Wikipedia:Village pump (policy)/Archive 200

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Upgrade MOS:ALBUM to an official guideline

The following discussion is closed. Please do not modify it. Subsequent comments should be made in a new section. A summary of the conclusions reached follows.
3family6 (Talk to me | See what I have done) 21:10, 15 January 2025 (UTC)

Wikipedia:WikiProject_Albums/Album_article_style_advice is an essay. I've been editing since 2010, and for the entire duration of that, this essay has been referred to and used extensively, and has even guided discussions regarding ascertaining if sources are reliable. I propose that it be formally upgraded to a status as an MOS guideline parallel to MOS:MUSIC.--3family6 (Talk to me | See what I have done) 14:28, 13 January 2025 (UTC)

I'm broadly in favor of this proposal—I looked over the essay and most of it is aligned with what seems standard in album articles—but there are a few aspects that feel less aligned with current practice, which I'd want to reexamine before we move forward with promoting this:
  • The section Recording, production suggests What other works of art is this producer known for? as one of the categories of information to include in a recording/production section. This can be appropriate in some cases (e.g., the Nevermind article discusses how Butch Vig's work with Killdozer inspired Nirvana to try and work with him), but recommending it outright seems like it'd risk encouraging people to WP:COATRACK. My preference would be to cut the sentence I quoted and the one immediately following it.
  • The section Track listing suggests that the numbered-list be the preferred format for track listings, with other formats like {{Track listing}} being alternative choices for "more complicated" cases. However, in my experience, using {{Track listing}} rather than a numbered list tends to be the standard. All of the formatting options currently listed in the essay should continue to be mentioned, but I think portraying {{Track listing}} as the primary style would be more reflective of current practice.
  • The advice in the External links section seems partially outdated. In my experience, review aggregators like Metacritic are conventionally discussed in the "Critical reception" section instead these days, and I'm uncertain to what extent we still link to databases like Discogs even in ELs.
(As a disclaimer, my familiarity with album articles comes mostly from popular-music genres, rock and hip-hop in particular. I don't know if typical practice is different in areas like classical or jazz.) Overall, while I dedicated most of my comment volume to critiques, these are a fairly minor set of issues in what seems like otherwise quite sound guidance. If they're addressed, it's my opinion that this essay would be ready for prime time. ModernDayTrilobite (talkcontribs) 15:19, 13 January 2025 (UTC)
I'd agree with all of this, given my experience. The jazz and classical that I've seen is mostly the same.--3family6 (Talk to me | See what I have done) 16:57, 13 January 2025 (UTC)
Me too, though sometime last year, I unexpectedly had some (inexplicably strong) pushback on the tracklist part with an editor or two. In my experience, using the track list template is the standard, and I can't recall anyone giving me any pushback for it, but some editors apparently prefer just using numbers. I guess we can wait and see if there's any current pushback on it. 17:01, 13 January 2025 (UTC) Sergecross73 msg me 17:01, 13 January 2025 (UTC)
Was it pushback for how you had rendered the tracklist, or an existing tracklist being re-formatted by you or them?--3family6 (Talk to me | See what I have done) 18:13, 13 January 2025 (UTC)
They came to WT:ALBUMS upset that another editor was changing track lists from "numbered" to "template" formats. My main response was surprised, because in my 15+ years of article creations and rewrites, I almost exclusively used the tracklist template, and had never once received any pushback.
So basically, I personally agree with you and MDT above, I'm merely saying I've heard someone disagree. I'll try to dig up the discussion. Sergecross73 msg me 17:50, 14 January 2025 (UTC)
I found this one from about a year ago, though this was more about sticking to the current wording as is than it was about opposition against changing it. Not sure if there was another one or not. Sergecross73 msg me 18:14, 14 January 2025 (UTC)
I remember one editor being strongly against the template, but they are now community banned. Everyone else I've seen so far uses the template. AstonishingTunesAdmirer 連絡 22:25, 13 January 2025 (UTC)
I can see the numbered-list format being used for very special cases like Guitar Songs, which was released with only two songs, and had the same co-writers and producer. But I imagine we have extremely few articles that are like that, so I believe the template should be the standard. Elias 🦗🐜 [Chat, they chattin', they chat] 12:23, 14 January 2025 (UTC)
ModernDayTrilobite, regarding linking to Discogs, some recent discussions I was in at the end of last year indicate that it is common to still link to Discogs as an EL, because it gives more exhaustive track, release history, and personnel listings that Wikipedia - generally - should not.--3family6 (Talk to me | See what I have done) 14:14, 15 January 2025 (UTC)
Thank you for the clarification! In that case, I've got no objection to continuing to recommend it. ModernDayTrilobite (talkcontribs) 14:37, 15 January 2025 (UTC)
