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The Pursuit of Persephone

Adapted from This side of Paradise From Wikipedia, the free encyclopedia

The Pursuit of Persephone is a musical with music and lyrics by Peter Mills and book by Cara Reichel.[1] The show details F. Scott Fitzgerald's time at Princeton University, and his love for Ginevra King.[2] Elements of the plot are loosely adapted from This Side of Paradise (Fitzgerald's own fictionalized account of his time at Princeton).

Photograph of F. Scott Fitzgerald as a student at Princeton. The photo features only his head and shoulders. He is wearing a dark tie and a pin-striped suit.  His hair is parted in the middle and neatly coiffed.
Photographic portrait of Chicago heiress Ginevra King as a young woman. The black and white photo features her left profile, and she is wearing a white dress with ruffled sleeves. Her hair is dark, wavy, and bobbed.
F. Scott Fitzgerald circa 1917 and Chicago socialite Ginevra King circa 1918

Productions

The show premiered at the Connelly Theatre in New York City in 2005, featuring Chris Fuller as F. Scott Fitzgerald and Jessica Grové as Ginevra King.[2][3]

In 2006 much of the original cast returned for a concert reading of the show at the Lucille Lortel Theatre.[4] That same year, a production of the show was staged at the University of Michigan, starring Justin Paul as F. Scott Fitzgerald.[5]

In 2014 the show was reworked and presented by the Prospect Theater Company under the name "The Underclassman".[6][7]

Cast

More information 2005 Off-Broadway, 2006 Concert Reading ...
2005

Off-Broadway[8]

2006

Concert Reading[4]

2014

Prospect Theater[7]

F. Scott Fitzgerald Chris Fuller Matt Dengler
Ginevra King Jessica Grové
Marie Hersey Piper Goodeve
Edmund Wilson David Abeles
John Peale Bishop Benjamin Sands Marrick Smith
Trip Everett Jordan Bondurant
"Ham" Samuels Jeremy Morse
Clive Bagby Jason Edward Cook
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Reception

The show received some praise for its music, costuming, and casting, but often received criticism for its book.[9][8]

The 2014 production similarly was praised for its music, while critics felt the underlying story was not interesting enough to captivate audiences.[6][7]

Awards

More information Award, Category ...
Award Category
2006 Drama Desk Awards[10] Best Music Nominated
Best Orchestrations Nominated
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References

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