Trois Grandes Études

Set of three piano études composed by Charles-Valentin Alkan in 1838 From Wikipedia, the free encyclopedia

The Trois Grandes Études (Three Grand Études), Op. 76, are a set of three piano études composed by Charles-Valentin Alkan in 1838 and published in 1839.[1] Although they have the highest opus number of any Alkan work, the études were actually composed when he was only 25. Featuring some of his most difficult writing, the first two études are for left hand only and right hand only, respectively. The third requires both hands to play in unison, two octaves apart.

Charles-Valentin Alkan, c. 1835

Études

No. 1



ew Staff <<

elative {
	empo "Largamente" key aes major 	ime 4/4 	empo 4 = 60 clef bass

ew Voice partial 4 	upletDown 	uplet 6/4 { stemUp r16dynamicUp p aes,,_( aes' es' aes c) }
c4.^( bes8 aes4) 	uplet 6/4 { override DynamicTextSpanner.style = #'none crescTextCresc aes,,16< aes' <aes c es> <c es aes> <es as c> <aes c es>! }
<c es>4.^( <bes des>8 c) }

ew Voice 
elative {
s4 <des es_~ g>2_( <c es aes>4)
s g'2_( <aes c>8) }
>>

The first étude, Fantaisie, in A major, is for the left hand only. It features tremolos, numerous dense sequences of chords, and large jumps.

The first known performance was by Ferruccio Busoni in Berlin in 1908.[2] A typical performance lasts 9 minutes.

No. 2


layout {
context {
PianoStaff consists "Span_stem_engraver" }
}
{

ew PianoStaff 
elative <<

ew Staff <<
override Score.MetronomeMark.Y-offset = 4.2 	empo "Largamente"
key d major 	ime 4/4 	empo 4 = 60 
ew Voice = "up" crossStaff {
stemDown <a a'>4 mf sustainOn( <fis' fis'>2 <d d'>4
<d d'> cis'2 <d, d'>4
override DynamicTextSpanner.style = #'none crescTextCresc <e e'>< <fis fis'> <g g'> <a a'>!
partial 4. <e g bes cis e g>2f > <fis a d fis>4)! }

ew Voice = "up arpeg" {
shiftOff hideNotes stemDown s4 <fis fis'>2arpeggio <d d'>4arpeggio
<d d'>arpeggio <cis'>2arpeggio <d, d'>4arpeggio
<e e'>arpeggio <fis fis'>arpeggio <g g'>arpeggio <a a'>arpeggio
<e g bes cis e g>2arpeggio <fis a d fis>4arpeggio
} >>

ew Staff << set PianoStaff.connectArpeggios = ##t 
elative c
key d major clef bass

ew Voice = "down" {
s4_markup{italic sostenuto} <d, a'>2 <fis a>4
<e g a> <e g a cis>2 <d g a>4
<cis g' a> <dis g a> <e g a> <a, e' cis'>
<d? g bes cis>2 <d fis a d>4 }

ew Voice = "down arpeg" {
shiftOff hideNotes s4 <d a'>2arpeggio <fis a>4arpeggio
<e g a>arpeggio <e g a cis>2arpeggio <d g a>4arpeggio
<cis g' a>arpeggio <dis g a>arpeggio <e g a>arpeggio <a, e' cis'>arpeggio
<d g bes cis>2arpeggio <d fis a d>4arpeggio}
>> >>
}

The second étude, Introduction, Variations et Finale, in D major, is for the right hand only. The longest and most difficult of the three, it features rapid cadenza-like flourishes along with many of the same technical challenges found in the first étude.

The first public performance is not known.[3] A typical performance lasts 15–25 minutes.

No. 3

The third and final étude, Mouvement semblable et perpétuel, in C minor, for both hands together, is quite different from the previous two études. It consists of a continuous stream of sixteenth notes duplicated two octaves apart.

A typical performance lasts 5 minutes.

Recordings

Recordings of the Trois Grandes Études have been made by Stephanie McCallum (1985), Ronald Smith (1987), Laurent Martin (1993), Marc-André Hamelin (1994), Albert Frantz (2012), and Alessandro Deljavan (2013). The third étude was also recorded by Bogdan Czapiewski [pl] in 1983 and by Vincenzo Maltempo in 2012.[4]

References

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