User:SMC

From Wikipedia, the free encyclopedia

An Australian Cattle Dog.


Hiya :)

Me

Contact

Please leave a message on my talk page.

Userboxes

I have a small collection of userboxes that I create over at User:SMC/ubx, complete with easy copy/paste wiki source code.

RC patrol

It's a known fact of RC patrol that sooner or later, you're going to screw up. If I've reverted something incorrectly, please let me know. I'll have a look at what you say and if it turns out to be my fault, I'll remove the warning. If it's not, I'll provide reasons why I reverted your edits. :)

I take a few photos for Wikipedia every now and then, have a look at my gallery if you like.

Barnstars

The Resilient Barnstar
For your good grace in restoring an editor's good name number, both by reverting an error, and by offering a sincere apology; you may have turned an anon into a long-time positive contributor to this project. Good show. Unschool (talk) 09:33, 30 September 2008 (UTC)
CVU Anti-Vandalism Award
I graciously accept your Barnstar, with honor my friend. Us rollbackas take those personal attacks from the anons with pride. In the same spirit, your awesome rollbacks and anti-vandalism efforts merit this award. Cheers! Maxis ftw (talk) 01:49, 3 November 2008 (UTC)
The Userpage Shield
For watching over my talk page...thanks Tiderolls 01:00, 7 November 2009 (UTC)

Picture of the Day

Burst of Joy
Burst of Joy is a photograph taken on March 17, 1973, by Associated Press photographer Slava "Sal" Veder. It shows Robert L. Stirm (1933–2025), a lieutenant colonel in the United States Air Force, meeting his family after five years as a prisoner of war in North Vietnam during the Vietnam War. Photographed at Travis Air Force Base in California, Burst of Joy captures the moment when Stirm's daughter runs toward him with her arms outstretched, followed by other family members, as he returns home after the repatriation of American prisoners following the Paris Peace Accords. The image was widely published in newspapers and magazines and became one of the most recognizable photographs of the war's human aftermath, winning the 1974 Pulitzer Prize for Feature Photography.Photograph credit: Slava "Sal" Veder

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