There were several discussions about Discogs and an RfC here. As a user of {{Discogs master}}, I agree with what other editors said there. We can't mention every version of an album in an article, so an external link to Discogs is invaluable IMO. AstonishingTunesAdmirer 連絡 22:34, 13 January 2025 (UTC)
We badly need this to become part of the MOS. As it stands, some editors have rejected the guidelines as they're just guidelines, not policies, which defeats the object of having them in the first place. Popcornfud (talk) 16:59, 13 January 2025 (UTC)
I mean, they are guidelines, but deviation per WP:IAR should be for a good reason, not just because someone feels like it.--3family6 (Talk to me | See what I have done) 18:14, 13 January 2025 (UTC)
I am very much in favor of this becoming an official MOS guideline per User:Popcornfud above. Very useful as a template for album articles. JeffSpaceman (talk) 21:03, 13 January 2025 (UTC)
I recently wrote my first album article and this essay was crucial during the process, to the extent that me seeing this post is like someone saying "I thought you were already an admin" in RFA; I figured this was already a guideline. I would support it becoming one. DrOrinScrivello (talk) 02:00, 14 January 2025 (UTC)
I have always wondered why all this time these pointers were categorized as an essay. It's about time we formalize them; as said earlier, there are some outdated things that need to be discussed (like in WP:PERSONNEL which advises not to use stores for credits, even though in the streaming era we have more and more albums/EPs that never get physical releases). Also, song articles should also have their own guidelines, IMV. Elias 🦗🐜 [Chat, they chattin', they chat] 12:19, 14 January 2025 (UTC)
I'd be in favor of discussing turning the outline at the main page for WP:WikiProject Songs into a guideline.--3family6 (Talk to me | See what I have done) 12:53, 14 January 2025 (UTC)
I get the sense it'd have to be a separate section from this one, given the inherent complexity of album articles as opposed to that of songs. Elias 🦗🐜 [Chat, they chattin', they chat] 14:56, 14 January 2025 (UTC)
Yes, I think it should be a separate, parallel guideline.--3family6 (Talk to me | See what I have done) 16:53, 14 January 2025 (UTC)
I think it needs work--I recall that a former longtime album editor, Richard3120 (not pinging them, as I think they are on another break to deal with personal matters), floated a rewrite a couple of years ago. Just briefly: genres are a perennial problem, editors love unsourced exact release dates and chronology built on OR (many discography pages are sourced only to random Billboard, AllMusic, and Discogs links, rather than sources that provide a comprehensive discography), and, like others, I think all the permutations of reissue and special edition track listings has gotten out of control, as well as these long lists of not notable personnel credits (eight second engineers, 30 backing vocalists, etc.). Also agree that the track listing template issue needs consensus; if three are acceptable, then three are acceptable--again, why change it to accommodate the names of six not notable songwriters? There's still a divide on the issue of commercial links in the body of the article--I have yet to see a compelling reason for their inclusion (WP is, uh, not for sale, remember?), when a better source can always be found (and editors have noted, not that I've made a study of it, that itunes often uses incorrect release dates for older albums). But I also acknowledge that since this "floated" rewrite never happened, then the community at large may be satisfied with the guidelines. Caro7200 (talk) 13:45, 14 January 2025 (UTC)
Regarding the personnel and reissue/special edition track listing, I don't know if I can dig up the discussions, but there seems to be a consensus against being exhaustive and instead to put an external link to Discogs. I fail to see how linking to Billboard or AllMusic links for a release date on discographies is OR, unless you're talking about in the lead. At least in the case of Billboard, that's an established RS (AllMusic isn't the most accurate with dates).-- 3family6 (Talk to me | See what I have done) 13:53, 14 January 2025 (UTC)
I meant that editors often use discography pages to justify chronology, even though Billboard citations are simply supporting chart positions, Discogs only states that an album exists, and AllMusic entries most often do not give a sequential number in their reviews, etc. There is often not a source (or sources) that states that the discography is complete, categorized properly, and in order. Caro7200 (talk) 14:05, 14 January 2025 (UTC)
Ah, okay, I understand now.--3family6 (Talk to me | See what I have done) 16:54, 14 January 2025 (UTC)

Myself, I've noticed that some of the sourcing recommendations are contrary to WP:RS guidance (more strict, actually!) or otherwise outside consensus. For instance, MOS:ALBUMS currently says to not use vendors for track list or personnel credits, linking to WP:AFFILIATE in WP:RS, but AFFILIATE actually says that such use is acceptable but not preferred. Likewise, MOS:ALBUMS says not to use scans of liner notes, which is 1. absurd, and 2. not actual consensus, which in the discussions I've had is that actual scans are fine (which makes sense as it's a digital archived copy of the source).--3family6 (Talk to me | See what I have done) 14:05, 14 January 2025 (UTC)

