Afternoon and Morning shared the same editorial department.[12][14] Its first editor-in-chief was also the editor-in-chief of Morning at the time, Yoshiyuki Kurihara.[6][11] According to Frederik L. Schodt, stories that the editors of Morning liked but felt did not fit the magazine would often land in Afternoon.[15] Afternoon has since maintained its own separate editorial department.[2]

Under the magazine's approach of eschewing an editorial policy in favor of publishing what is experimental and "interesting",[16] Afternoon eventually gained a reputation for its sheer quantity of both its titles and pages, alongside its diverse selection of manga.[17] From 1992 to 1997, an average issue would contain over 1,000 pages.[11][17] Adding to its diversity was the novel approach of inviting foreign artists and writers to create manga in Afternoon, much like in Morning.[15][18]

Many of the artists working for the magazine used to publish amateur doujinshi and were influenced by lolicon amateur manga. Sharon Kinsella claims that around half of all series featured in Afternoon between 1994 and 1997 were inspired by lolicon aesthetics. She lists Discommunication, Gunsmith Cats, Assembler 0X, Seraphic Feather, Aqua and Oh My Goddess! as examples.[19][20]

A sister magazine, titled Afternoon Season Zōkan [ja],[b] was originally published in eight issues between 1987 and 1988, shortly after Afternoon's launch.[21][22] After over a decade, it was revived and began publishing on a quarterly basis, from October 1999 to October 2002.[23][24] After 14 issues, the magazine was discontinued;[25] some of its series, like Mushishi and Mokke, were transferred to Afternoon. Another sister magazine, good! Afternoon, began publishing on November 7, 2008.[26]

Between 2006 and 2009, Afternoon was part of Kodansha's "e-1day" series, a comprehensive website which also included Morning and Evening, its other sister magazine.[27] A similar website, "Moae", was established in May 2013, featuring the aforementioned magazines and their spin-offs, Morning Two and good! Afternoon.[28][29] It has since been discontinued.[30] An online platform, titled Comic Days [ja], was launched in March 2018, featuring manga titles from various Kodansha magazines, including Afternoon.[31] As of November 2013, new issues of Afternoon are distributed simultaneously in print and digitally.[32]

In February 2024, the Afternoon editorial department, Skip and Loafer author Misaki Takamatsu, and the Skip and Loafer anime team donated 10 million yen to the Ishikawa Prefecture Relief Fund after the 2024 Noto Earthquake.[33]

Newcomer award

Since 1987, Monthly Afternoon has held the seasonal Afternoon Shiki Shō [ja][c] contest for potential newcomer manga artists. Contenders submit one-shot stories for the chance to win prize money and have their work published in Monthly Afternoon, good! Afternoon, or Comic Days [ja], out of five prize categories.[34] A number of winning works have become serialized hits in Monthly Afternoon, such as Yokohama Kaidashi Kikou, Blame!, and Love Roma.[35] In 2013, Kodansha published a selection of past winners in several volumes.[36]

Circulation and demographic

Like with most major manga magazines, Monthly Afternoon's circulation has been steadily declining, from an estimated 200,000 in the 1990s,[15][13] to 22,800 in 2025.[9] Despite higher circulation figures in the past, they were still considered low by large publishers' standards; according to Sharon Kinsella, the magazine did not generate any revenue for Morning's editorial department between its launch in 1986 and 1994.[13]

About two-thirds of Monthly Afternoon readers consist of corporate workers or civil servants.[1] In 1994, the average age of Monthly Afternoon readers was 28 years and four months, younger than the average age of 30 years and two months for adult manga readers.[37] That same year, magazine editor Haruo Ogawa guessed that up to a third of readers of the magazine could be called otaku.[19][20] In 2014, former editor-in-chief Tatsuya Shishikura estimated that most readers of Monthly Afternoon were in their mid-30s, further stating that while good! Afternoon is aimed at casual manga readers, Monthly Afternoon is aimed at "hardcore manga readers".[38]

Features

Ongoing

There are currently 38 manga titles being serialized in Monthly Afternoon. Out of them, Big Windup!, Historié, Wandering Island and Yakuza Fiancé are on hiatus. Nella of the Horizon is serialized on an irregular schedule.

