Stuttgart Ballet

Noverre (18th century)

In 1759 Duke Carl Eugen invited Jean-Georges Noverre to come to Stuttgart and be well-rewarded as resident balletmaster. Noverre was widely known as a ballet reformer, and as a dancer and choreographer.^[4] He increased the ducal ballet company to 7 female and 7 male principal dancers and 42 figueants (21 female and 21 male). "During his stay the most famous dancers appeared regularly as guests" of the Duke. These included Gaetano Vestris, Maximilien Gardel, Jean Dauberval, and Anna Heinel (making her debut). Noverre while in Stuttgart "created some of his best ballets".^[5]

In 1763 Noverre wrote Médée et Jason (music by Rodolphe) for the Duke's birthday. The ballet was "a freestanding entr'acte entertainment" following Italian tradition, "not a divertissement woven into an opera in the French style". The 35-minute dance "taut, bloody, and tragic" told its gruesome drama.^[6] In 1766 Noverre left for Vienna. The local ballet company continued in Stuttgart though at a much smaller scale. In 1771 a Ducal Ballet School opened, which functioned until 1794.^[7]

Taglioni (19th century)

In their peregrinations, the esteemed Filippo Taglioni and his daughter Marie Taglioni made Stuttgart their home, 1824 to 1828. Their presence inspired a new era in the local ballet. Its major production was in 1826: their original version of the narrative ballet Jocko ou le Singe du Brésil, also called Danina. After 33 performances over two seasons in Stuttgart, "it traveled around the world". Jocko in its several versions was said to be "the most successful ballet production of this period".^[8]

In Stuttgart during the following decades "the city satisfied its ballet needs" by hosting visiting companies. Yet "the Court Theater always maintained a small group [of dancers] for its opera". An 1891 production of the Austrian ballet The Fairy Doll was 'uniquely' successful.^[9]

Cranko (20th century)

Of Oskar Schlemmer's abstract creation Triadisches Ballett, with music "ranging from Haydn to Debussy", its premiere with complete choreography was held at the Landes Theater in Stuttgart in 1922.^[10][11][12]

In 1956 the Lithuanian Nicholas Beriozoff, formerly of Ballet Russe, arrived in Stuttgart. Serving as balletmaster 1957-1960, Beriozoff "created a special local ballet climate". His "productions of the classcs laid the foundations for the remarkable progress made by the Ballet... under Cranko".^[13][14]

In 1961 the modern company Stuttgart Ballet was begun by John Cranko, a choreographer from Britain born in South Africa.^[15][16] He "laid great emphasis on improvement of the technical standards of the company".^[17] Cranko helped gather, then guided and shaped an ensemble of independent-minded dancers, forming them into a coherent stage act. They performed "with an exciting and visually arresting style".^[18] Cranko created full-length narrative ballets including Romeo and Juliet, Onegin and The Taming of the Shrew.^[18][19] These ballets stayed in the repertoire at Stuttgart and eventually spread to other stages "in companies around the world".^[20] Refashioned and invigorated Stuttgart Ballet's first tour to America in 1969 was a success, acquiering it increased international recognition.^[21]

Marcia Haydée was the prima ballerina under Cranko.^[22] Dancers who have emerged from the company to become well-known choreographers include: John Neumeier,^[23] William Forsythe, Foofwa d'Imobilité, Uwe Scholz, Jiří Kylián and Renato Zanella. A colleague of Cranko was the Scottish choreographer Kenneth MacMillan (1929-1992) of the Royal Ballet in London. MacMillan did work in Stuttgart.^[24]

The company received the Laurence Olivier Award for Outstanding Achievement in Dance in 1981.^[25]

21st century

Cranko (1927-1973) was succeeded as director by Glen Tetley 1974–1976, Marcia Haydée 1976–1996,^[26] followed by Reid Anderson 1996-2018, then by Tamas Detrich 2018 to present.

