| Rank |
Page title |
Views |
Daily average |
Assessment |
Importance |
| 1 |
The dress |
120,217 |
4,293 |
GA |
Low |
| 2 |
Johann Wolfgang von Goethe |
55,475 |
1,981 |
B |
Mid |
| 3 |
Eye color |
49,052 |
1,751 |
C |
Mid |
| 4 |
Red |
43,348 |
1,548 |
B |
Top |
| 5 |
Shades of blue |
39,337 |
1,404 |
List |
Mid |
| 6 |
Rainbow |
38,371 |
1,370 |
C |
Unknown |
| 7 |
List of colors: A–F |
35,807 |
1,278 |
List |
High |
| 8 |
Camera |
34,186 |
1,220 |
C |
Unknown |
| 9 |
Web colors |
33,055 |
1,180 |
C |
Mid |
| 10 |
Light |
32,040 |
1,144 |
B |
Unknown |
| 11 |
Indigo |
30,183 |
1,077 |
Start |
Mid |
| 12 |
Color blindness |
29,251 |
1,044 |
B |
Top |
| 13 |
Red hair |
29,076 |
1,038 |
C |
Low |
| 14 |
Shades of green |
28,909 |
1,032 |
List |
Mid |
| 15 |
Photon |
28,654 |
1,023 |
B |
Unknown |
| 16 |
Shades of red |
25,700 |
917 |
List |
Mid |
| 17 |
Blue |
25,074 |
895 |
B |
Top |
| 18 |
PAL |
23,997 |
857 |
C |
Low |
| 19 |
Color |
22,664 |
809 |
B |
Top |
| 20 |
Technicolor |
22,443 |
801 |
C |
Low |
| 21 |
Black-body radiation |
22,384 |
799 |
B |
Unknown |
| 22 |
RGB color model |
20,928 |
747 |
B |
High |
| 23 |
Purple |
20,891 |
746 |
C |
High |
| 24 |
CMYK color model |
20,843 |
744 |
Start |
High |
| 25 |
List of Crayola crayon colors |
20,690 |
738 |
List |
Mid |
| 26 |
Redshift |
20,394 |
728 |
FA |
Mid |
| 27 |
Tyrian purple |
20,189 |
721 |
B |
Mid |
| 28 |
OLED |
20,127 |
718 |
B |
Unknown |
| 29 |
Shades of pink |
20,121 |
718 |
List |
Mid |
| 30 |
White |
20,056 |
716 |
C |
Top |
| 31 |
Qualia |
19,878 |
709 |
B |
Unknown |
| 32 |
Blond |
19,837 |
708 |
C |
Low |
| 33 |
Visible spectrum |
19,602 |
700 |
B |
Top |
| 34 |
Green |
19,342 |
690 |
B |
Top |
| 35 |
Human skin color |
19,233 |
686 |
B |
High |
| 36 |
Prussian blue |
19,001 |
678 |
B |
Mid |
| 37 |
Black |
18,717 |
668 |
C |
Top |
| 38 |
HSL and HSV |
18,598 |
664 |
B |
High |
| 39 |
Magenta |
18,138 |
647 |
Start |
High |
| 40 |
Rayleigh scattering |
18,094 |
646 |
B |
Unknown |
| 41 |
Vermilion |
17,801 |
635 |
C |
Mid |
| 42 |
Liquid-crystal display |
17,487 |
624 |
B |
Unknown |
| 43 |
List of colors (alphabetical) |
17,405 |
621 |
List |
Low |
| 44 |
ROYGBIV |
17,271 |
616 |
Start |
Mid |
| 45 |
Shades of purple |
17,075 |
609 |
List |
Mid |
| 46 |
Primary color |
17,032 |
608 |
B |
Top |
| 47 |
Tincture (heraldry) |
16,757 |
598 |
B |
Mid |
| 48 |
Color wheel |
15,951 |
569 |
C |
High |
| 49 |
Cyan |
15,820 |
565 |
C |
High |
| 50 |
Shades of gray |
15,790 |
