The Devil's Circus

1926 film From Wikipedia, the free encyclopedia

The Devil's Circus is a 1926 American silent drama film directed by Danish director Benjamin Christensen, based upon his screenplay. The film stars Norma Shearer and Charles Emmett Mack. It was the first of seven films directed by Christensen in the United States, and one of only four of those films that have not been lost. The film involves a young female trapeze artist who is in love with a pickpocket.

Written byBenjamin Christensen
H.H. Caldwell (titles)
Katherine Hilliker (titles)
CinematographyBen F. Reynolds
Quick facts Directed by, Written by ...
The Devil's Circus
Lobby card
Directed byBenjamin Christensen
Written byBenjamin Christensen
H.H. Caldwell (titles)
Katherine Hilliker (titles)
StarringNorma Shearer
Charles Emmett Mack
CinematographyBen F. Reynolds
Edited byBen Lewis
Distributed byMetro-Goldwyn-Mayer
Release date
  • February 15, 1926 (1926-02-15)
Running time
70 minutes
CountryUnited States
LanguageSilent (English intertitles)
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The Devil's Circus advertisement in The Film Daily (1926)

The film's sets were designed by the art director James Basevi.

Plot

As described in a film magazine review,[1] Mary, a young country woman, is befriended by Carl, a pickpocket. She obtains employment in a circus. Carl is arrested for robbery but promises Mary to go straight thereafter. Hugo, a lion-tamer who is infatuated with Mary, assaults her. Jealousy impels Yonna, Hugo's mistress, to tamper with the ropes while Mary is doing her trapeze act. She falls among the enraged lions and is crippled. War breaks out, and many circus men leave to serve in the military. When peace comes, Carl searches and finds Mary. He goes to kill Hugo, but, after discovering that he is blind, he relents. Carl and Mary face a happy future together.

Cast

Reception

From users of IMDb, the film has received a score of 6.8 out 10 from 62 votes.

Preservation status

Thought to have been lost,[2] a print of The Devil's Circus was rediscovered and has been preserved by the George Eastman Museum.[3] Funding for the film's restoration was provided by The Film Foundation.

References

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