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The Attacks of 26/11

2013 Indian Hindi-language action thriller film From Wikipedia, the free encyclopedia

The Attacks of 26/11 is a 2013 Indian Hindi-language action thriller film[7] directed by Ram Gopal Varma, based on the book Kasab: The Face of 26/11 by Rommel Rodrigues about Ajmal Kasab, then sole surviving perpetrator of the 2008 Mumbai attacks. The film stars Nana Patekar as Rakesh Maria, then Joint Commissioner of Police and Sanjeev Jaiswal in his film debut, playing the role of terrorist Ajmal Kasab.

Written byRam Gopal Varma
Rommel Rodrigues[2]
Based onKasab: The Face of 26/11 by Rommel Rodrigues
2008 Mumbai Attacks
Produced byParag Sanghvi[3]
Quick facts Directed by, Written by ...
The Attacks of 26/11
Theatrical release poster
Directed byRam Gopal Varma[1]
Written byRam Gopal Varma
Rommel Rodrigues[2]
Based onKasab: The Face of 26/11 by Rommel Rodrigues
2008 Mumbai Attacks
Produced byParag Sanghvi[3]
StarringNana Patekar[4]
Sanjeev Jaiswal
CinematographyHarshraj Shroff
M. Ravichandran Thevar
Music byAmar Mohile
Production
company
Alumbra Entertainment
Distributed byEros International
Release dates
  • February 2013 (2013-02) (Berlin)
  • 1 March 2013 (2013-03-01)
Running time
116 minutes[5]
CountryIndia
LanguageHindi
Budget₹22 crore (US$2.3 million)[6]
Box office₹30.9 crore (US$3.2 million)
(7.9 cr India
23 cr worldwide)
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Plot

Before a committee investigating the 2008 Mumbai Attacks, Rakesh Maria, the Joint Commissioner of Police, recounts the execution of the attacks, the police response, and the interrogation of the sole surviving perpetrator, Ajmal Kasab.

On 22 November 2008, ten young Lashkar-e-Taiba militants, including Kasab, hijack an Indian fishing vessel, MV Kuber, in international waters. After killing the crew, they reach the coast of Mumbai via inflatable speedboats on the evening of 26 November. Dividing into pairs, they disperse to target high-profile locations across South Mumbai, including the CSMT, Leopold Cafe, the Taj Mahal Palace Hotel, the Oberoi Trident Hotel, Nariman House, and Cama Hospital.

At CSMT, Kasab and his accomplice, Ismail Khan, open fire indiscriminately on commuters, killing dozens. Mumbai Police personnel respond to the attack, but are constrained by inferior weaponry. Moving towards Cama Hospital, Kasab and Ismail ambush a police vehicle, killing Anti-Terrorism Squad chief Hemant Karkare, Additional Commissioner Ashok Kamte, and Inspector Vijay Salaskar. The duo hijacks the vehicle, but is intercepted at a police roadblock near Girgaum Chowpatty. Assistant sub-inspector of police Tukaram Omble grapples with Kasab, sustaining fatal gunshot wounds while enabling his colleagues to capture Kasab alive. Ismail is killed in the scuffle.

Concurrently, the remaining militants hold hostages and engage in prolonged firefights inside the Taj Mahal Palace Hotel and Nariman House. Local police and hotel staff attempt to contain the situation until NSG commandos arrive to clear the locations and neutralize the attackers.

Following Kasab's capture, Maria leads his interrogation. Kasab initially demonstrates intense radicalization, expressing a belief that his actions of killing infidels guaranteed him entry to Jannah. Outraged, Maria takes Kasab to a mortuary to view the corpses of his deceased accomplices. Maria delivers an extended monologue dismantling the ideological justifications provided by Kasab's handlers, highlighting how they manipulate impoverished and uneducated youths into committing these atrocities while remaining safe. Broken and confronted with the reality of the destruction, Kasab breaks down and expresses remorse.

The film concludes as Kasab is tried, convicted, and executed by hanging at Yerwada Central Jail in Pune on 21 November 2012, followed by a solemn tribute to the victims and the fallen first responders.