563 |
List |
Mid |
| 51 |
Human eye |
15,732 |
561 |
B |
Unknown |
| 52 |
Vantablack |
15,716 |
561 |
C |
Low |
| 53 |
Ochre |
15,388 |
549 |
C |
Mid |
| 54 |
Shades of brown |
15,292 |
546 |
List |
Mid |
| 55 |
Olo (color) |
15,284 |
545 |
Start |
Low |
| 56 |
Human hair color |
15,181 |
542 |
Start |
Mid |
| 57 |
Violet (color) |
15,151 |
541 |
B |
High |
| 58 |
Beer–Lambert law |
15,066 |
538 |
Start |
Unknown |
| 59 |
Eye |
14,992 |
535 |
B |
Unknown |
| 60 |
Planck's law |
14,874 |
531 |
B |
Unknown |
| 61 |
Yellow |
14,570 |
520 |
C |
Top |
| 62 |
Color theory |
14,348 |
512 |
C |
Top |
| 63 |
Fitzpatrick scale |
14,088 |
503 |
Start |
Low |
| 64 |
Pantone |
13,499 |
482 |
B |
High |
| 65 |
Shades of yellow |
13,496 |
482 |
List |
Mid |
| 66 |
Color television |
13,417 |
479 |
B |
Mid |
| 67 |
Pantone 448 C |
13,405 |
478 |
Stub |
Low |
| 68 |
Impossible color |
13,338 |
476 |
Start |
Mid |
| 69 |
CIE 1931 color space |
13,072 |
466 |
B |
High |
| 70 |
NTSC |
12,572 |
449 |
C |
Low |
| 71 |
Terracotta |
12,451 |
444 |
C |
Low |
| 72 |
Lists of colors |
12,431 |
443 |
List |
Mid |
| 73 |
CIELAB color space |
12,296 |
439 |
C |
High |
| 74 |
Orange (colour) |
12,285 |
438 |
C |
High |
| 75 |
Light skin |
12,205 |
435 |
B |
High |
| 76 |
Ultramarine |
12,185 |
435 |
C |
Mid |
| 77 |
Pink |
11,829 |
422 |
C |
High |
| 78 |
Grey |
11,478 |
409 |
C |
Top |
| 79 |
Tetrachromacy |
11,244 |
401 |
C |
High |
| 80 |
List of colors by shade |
11,202 |
400 |
List |
Low |
| 81 |
Shades of orange |
11,157 |
398 |
List |
Mid |
| 82 |
Periwinkle (color) |
11,007 |
393 |
Stub |
Mid |
| 83 |
Spectroscopy |
10,897 |
389 |
C |
Unknown |
| 84 |
Teal |
10,855 |
387 |
C |
High |
| 85 |
Fluorescence |
10,642 |
380 |
B |
Unknown |
| 86 |
Black body |
10,616 |
379 |
B |
Mid |
| 87 |
Chartreuse (color) |
10,449 |
373 |
Start |
Mid |
| 88 |
SMPTE color bars |
10,445 |
373 |
C |
Low |
| 89 |
Blue raspberry flavor |
10,201 |
364 |
Start |
Low |
| 90 |
Ishihara test |
10,162 |
362 |
C |
Mid |
| 91 |
Color temperature |
10,037 |
358 |
B |
High |
| 92 |
Dark skin |
9,980 |
356 |
B |
High |
| 93 |
Burgundy (color) |
9,932 |
354 |
Start |
Low |
| 94 |
International Klein Blue |
9,858 |
352 |
C |
Low |
| 95 |
Brown |
9,763 |
348 |
Start |
High |
| 96 |
Paint |
9,753 |
348 |
C |
High |
| 97 |
Shades of white |
9,677 |
345 |
List |
Mid |
| 98 |
Complementary colors |
9,637 |
344 |
Start |
High |
| 99 |
Blue–green distinction in language |
9,566 |
341 |
Start |
Mid |
| 100 |
SRGB |