The tendency to be overreliant on liner notes is also a detriment. I've encountered some liner notes on physical releases that have missing credits (e.g. only the producers are credited and not the writers), or there are outright no notes at all. Tangentially, some physical releases of albums like Still Over It and Pink Friday 2 actually direct consumers to official websites to see the credits, which has the added problem of link rot (the credits website for Still Over It no longer works and is a permanent dead link). Elias 🦗🐜 [Chat, they chattin', they chat] 15:04, 14 January 2025 (UTC)
That turns editors to using stores like Spotify or Apple Music as the next-best choice, but a new problem arises -- the credits for a specific song can vary depending on the site you use. One important thing we should likely discuss is what sources should take priority wrt credits. For an example of what I mean, take "No Love". Go to Spotify to check its credits and you'd find the name Sean Garrett -- head to Apple Music, however, and that name is missing. I assume these digital credits have a chance to deviate from the albums' physical liner notes as well, if there is one available. Elias 🦗🐜 [Chat, they chattin', they chat] 15:11, 14 January 2025 (UTC)
Moreover, the credits in stores are not necessarily correct either. An example I encountered was on Tidal, an amazing service and the only place where I could find detailed credits for one album (not even liner notes had them, since back then artists tried to avoid sample clearance). However, as I was double checking everything, one song made no sense: in its writing credits I found "Curtis Jackson", with a link to 50 Cent's artist page. It seemed extremely unlikely that they would collaborate, nor any of his work was sampled here. Well, it turns out this song sampled a song written by Charles Jackson of The Independents. AstonishingTunesAdmirer 連絡 16:39, 14 January 2025 (UTC)
PSA and AstonishingTunesAdmirer, I agree that it's difficult. I usually use both the physical liner notes and online streaming and retail sources to check for completeness and errors. I've also had the experience of Tidal being a great resource, and, luckily, so far I've yet to encounter an error. Perhaps advice for how to check multiple primary sources here for errors should be added to the proposed guideline.--3family6 (Talk to me | See what I have done) 17:00, 14 January 2025 (UTC)
At this point, I am convinced as well that finding the right sources for credits should be on a case-by-case basis, with the right amount of discretion from the editor. While I was creating List of songs recorded by SZA, which included several SoundCloud songs where it was extremely hard to find songwriting credits, I found the Songview database useful for filling those missing gaps. More or less the credits there align with what's on the liner notes/digital credits. However, four issues, most of which you can see by looking at the list I started: 1) they don't necessarily align with physical liner notes either, 2) sometimes names are written differently depending on the entry, 3) there are entries where a writer (or co-writer) is unknown, and 4) some of the entries here were never officially released and confirmed as outtakes/leaks (why is "BET Awards 19 Nomination Special" here, whatever that means?). Elias 🦗🐜 [Chat, they chattin', they chat] 22:59, 14 January 2025 (UTC)
Yeah, I've found it particularly tricky when working on technical personnel (production, engineering, mixing, etc.) and songwriting credits for individuals. I usually use the liner notes (if there are any), check AllMusic and Bandcamp, and also check Tidal if necessary. But I'll also look at Spotify, too. I know they're user-generated, so I don't cite them, but I usually look at Discogs and Genius to get an idea if I'm missing something. Thank you for pointing me to Songview, that will probably also be really helpful. 3family6 (Talk to me | See what I have done) 12:50, 15 January 2025 (UTC)
(@3family6, please see WP:PROPOSAL for advice on advertising discussions about promoting pages to a guideline. No, you don't have to start over. But maybe add an RFC tag or otherwise make sure that it is very widely publicized.) WhatamIdoing (talk) 23:37, 14 January 2025 (UTC)
Thank you. I'll notify the Manual of Style people. I did already post a notice at WP:ALBUMS. I'll inform other relevant WikiProjects as well.--3family6 (Talk to me | See what I have done) 12:46, 15 January 2025 (UTC)

Before posting the RfC as suggested by WhatamIdoing, I'm proposing the following changes to the text of MOS:ALBUM as discussed above:

  1. Eliminate What other works of art is this producer known for? Keep the list of other works short, as the producer will likely have their own article with a more complete list. from the "Recording, production" sub-section.
  2. Rework the text of the "Style and form" for tracklistings to:
The track listing should be under a primary heading named "Track listing".
A track listing should generally be formatted with the {{Track listing}} template. Note, however, that the track listing template forces a numbering system, so tracks originally listed as "A", "B", etc., or with other or no designations, will not appear as such when using the template. Additionally, in the case of multi-disc/multi-sided releases, a new template may be used for each individual disc or side, if applicable.
Alternate forms, such as a table or a numbered list, are acceptable but usually not preferred. If a table is used, it should be formatted using class="wikitable", with column headings "No.", "Title" and "Length" for the track number, the track title and the track length, respectively (see Help:Table). In special cases, such as Guitar Songs, a numbered list may be the most appropriate format.
  1. Move Critical reception overviews like AcclaimedMusic (using {{Acclaimed Music}}), AnyDecentMusic?, or Metacritic may be appropriate as well. from "External links" to "Album ratings templates" of "Critical reception", right before the sentence about using {{Metacritic album prose}}.
  2. Re-write this text from "Sourcing" under "Track listing" from However, if there is disagreement, there are other viable sources. Only provide a source for a track listing if there are exceptional circumstances, such as a dispute about the writers of a certain track. Per WP:AFFILIATE, avoid commercial sources such as online stores and streaming platforms. In the rare instances where outside citations are required, explanatory text is useful to help other editors know why the album's liner notes are insufficient. to Per WP:AFFILIATE, commercial sources such as online stores and streaming platforms are acceptable to cite for track list information, but secondary coverage in independent reliable sources is preferred if available. Similarly, in the "Personnel" section, re-write Similar to the track listing requirements, it is generally assumed that a personnel section is sourced from the liner notes. In some cases, it will be necessary to use third-party sources to include performers who are not credited in the liner notes. If you need to cite these, use {{Cite AV media}} for the liner notes and do not use third party sources such as stores (per WP:AFFILIATE) or scans uploaded to image hosting sites or Discogs.com (per WP:RS). to Similar to the track listing requirements, it is generally assumed that a personnel section is sourced from the liner notes. If you need to cite the liner notes, use {{Cite AV media}}. Scans of the physical media that have been uploaded in digital form to repositories or sites such as Discogs are acceptable for verification, but cite the physical notes themselves, not the user-generated transcriptions. Frequently, it will be necessary to use third-party sources to include performers who are not credited in the liner notes. Per WP:AFFILIATE, inline citations to e-commerce or streaming platforms to verify personnel credits are allowed. However, reliable secondary sources are preferred, if available.
  3. Additional guidance has been suggested for researching and verifying personnel and songwriting credits. I suggest adding It is recommended to utilize a combination of the physical liner notes (if they exist) with e-commerce sites such as Apple Music and Amazon, streaming platforms such as Spotify and Tidal, and databases such as AllMusic credits listings and Songview. Finding the correct credits requires careful, case-by-case consideration and editor discretion. If you would like assistance, you can reach out to the albums or discographies WikiProjects. The best section for this is probably in "Personnel", in the paragraph discussing that liner notes can be inaccurate.
  4. The excessive listing of personnel has been mentioned. I suggest adding the following to the paragraph in the "Personnel" section beginning with "The credits to an album can be extensive or sparse.": If the listing of personnel is extensive, avoid excessive, exhaustive lists, in the spirit of WP:INDISCRIMINATE. In such cases, provide an external link to Discogs and list only the major personnel to the list.

If you have any additional suggestions, or suggestions regarding the wording of any of the above (I personally think that four needs to be tightened up or expressed better), please give them. I'm pinging the editors who raised issues with the essay as currently written, or were involved in discussing those issues, for their input regarding the above proposed changes. ModernDayTrilobite, PSA, Sergecross73, AstonishingTunesAdmirer, Caro7200, what do you think? Also, I realize that I never pinged Fezmar9, the author of the essay, for their thoughts on upgrading this essay to a guideline.--3family6 (Talk to me | See what I have done) 17:21, 15 January 2025 (UTC)

The proposed edits all look good to me. I agree there's probably some room for improvement in the phrasing of #4, but in my opinion it's still clear enough as to be workable, and I haven't managed to strike upon any other phrasings I liked better for expressing its idea. If nobody else has suggestions, I'd be content to move forward with the language as currently proposed. ModernDayTrilobite (talkcontribs) 17:37, 15 January 2025 (UTC)
It might be better to have this discussion on its talk page. That's where we usually talk about changes to a page. WhatamIdoing (talk) 17:38, 15 January 2025 (UTC)
WhatamIdoing - just the proposed changes, or the entire discussion about elevating this essay to a guideline?--3family6 (Talk to me | See what I have done) 18:21, 15 January 2025 (UTC)
It would be normal to have both discussions (separately) on that talk page. WhatamIdoing (talk) 18:53, 15 January 2025 (UTC)
Okay, thank you. I started the proposal to upgrade the essay here, as it would be far more noticed by the community, but I'm happy for everything to get moved there.-- 3family6 (Talk to me | See what I have done) 19:00, 15 January 2025 (UTC)
These changes look good to me. Although, since we got rid of Acclaimed Music in the articles, we should probably remove it here too. AstonishingTunesAdmirer 連絡 19:36, 15 January 2025 (UTC)
Sure thing.--3family6 (Talk to me | See what I have done) 20:56, 15 January 2025 (UTC)
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.

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