More information Series title, Author ...
Series title Author Premiered
7-nin no Nemuri Hime (7人の眠り姫, Shichinin no Nemuri Hime) Fiok Lee March 2023
Asayake Refrain (あさやけリフレイン, Asayake Rifurein) Hikari Matsuda March 2025
Big Windup! (おおきく振りかぶって, Ōkiku Furikabutte) Asa Higuchi September 2003
Blue Period (ブルーピリオド, Burū Piriodo) Tsubasa Yamaguchi June 2017
The Chronicles of Leënde (レーエンデ国物語, Rēende Kuni Monogatari) Rei Tasaki (story) and Nezu Usugumo (art) October 2024
The Darwin Incident (ダーウィン事変, Dāwin Jihen) Shun Umezawa June 2020
Dig It (ディグイット, Digu Itto) Yoshidamaru April 2025
Fragile (フラジャイル, Furajairu) Bin Kusamizu (story) and Megumi Saburo (art) June 2014
Furu Kara-suya Satoshi (フルカラ~スヤサトシ) Satoshi Karasuya January 2024
Fushichō Koroshi (不死鳥殺し) Akira Suga August 2025
Golden Phantom (ゴールデンファントム, Gōruden Fantomu) Daiki Yamazaki February 2026
Gyakusatsu Kigen (逆殺起源) Yūichirō Momose (story) and Shiwasu Hoshikawa (art) May 2026
Heavenly Delusion (天国大魔境, Tengoku Daimakyō) Masakazu Ishiguro January 2018
Hellhound (ヘルハウンド, Heruhaundo) Ryōji Minagawa June 2022
Historié (ヒストリエ, Hisutorie) Hitoshi Iwaaki January 2003
Hyakudai Heikifu (百大兵器譜) Ryū Suenobu June 2026
Kaettekita Karasuya Satoshi (帰ってきたカラスヤサトシ) Satoshi Karasuya January 2018
Kraken Mare Izu (story), Hagane (art) and Masato Hara (translation) February 2025
Manga Lover (マンガラバー, Manga Rabā) Kou Fumimura April 2025
Medalist (メダリスト, Medarisuto) Tsurumaikada May 2020
Mirairaifurai (ミライライフライ) Ao Ameta October 2023
Mojiponica! (モジポニカ!) Masaki Andō May 2025
Moyashimon+ (もやしもん+) Masayuki Ishikawa November 2024
Nella of the Horizon (水平線のネラ, Suiheisen no Nera) Yuki Urushibara February 2025
Omori Omocat (story) and Nui Konoito (art) June 2024
Paris ni Saku Étoile (パリに咲くエトワール, Pari ni Saku Etowāru) Gorō Taniguchi (original work) and Zelihan (art) November 2025
PAX Kokumin Kōfuku Kanrikyoku (PAX 国民幸福管理局) Maki Marukido March 2026
Poo-Neko (プ~ねこ, Pu Neko) Masayuki Kitamichi December 2003
Shingetsu no Ban ni (新月の盤に) Akino Miyabi July 2025
Skip and Loafer (スキップとローファー, Sukippu to Rōfā) Misaki Takamatsu August 2018
Tengu no Daidokoro (天狗の台所) Ai Tanaka September 2021
Toppu GP (トップウGP, Toppū Jīpī) Kōsuke Fujishima May 2016
Under Three (アンダー3, Andā Surī) Shunji Enomoto April 2014
Wandance (ワンダンス, Wandansu) Coffee January 2019
Wandering Island (冒険エレキテ島, Bōken Erekite-tō) Kenji Tsuruta September 2011
Wave, Listen to Me! (波よ聞いてくれ, Nami yo Kiitekure) Hiroaki Samura July 2014
When the Chameleon Flowers Bloom (どくだみの花咲くころ, Dokudami no Hanasaku Koro) Shiho Kido November 2023
Yakuza Fiancé (来世は他人がいい, Raise wa Tanin ga Ii) Asuka Konishi August 2017
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Past