9,481 |
338 |
C |
High |
| 101 |
Plasma display |
9,411 |
336 |
C |
Unknown |
| 102 |
Optics |
9,403 |
335 |
B |
Unknown |
| 103 |
Cerulean |
9,365 |
334 |
Start |
Low |
| 104 |
Quantum dot |
9,195 |
328 |
C |
Unknown |
| 105 |
Iridescence |
9,192 |
328 |
Start |
Mid |
| 106 |
Stroop effect |
9,118 |
325 |
B |
Mid |
| 107 |
Retina |
8,928 |
318 |
B |
Unknown |
| 108 |
Chromesthesia |
8,891 |
317 |
B |
Low |
| 109 |
Brown hair |
8,867 |
316 |
C |
Low |
| 110 |
Shades of cyan |
8,803 |
314 |
List |
Mid |
| 111 |
Kumkuma |
8,785 |
313 |
Start |
Mid |
| 112 |
Maroon |
8,710 |
311 |
C |
Mid |
| 113 |
List of colors: N–Z |
8,708 |
311 |
List |
High |
| 114 |
Crimson |
8,679 |
309 |
Start |
Mid |
| 115 |
Khaki |
8,516 |
304 |
Start |
Mid |
| 116 |
Candela |
8,406 |
300 |
B |
Unknown |
| 117 |
Chromatic aberration |
8,294 |
296 |
B |
Mid |
| 118 |
Color photography |
8,284 |
295 |
C |
Low |
| 119 |
Color depth |
8,114 |
289 |
C |
Mid |
| 120 |
Skin whitening |
8,057 |
287 |
B |
Low |
| 121 |
Azure (color) |
8,048 |
287 |
Start |
Mid |
| 122 |
Sky blue |
7,997 |
285 |
Start |
High |
| 123 |
AMOLED |
7,994 |
285 |
C |
Unknown |
| 124 |
Lavender (color) |
7,990 |
285 |
C |
Low |
| 125 |
Pigment |
7,976 |
284 |
B |
Top |
| 126 |
Brilliant blue FCF |
7,960 |
284 |
C |
Mid |
| 127 |
Verdigris |
7,898 |
282 |
Start |
Low |
| 128 |
Color in Chinese culture |
7,777 |
277 |
Start |
Mid |
| 129 |
Beige |
7,737 |
276 |
C |
Mid |
| 130 |
Visual perception |
7,676 |
274 |
C |
Mid |
| 131 |
Color space |
7,652 |
273 |
C |
High |
| 132 |
Political colour |
7,601 |
271 |
B |
Low |
| 133 |
Diffraction grating |
7,545 |
269 |
C |
Unknown |
| 134 |
Fuchsia (color) |
7,446 |
265 |
Start |
Mid |
| 135 |
Ultra-high-definition television |
7,442 |
265 |
C |
Low |
| 136 |
Oklab color space |
7,426 |
265 |
Start |
Low |
| 137 |
Freckle |
7,388 |
263 |
Start |
Low |
| 138 |
Ink |
7,377 |
263 |
C |
Unknown |
| 139 |
Gold (color) |
7,319 |
261 |
Start |
Mid |
| 140 |
Pan-African colours |
7,313 |
261 |
Start |
Low |
| 141 |
Thomas Young (scientist) |
7,280 |
260 |
C |
Mid |
| 142 |
Cobalt blue |
7,111 |
253 |
Start |
Mid |
| 143 |
YCbCr |
7,043 |
251 |
Start |
High |
| 144 |
Mauve |
6,974 |
249 |
Start |
Mid |
| 145 |
Hue |
6,912 |
246 |
Start |
High |
| 146 |
Turquoise (color) |
6,889 |
246 |
C |
Mid |
| 147 |
Navy blue |
6,878 |
245 |
C |
Mid |
| 148 |
Gamma correction |
6,870 |
245 |
C |
Unknown |
| 149 |
List of colors: G–M |
6,859 |
244 |
List |
High |
| 150 |
Auburn hair |
