User:Awilley/sandbox5

In four-line neumatic notation, the Gregorian chant of the sequence begins:

In 5-line staff notation, the same appears:

The words have often been set to music as part of the Requiem service, originally as a sombre plainchant. It also formed part of the traditional Catholic liturgy of All Souls' Day. Music for the Requiem Mass has been composed by many composers, including Wolfgang Amadeus Mozart as well as Hector Berlioz, Giuseppe Verdi, and Igor Stravinsky.

The traditional Gregorian melody has also been used as a musical quotation

• Walter Scott used the first two stanzas in the sixth canto of his narrative poem "The Lay of the Last Minstrel" (1805).
• Johann Wolfgang von Goethe used the first, the sixth and the seventh stanza of the hymn in the scene "Cathedral" in the first part of his drama Faust (1808).
• Italian poet Giuseppe Giusti composed in 1835 the satirical poem Il "Dies iræ" on the occasion of the death of Francis II, Emperor of Austria.
• In José Rizal's 1887 novel Noli Me Tangere, the last two lines of the sixth stanza of the hymn ("Quidquid latet, apparebit, Nil inultum remanebit") are used as the title of the 54th chapter of his novel, depicting how Elias discovers who the descendant of the man who ruined their family is.
• Oscar Wilde composed a Sonnet on Hearing the Dies Irae Sung in the Sistine Chapel, contrasting the "terrors of red flame and thundering" depicted in the hymn with images of "life and love".
• In Gaston Leroux's 1910 novel The Phantom of the Opera, Erik (the Phantom) has the chant displayed on the wall of his funereal bedroom.^[4]
• Kurt Vonnegut wrote Stone, Time, and Elements: A Humanist Requiem in opposition to the classical Requiem and in particular to the Dies Irae, which he found "vengeful and sadistic" (and mistakenly reputed a "piece of poetry by committee from the Council of Trent"). His Requiem was set to music by Edgar David Grana.
• Dies Irae was a title D. H. Lawrence considered for the novel that became Women in Love (1920).^{[citation needed]}
• Thomas Pynchon's 1963 novel V. includes direct references to Dies Irae in chapter 9 – "Somewhere in the house (though he may have dreamed that too) a chorus had begun singing a Dies Irae in plainsong."
• Arthur C. Clarke's 1968 novel 2001: A Space Odyssey has the main character, David Bowman, listening to a recording of it on the spaceship Discovery One on his way to Saturn.
• The title of the 1976 novel Deus Irae, a collaboration between Philip K. Dick and Roger Zelazny, is a play on the name of the hymn Dies Irae.
• In Umberto Eco's 1980 novel The Name of the Rose, Adso has a dream or vision based on the Coena Cypriani while the monks around him chant the Dies Irae.
• In Patrick O'Brians novel, The Letter of Marque (1988): "and some moments later the after part of the ship, usually quiet with a following wind and a moderate sea, was filled with a great deep roaring Dies Irae that went on and on, quite startling the quarterdeck." (Played by the character Dr Maturin on his cello.)
• "Dies irae, dies illa when the absent shall be present and the present absent...in albums, in desk drawers, this picture and thousands like it have subtly matured, metamorphosed." Age of Iron (1990) by J. M. Coetzee
• In Anne Rice's 1998 novel The Vampire Armand , when Amadeo and other apprentices were captured by the Santino's satanic coven of vampires, they would mock Amadeo/Armand by singing this hymn.