For more than 25 years James Tuggle was the principal conductor of the Stuttgart Ballet music.^[27] From 2019 through 2021 Mikhail Agrest was principal conductor.^[28][29]

The ballet's school is the John Cranko Schule [de]. The choreologist Georgette Tsinguirides has recorded all major ballets by Cranko and Kenneth MacMillan in Benesh Movement Notation and has been teaching these works to several generations of ballet companies internationally.^[30]

Within Germany "the Stuttgart Ballet remained the leading classical company".^[31]

Principal dancers

*Princial Guest Artist

More information Name, Nationality ...

Name	Nationality	Training	Other companies (inc. guest performances)
Rocio Aleman	Mexico	Escuela superior de Música y Danza de Monterrey John Cranko School
Elisa Badenes	Spain	Conservatorio Profesional de Danza de Valencia Royal Ballet School
Mackenzie Brown*	United States	Barton & Williams School of Classical Dance Classical Ballet of Fredericksburg Académie de Danse Classique Princesse Grace, Monaco
Henrik Erikson	Hong Kong   Switzerland	Zürich Opera House Ballet School John Cranko School	Cuban National Ballet Norwegian National Ballet Paris Opera Ballet
Gabriel Figueredo	Brazil	Andanças de Rita Candemil, Taquara Pavilhão D, São Paulo John Cranko School
Miriam Kacerova	Slovakia	Bratislava Dance Conservatory Académie de Danse Classique Princesse Grace, Monaco	Ballett Zürich
Matteo Miccini	Italy	Ballet Centre Florence John Cranko School
David Moore	United Kingdom	Angela Rowe School of Dance Royal Ballet School
Anna Osadcenko	Kazakhstan	Academie A. B. Selesnew John Cranko School
Martí Paixà	Spain	John Cranko School
Jason Reilly	Canada	Canada's National Ballet School	The Royal Ballet National Ballet of Canada
Daiana Ruiz	Argentina	Sleeping Beauty Institute Teatro Colón	Ballet del Teatro Argentino
Adhonay Soares	Brazil	Centro Cultural Gustav Ritter, Goiâna CEP em Artes Brasilieu Franca John Cranko School
Friedemann Vogel	Germany	John Cranko School Académie de Danse Classique Princesse Grace, Monaco	Mikhailovsky Ballet

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Soloists

• Mizuki Amemiya
• Diana Ionescu
• Veronika Verterich
• Abigail Willson-Heisel
• Fabio Adorisio
• Ciro Ernesto Mansilla
• Martino Semenzato
• Satchel Tanner

Demi-soloists

• Priscylla Gallo
• Vittoria Girelli
• Aiara Iturrioz Rico
• Fernanda Lopes
• Aoi Sawano
• Ruth Schultz
• Alicia Torronteras
• Irene Yang
• Riccardo Ferlito
• Lassi Hirvonen
• Christopher Kunzelmann
• Adrian Oldenburger
• Dorian Plasse
• Edoardo Sartori
• Daniele Silingardi

Corps de ballet

• Ava Arbuckle
• María Andrés Betoret
• Lily Babbage
• Katharina Buck
• Elisabetta Fasoglio
• Julliane Franzoi
• Farrah Hirsch
• Eva Holland-Nell
• Annalee Melton
• Florencia Paez
• Paula Rezende
• Joana Romaneiro Kirn
• Natalie Thornley-Hall
• Noan Alves
• Emanuele Babici
• Jamie Constance
• Joaquin Gaubeca
• Macéo Gérard
• Peter Hull
• Leon Metelsky
• Mitchel Millhollin
• James Platts
• Anton Tcherny
• Vincent Travnicek
• Serhii Zharikov

Apprentices

• Sonja Bräunl
• Anya Donaghy
• Annabelle McCarthy
• Isabela Souza
• Doga Taskaya
• Edoardo Maria Russo
• Carter Smalling
• Carlos Strasser

Character artists

• Angelika Bulfinsky
• Magdalena Dziegielewska
• Sonia Santiago
• Matteo Crockard-Villa
• Rolando D'Alesio
• Clemens Frölich
• Marc Ribaud

Artist-in-residence

• Roman Novitzky