1980s

1990s

  • Compiler (コンパイラ, Konpaira) by Kia Asamiya (1990–1992)
  • Gunsmith Cats by Kenichi Sonoda (1990–1997)
  • Discommunication (ディスコミュニケーション, Disukomyunikēshon) by Riichi Ueshiba (1991–1999)
  • Magical Super Asia (深く美しきアジア, Fukaku Utsukushiki Ajia) by Chen Uen (1991–1994)
  • Wahhaman (ワッハマン) by Yoshitoh Asari (1992–1999) (moved from Morning Party Zōkan)
  • Dr. Kishiwada's Scientific Affection (岸和田博士の科学的愛情, Kishiwada Hakase no Kagaku Teki Aijō) by Tony Takezaki (1992–1998) (moved from Morning Party Zōkan)
  • Tensui (天水) by Kazuichi Hanawa (1992–1994)
  • A Diffusion Disease (拡散, Kakusan) by Hideji Oda (1992–1998)
  • Ice Blade (地雷震, Jiraishin) by Tsutomu Takahashi (1992–1999)
  • Assembler 0X (アセンブラ0X, Asenbura Zero Ekkusu) by Kia Asamiya (1992–1995)
  • Tsuyoshi Motto Shikkari Shinasai (ツヨシもっとしっかりしなさい) by Kiyoshi Nagamatsu (1992–1994)
  • Gogo Sanji no Mahō (午後3時の魔法) by Narumi Kakinouchi (1993–1999)
  • Boku wa Otōto (ぼくはおとうと) by Shinji Ohara (1993–1994)
  • Kami no Ude (神の腕) by Jaime Brocal Remohí (1993–1994)
  • Yōsei Jiken (妖精事件) by Yun Kōga (1993–1999)
  • Ikkyū (あっかんべェ一休, Akkanbe Ikkyū) by Hisashi Sakaguchi (1993–1995)
  • Blade of the Immortal (無限の住人, Mugen no Jūnin) by Hiroaki Samura (1993–2012)
  • Dominator (ドミネーター, Dominētā) by Tony Luke (original work, art) and Alan Grant (story) (1993–1994)
  • Seraphic Feather (セラフィック・フェザー, Serafikku Fezā) by Yo Morimoto, Toshiya Takeda (story) and Hiroyuki Utatane (art) (1993–2008)
  • Yugo (勇午, Yūgo) by Shinji Makari (story) and Shū Akana (art) (1993–2004) (transferred to Evening)
  • Hanashippanashi (はなしっぱなし) by Daisuke Igarashi (1993–1996)
  • Yokohama Kaidashi Kikou (ヨコハマ買い出し紀行) by Hitoshi Ashinano (1994–2006)
  • Aqua by Kazuhiko Tsuzuki (1994–1995)
  • Dai Nippon Tengu-tō Ekotoba (大日本天狗党絵詞) by Iou Kuroda (1994–1996)
  • Imaginary Magnitude (空想の大きさ, Kūsō no Ōki-sa) by Jon J Muth (art) and John Kuramoto (story) (1994–1997)
  • Kagerowic Diary (陽炎日記, Kagerō Nikki) by Shimoku Kio (1994–1996)
  • Chronowar (電夢時空, Denmu Jikū) by Kazumasa Takayama (1994–1995)
  • Blue World (ブルー・ワールド, Burū Wārudo) by Yukinobu Hoshino (1995–1997)
  • Vendémiaire no Tsubasa (ヴァンデミエールの翼, Vandemiēru no Tsubasa) by Mohiro Kitoh (1995–1997)
  • Hiroki Endo's Tanpenshu (遠藤浩輝短編集, Endō Hiroki Tanpenshū) by Hiroki Endo (1995–1997) (transferred to Afternoon Season Zōkan)
  • Inugami (犬神) by Masaya Hokazono (1996–2002)
  • Discommunication: Gakuenhen (ディスコミュニケーション 学園編, Disukomyunikēshon Gakuen-hen) by Riichi Ueshiba (1996–1997)
  • Sumire Gahō (菫画報) by Shinji Ohara (1996–1999)
  • Blame! by Tsutomu Nihei (1997–2003)
  • Kamikaze (神・風, Kami Kaze) by Satoshi Shiki (1997–2003)
  • Cannon God Exaxxion (砲神エグザクソン, Hōjin Eguzakuson) by Kenichi Sonoda (1997–2004)
  • Eden: It's an Endless World! by Hiroki Endo (1997–2008)
  • Genzō Hitogata Kiwa (幻蔵人形鬼話) by Yuzo Takada (1997–2004)
  • The 4th Grade (四年生, Yonensei) by Shimoku Kio (1997–1998)
  • Shadow Star (なるたる, Narutaru) by Mohiro Kitoh (1998–2003)
  • From Kobe (神戸在住, Kōbe Zaijū) by Kon Kimura (1998–2006)
  • The 5th Grade (五年生, Gonensei) by Shimoku Kio (1998–2001)
  • Niraikanai (ニライカナイ) by Megumu Okada (1999–2002)
  • Space Family Carlvinson (宇宙家族カールビンソン, Uchū Kazoku Kārubinson) by Yoshitoh Asari (1999–2000)
  • Discommunication: Seireihen (ディスコミュニケーション 精霊編, Disukomyunikēshon Seirei-hen) by Riichi Ueshiba (1999–2000)
  • Hato no Oyome-san (ハトのおよめさん) by Haguki (1999–2012)
  • Coo's World (クーの世界, Kū no Sekai) by Hideji Oda (1999–2000)
  • Kazoku no Sorekara (家族のそれから) by Asa Higuchi (1999–2000)

