Where's Charley? (film)

1952 film by David Butler From Wikipedia, the free encyclopedia

Where's Charley? (also known as Charley's Aunt) is a 1952 British musical comedy film directed by David Butler and starring Ray Bolger, Allyn Ann McLerie and Robert Shackleton.[1][2] It was written by John Mons Jr., adapted from the musical Where's Charley?, which was in turn based on the 1892 play Charley's Aunt by Brandon Thomas.

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Where's Charley?
Directed byDavid Butler
Written byJohn Mons Jr.
Based onCharley's Aunt by Brandon Thomas
Produced byCy Feuer
Ernest H. Martin
StarringRay Bolger
Allyn Ann McLerie
Robert Shackleton
CinematographyErwin Hillier
Edited byReginald Mills
Music byRay Heindorf
Howard Jackson
Production
company
Distributed byWarner Bros. Pictures
Release date
  • 26 June 1952 (1952-06-26)
Running time
97 minutes
CountryUnited Kingdom
LanguageEnglish
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Plot

In 19th century Oxford, Jack Chesney and Charley Wykeham are due to entertain two young ladies in their rooms, and await the arrival from South America of Charley's rich aunt, who will be chaperone. When she does not arrive, Charley has to impersonate her.

Cast

Production

Bolger, McLerie and Horace Cooper reprised the performances they originated on Broadway.[citation needed] Produced by the British branch of Warner Bros. Pictures, it was shot at Teddington Studios in London, with some scenes filmed on location in Oxford.[citation needed] The film's sets were designed by the art directors David Ffolkes and Albert Witherick.

Reception

Box office

It earned an estimated $1.5 million at the North American box office in 1952.[3]

Critical

The Monthly Film Bulletin wrote: "The film combines some of the best elements of the American location-musical with some of the worst features of British musical comedy. Dance routines shot on the lawns of Oxford colleges are spoilt by intereut studio scenes against painted backcloths of the 'old school.' Ray Bolger is an entertaining personality and the hackneyed plot – the mistaken-identity-to-end-all-mistaken-identities – still holds up. The songs are uninspired and the orchestration rather dull, despite some dancing on the piano (strongly suggestive of An American in Paris) and one routine by Bolger that has some novelty value."[4]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Sunny, funny musical with at least one memorable tune; Bolger is brilliant."[5]

References

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