Cast

Production

On 30 December 2008, the director, Ram Gopal Varma, toured the Taj Mahal Palace Hotel just days after the attacks, drawing widespread condemnation. At the time, Varma called his visit a 'coincidence' and said he had no plans of making a film based on the attacks, but later apologised for his visit prior to the release of the film.[8][9]

Varma stated that they used sources to research the attacks, including eyewitnesses, police statements,[10][11] charge sheets and the author of the book, Rommel Rodrigues, whom he described as "a walking encyclopaedia".[11]

Under the art direction of Uday Singh, a replica of the Taj Mahal Palace Hotel was built with a cost of ₹ 40 million.[12] Varma auditioned 500 applicants and selected Sanjeev Jaiswal to play Ajmal Kasab.[13] The film used real locations[14] and covers the night of 26 November 2008, focusing primarily between 9 PM and 1 AM, when Kasab was caught.[15] The shooting of the film was finished by 11 December 2012 at Chhatrapati Shivaji Terminus.[16][17]

Soundtrack

"Maula Maula" was debuted by Sukhwinder Singh at the Leopold Cafe at 9:30 AM some time before 12 February 2013, the hour when the attacks began. At the event, scenes from the film were shown, Patekar spoke of his experience while shooting the film and two victims of the attack on the cafe were later invited on stage to speak of their experiences.[18][19]

There are five songs on the soundtrack, of which "Nethutti Ruchi Mariginda" was sung by Varma in the Telugu version of the film.[20]

More information No., Title ...
No.TitleLyricsSinger(s)Length
1."Maula Maula"Irshad KamilSukhwinder Singh, Rooshin Dalal5:05
2."Aatanki Aaye"Jaspreet JaszShreya Ghoshal, Shabab Sabri, Aman Trikha2:45
3."Khoon Kharaba Tabaahi"Rashid IqbalChaitra Ambadipudi5:54
4."Raghupati Raghav"Irshad KamilChorus5:45
5."Nazam track 26/11"Liaqat JafriChorus3:15
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Soundtrack reception

Joginder Tuteja of Bollywood Hungama gave it a 2 out of 5 stars, stating that, aside from "Maula Maula", the rest of the songs are "average to hear and may just enhance the film's narrative to some extent".[21]

Marketing

The first seven minutes of the film were released on the YouTube channel of Eros International on 23 November 2012.[22] A special screening of the film was arranged by the director for Karan Johar and Rakesh Maria.[23] The first trailer of Satya 2 was attached with the film.[24]

Release

The first look of the film was revealed on 17 January 2013.[25][26] The Central Board of Film Certification (CBFC) passed the film, uncut, with an 'Adults Only' certificate.[27] The film premiered at the Berlin International Film Festival in both the Panorama and Competition sections.[28][29] It had its theatrical release on 1 March 2013 to mixed reviews from critics,[30] receiving positive reviews when it was shown at the Films Division Auditorium in Delhi, where several politicians were present.[31]

Reception

Firstpost commended Patekar in his role in their review, saying "Nana holds the film together. He feels every line that he utters. His heart bleeds for each one of the 166 people who died on that night. When he tells Kasab in a choked voice, 'I have a son of your age', Nana isn't faking it. His performance goes way beyond acting."[32]

Subhash K. Jha of the Deccan Herald gave the film 4 out of 5 stars, calling the movie "a work of riveting resonance" and "one of the best films in recent times on the wages of terrorism".[33] Resham Sengar of Zee News called the film "a moving sketch of the dreadful terror attack", and gave the film 4 stars out of 5.[34] Taran Adarsh of Bollywood Hungama gave it 3.5 out of 5 and said that the film was "A powerful retelling of a regrettable event in history".[35][36]

Vaihayasi Pande Daniel of Rediff.com gave it two and half stars, saying "I have a headache. My ears are still ringing. The nausea is just about abating."[36] Madhureeta Mukherjee of The Times of India said "While the thought is poignant, the horror isn't palpable throughout and the execution doesn't cut as deep as the actual tragedy" and gave it two and half stars.[36]

Saibal Chatterjee of NDTV gave 2.5 stars, calling the movie "watchable" and saying "Ram Gopal Varma is still not back to his best and The Attacks of 26/11 isn't an unqualified triumph."[37] In Anupama Chopra's review for the Hindustan Times, the film also received 2.5 stars, remarking that the movie's "powerful subject [is] watered down by ineffective story-telling".[38]

In his review for News18, Rajeev Masand gave the film 1.5 stars, writing that the film "often resembles a tacky B-movie" and was a "tragedy exploited".[39][40]

See also

References

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