Stella Prize
Australian literary award for women and non-binary writers
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The Stella Prize is an Australian annual literary award established in 2013 for writing by Australian women in all genres, worth $50,000. It was originally proposed by Australian women writers and publishers in 2011, modelled on the UK's Baileys Women's Prize for Fiction (formerly the Orange Prize for Fiction).[1]
The award derives its name from the author Miles Franklin, whose full name was "Stella Maria Sarah Miles Franklin."[2]
It was established by a group of 11 Australian women writers, editors, publishers and booksellers who became concerned about the poor representation of books by women in Australia's top literary prize, the Miles Franklin Award.[3][4]
"After a rapid acceleration in women's rights in the '70s and '80s, things have started to go backwards," Sophie Cunningham said in a keynote address at the 2011 Melbourne Writers' Festival. "Women continue to be marginalised in Australian culture and the arts sector – which likes to pride itself on its liberal values – is, in fact, complacent. Women are much less likely to win literary awards, to write reviews of books, or have their books reviewed. This, despite the fact they write about half the books published."[5]
Some commentators, such as Erin Handley writing in The Age, have said that fiction and non-fiction are different genres that should be judged separately, highlighting that this is an issue for the Stella Prize. But this is rejected by Dr. Kerryn Goldsworthy, the chair of the Stella judging panel, who stated that comparing fiction and non-fiction is "no harder than comparing books in general," and that "excellence is achievable in any form."[6]
The 2021 Stella Prize guidelines opened entries to books by non-binary as well as women writers.[7]
Award honorees
2013 to 2019
2020 to 2026
| Year | Author | Title | Result | Ref. |
|---|---|---|---|---|
| 2020 | Jess Hill | See What You Made Me Do | Winner | [46][9][47] |
| Caro Llewellyn | Diving into Glass | Shortlist | [48][49][50] | |
| Favel Parrett | There Was Still Love | |||
| Josephine Rowe | Here Until August | |||
| Tara June Winch | The Yield | |||
| Charlotte Wood | The Weekend | |||
| Joey Bui | Lucky Ticket | Longlist | [51] | |
| Yumna Kassab | The House of Youssef | |||
| Mandy Ord | When One Person Dies the Whole World is Over | |||
| Vikki Wakefield | This is How We Change the Ending | |||
| Sally Young | Paper Emperors | |||
| Gay'wu Group of Women | Songspirals | |||
| 2021 | Evie Wyld | The Bass Rock | Winner | [52][53][54][9] |
| Rebecca Giggs | Fathoms: The World in the Whale | Shortlist | [55][56][57][58][59] | |
| S. L. Lim | Revenge | |||
| Laura Jean McKay | The Animals in That Country | |||
| Louise Milligan | Witness | |||
| Mirandi Riwoe | Stone Sky Gold Mountain | |||
| Cath Moore | Metal Fish, Falling Snow | Longlist | [60] | |
| Intan Paramaditha | The Wandering | |||
| Ellena Savage | Blueberries | |||
| Nardi Simpson | Song of the Crocodile | |||
| Elizabeth Tan | Smart Ovens for Lonely People | |||
| Jessie Tu | A Lonely Girl is a Dangerous Thing | |||
| 2022 | Evelyn Araluen | Dropbear | Winner | [61][62][63][64] |
| Eunice Andrada | Take Care | Shortlist | [65][66][67] | |
| Anwen Crawford | No Document | |||
| Jennifer Down | Bodies of Light | |||
| Lee Lai | Stone Fruit | |||
| Elfie Shiosaki | Homecoming | |||
| Randa Abdel-Fattah | Coming of Age in the War on Terror | Longlist | [68] | |
| Paige Clark | She Is Haunted | |||
| Anita Heiss | Bila Yarrudhanggalangdhuray | |||
| SJ Norman | Permafrost | |||
| Lucy Van | The Open | |||
| Chelsea Watego | Another Day in the Colony | |||
| 2023 | Sarah Holland-Batt | The Jaguar | Winner | [69] |
| Debra Dank | We Come With This Place | Shortlist | [70] | |
| Eloise Grills | big beautiful female theory | |||
| Adriane Howell | Hydra | |||
| Louisa Lim | Indelible City | |||
| Edwina Preston | Bad Art Mother | |||
| Mandy Beaumont | The Furies | Longlist | [71] | |
| Grace Chan | Every Version of You | |||
| Jackie Huggins & Ngaire Jarro | Jack of Hearts: QX11594 | |||
| Tracey Lien | All That's Left Unsaid | |||
| Fiona Kelly McGregor | Iris | |||
| Thuy On | Decadence | |||
| 2024 | Alexis Wright | Praiseworthy | Winner | [72] |
| Katia Ariel | The Swift Dark Tide | Shortlist | [73] | |
| Katherine Brabon | Body Friend | |||
| Emily O'Grady | Feast | |||
| Sanya Rushdi | Hospital | |||
| Hayley Singer | Abandon Every Hope | |||
| Stephanie Bishop | The Anniversary | Longlist | [74] | |
| Ali Cobby Eckermann | She Is the Earth | |||
| Melissa Lucashenko | Edenglassie | |||
| Maggie MacKellar | Graft: Motherhood, family and a year on the land | |||
| Kate Mildenhall | The Hummingbird Effect | |||
| Laura Elizabeth Woollett | West Girls | |||
| 2025 | Michelle de Kretser | Theory & Practice | Winner | [75] |
| Jumaana Abdu | Translations | Shortlist | [76] | |
| Melanie Cheng | The Burrow | |||
| Santilla Chingaipe | Black Convicts | |||
| Amy McQuire | Black Witness | |||
| Samah Sabawi | Cactus Pear for My Beloved | |||
| Manisha Anjali | Naag Mountain | Longlist | [77] | |
| Dylin Hardcastle | A Language of Limbs | |||
| Emily Maguire | Rapture | |||
| Mykaela Saunders | Always Will Be | |||
| Inga Simpson | The Thinning | |||
| Cher Tan | Peripathetic | |||
| 2026 | ||||
| Evelyn Araluen | The Rot | Shortlist | [78] | |
| Geraldine Brooks | Memorial Days | |||
| Miranda Darling | Fireweather | |||
| Lee Lai | Cannon | |||
| Marika Sosnowski | 58 Facets: On Violence and the Law | |||
| Tasma Walton | I Am Nannertgarrook | |||
| Eunice Andrada | KONTRA | Longlist | [79] | |
| Debra Dank | Ankami | |||
| Natalie Harkin | Apron-Sorrow / Sovereign-Tea | |||
| Charlotte McConaghy | Wild Dark Shore | |||
| Lucy Nelson | Wait Here | |||
| Micaela Sahhar | Find Me at the Jaffa Gate: An Encyclopaedia of a Palestinian family |