2000s

2010s

2020s

  • Tomodachi toshite Daisuki (友達として大好き) by Mikumi Yuuchi (2020–2021)
  • Spotlight (スポットライト, Supottoraito) by Kaze Miura (2020–2021)
  • Mō, Shimasen Kara: Seiun Risshi-hen (もう、しませんから。 ~青雲立志編~) by Hideo Nishimoto (2020–2023)
  • Maō no Kikan (魔王の帰還) by Michi Ichiho (story) and Nori Arashiyama (art) (2021)
  • Q, Koi tte nan desu ka? (Q、恋ってなんですか?) by Fiok Lee (2021–2022)
  • Bitter End Roll (ビターエンドロール, Bitā Endo Rōru) by Shun Sakura (2021–2022)
  • Sing a Bit of Harmony (アイの歌声を聴かせて, Ai no Utagoe o Kikasete) by Yasuhiro Yoshiura (original story) and Megumu Maeda (art) (2021–2022)
  • Chaos Game (カオスゲーム, Kaosu Gēmu) by Daiki Yamazaki (2022–2024)
  • Minzoku Gakusha Akasaka Yaichirō no Jiken-bo (民俗学者 赤坂弥一郎の事件簿) by Richard Woo (story) and Seimu Yoshizaki (art) (2022–2023)
  • Medium: Reibai Tantei Jōtsuka Hisui (medium 霊媒探偵城塚翡翠) by Sako Aizawa (story) and Hiro Kiyohara (art) (2022–2023)
  • Suzume (すずめの戸締まり, Suzume no Tojimari) by Makoto Shinkai (story) and Denki Amashima (art) (2022–2023)
  • Saihate no Serenade (最果てのセレナード, Saihate no Serenādo) by Hinohiruko (2022–2025)
  • A Kingdom of Quartz (クオーツの王国, Quartz no Ōkoku) by Bomhat (2022–2025)
  • Jigoku no Ashita (地獄のアシタ) by Mikumi Yuuchi (2023–2024)
  • Meimeimei Shoku Sanctuary (冥冥冥色聖域, Meimeimeishoku Seiiki) by Ayumu Seki (2023–2024)
  • Yamada-kun no Zawameku Jikan (山田君のざわめく時間) by Yuichi Nakamaru (2023)
  • Zach in Love (ザハの恋, Zaha no Koi) by Nori Arashiyama (2024–2025)
  • Dead Don't Talk (でっどどんととーく, Deddo Donto Tōku) by Aki Kaneda (2025–2026)

Circulation figures

More information Date(s), January–March ...
Circulation
Date(s)January–MarchApril–JuneJuly–SeptemberOctober–DecemberRef
1990s est. 200,000 [15][13]
2000–2003 160,000 [17][39]
2004 144,583 [40]
2005 133,834 [40]
2006 127,417 [41]
2007 119,666 [42]
2008 114,000114,334117,667 [43]
2009112,667106,334105,000105,000 [44]
2010104,334102,000100,000100,000 [45]
201198,00095,00091,66791,667 [46]
201290,00089,00087,00087,000 [47]
201387,00085,00085,00087,000 [48]
201485,00085,00084,50083,367 [49]
201575,60775,31074,44474,110 [50]
201673,84372,31069,31065,000 [51]
201765,00065,00063,00063,000 [52]
201862,33360,33353,33351,000 [53]
201949,00044,16742,70041,500 [9]
202037,80034,26733,38032,000 [9]
202130,46730,20029,33328,333 [9]
202227,00026,50026,33325,633 [9]
202324,73326,63327,70025,200 [9]
202423,66722,80022,80022,800 [9]
202522,80022,80022,80022,800 [9]
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Notes

  1. Japanese: モーニングマグナム増刊, Hepburn: Mōningu Magunamu Zōkan; lit.'Morning Magnum Special Edition'
  2. Japanese: アフタヌーンシーズン増刊, Hepburn: Afutanūn Shīzun Zōkan; lit.'Afternoon Season Special Edition'
  3. Japanese: アフタヌーン四季賞, Hepburn: Afutanūn Shiki-shō; lit.'Afternoon Four Seasons Award'

References

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