The Visitor received very positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 73, based on 5 reviews, which indicates "generally favorable reviews".[4]
Pitchfork Media gave the album a very positive review, stating, "Given its patient development and refusal to climax, The Visitor runs the risk of being labeled boring and bland. Given its use of common instruments and techniques (a cymbal scraped with a drumstick constitutes the album's most "out" sound), it runs a high risk of being labeled pedestrian, too, as if O'Rourke has taken all of his experimental tendencies and finally reduced them into an adult-contemporary instrumental. Ultimately, that's about as silly as it sounds: The Visitor is a defiant record in both sound and spirit. The reluctance of O'Rourke and Drag City to release The Visitor as a digital download, for instance, rebels against our need for instant gratification. You have to work a bit to hear it. Symbolically, it's a potent act for such an anticipated release, even if bit torrents, RapidShare, and the ilk mean it's little more than a symbol. And O'Rourke's request that you listen out loud, loudly, means that you give it your attention, that you let it fill the room with sound. After all, this is soft music—and graceful and complicated and rich, too. While it might sound polite, though, it's not to be heard passively during your morning walk to work.[2]
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