The Heiress at Coffee Dan's

1916 silent film by Edward Dillon From Wikipedia, the free encyclopedia

The Heiress at Coffee Dan's is a 1916 American silent comedy-drama[7] film produced by the Fine Arts Film Company and distributed by Triangle Film Corporation. It starred Bessie Love and was directed by Edward Dillon.

StarringBessie Love
CinematographyDavid Abel[1][3]
Quick facts Directed by, Screenplay by ...
The Heiress at Coffee Dan's
Black and white film still showing a woman serving a customer
Frank Bennett and Bessie Love
Directed byEdward Dillon[1][2]
Screenplay byBernard McConville[3]
StarringBessie Love
CinematographyDavid Abel[1][3]
Production
company
Distributed byTriangle Film Corporation
Release date
  • December 1916 (1916-12) (U.S.)[a]
Running time
5 reels
CountryUnited States
LanguageSilent (English intertitles)
Close

The film is presumed lost.

Plot

Black and white film still showing a woman serving in a diner
Waffles (Love) deals with a customer in the diner

Waffles (Love) is a Swedish immigrant who is working as a waitress in Coffee Dan's, a San Francisco diner. She is in love with poor composer Carl (Bennett).

Thieves Clara Johnstone (Younge) and Bert Gallagher (Paget) learn about a missing heiress in a newspaper, and convince Waffles that she is the heiress. Waffles moves into a lavish mansion, and plans to buys the diner for its chef Shorty (Davidson), publish Carl's music, and adopt a baby. However, Johnstone breaks up Waffles and Carl, and Waffles becomes engaged to Gallagher. Before the wedding, Carl appears and stops it.

When the real heiress appears, Waffles returns to her original life, but she receives a reward for the capture of Johnstone and Gallagher. With her money, she buys the diner for Shorty, publishes Carl's music, and adopts the baby.[8][9][10][11][12][13]

Cast

Black and white film still showing a woman in elegant dress
Waffles (Love) poses as a rich heiress

Reception

Bessie Love received positive reviews for her performance in the title role,[7][12][15] called "always pleasing".[7]

The film received mixed reviews. Reviewer George Graves liked the film, but would have preferred it as a straight comedy. He called the direction "adequate".[7] One review called it a "dull story."[16]

References

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