6,853 |
244 |
Start |
Low |
| 151 |
Black and white |
6,848 |
244 |
Start |
Mid |
| 152 |
Scarlet (color) |
6,740 |
240 |
C |
Mid |
| 153 |
Black hair |
6,678 |
238 |
Start |
Low |
| 154 |
Hermann von Helmholtz |
6,642 |
237 |
C |
Mid |
| 155 |
Knowledge argument |
6,640 |
237 |
C |
Low |
| 156 |
Printer (computing) |
6,631 |
236 |
C |
Unknown |
| 157 |
Phosphorescence |
6,594 |
235 |
Start |
Unknown |
| 158 |
Eigengrau |
6,581 |
235 |
Start |
Low |
| 159 |
Shades of black |
6,579 |
234 |
List |
Top |
| 160 |
List of flags containing the color purple |
6,511 |
232 |
List |
Low |
| 161 |
Lighting |
6,504 |
232 |
C |
Unknown |
| 162 |
Color vision |
6,450 |
230 |
B |
Top |
| 163 |
Haint blue |
6,437 |
229 |
Start |
Low |
| 164 |
Visual cortex |
6,434 |
229 |
C |
Unknown |
| 165 |
Grayscale |
6,433 |
229 |
C |
High |
| 166 |
Cone cell |
6,407 |
228 |
C |
Mid |
| 167 |
Reflection (physics) |
6,384 |
228 |
C |
Unknown |
| 168 |
Munsell color system |
6,362 |
227 |
B |
High |
| 169 |
Checker shadow illusion |
6,322 |
225 |
Stub |
Unknown |
| 170 |
Dye |
6,249 |
223 |
C |
High |
| 171 |
Brightness |
6,174 |
220 |
Start |
Mid |
| 172 |
Night vision |
6,108 |
218 |
C |
Unknown |
| 173 |
Marker pen |
5,877 |
209 |
Start |
Low |
| 174 |
National colours of Australia |
5,855 |
209 |
Start |
Low |
| 175 |
British racing green |
5,839 |
208 |
Start |
Low |
| 176 |
Bayer filter |
5,824 |
208 |
C |
Mid |
| 177 |
Royal blue |
5,801 |
207 |
Start |
Mid |
| 178 |
Visual system |
5,795 |
206 |
C |
Unknown |
| 179 |
Tyndall effect |
5,771 |
206 |
C |
Low |
| 180 |
Food coloring |
5,766 |
205 |
C |
Mid |
| 181 |
Color psychology |
5,740 |
205 |
C |
High |
| 182 |
Anaglyph 3D |
5,730 |
204 |
C |
Low |
| 183 |
Sepia (color) |
5,721 |
204 |
Start |
Mid |
| 184 |
Monochrome |
5,714 |
204 |
C |
High |
| 185 |
Chroma subsampling |
5,711 |
203 |
B |
Low |
| 186 |
X11 color names |
5,707 |
203 |
Start |
Mid |
| 187 |
Quantum dot display |
5,690 |
203 |
C |
Unknown |
| 188 |
Electronic color code |
5,646 |
201 |
C |
Low |
| 189 |
Afterimage |
5,639 |
201 |
C |
High |
| 190 |
DCI-P3 |
5,606 |
200 |
C |
Low |
| 191 |
SECAM |
5,520 |
197 |
C |
Mid |
| 192 |
Olive (color) |
5,475 |
195 |
Start |
High |
| 193 |
Rec. 709 |
5,475 |
195 |
C |
Low |
| 194 |
Ermine (heraldry) |
5,457 |
194 |
Stub |
Low |
| 195 |
Hair coloring |
5,428 |
193 |
Start |
Low |
| 196 |
Mummy brown |
5,351 |
191 |
B |
Mid |
| 197 |
Amber (color) |
5,350 |
191 |
C |
Mid |
| 198 |
Taupe |
5,289 |
188 |
Start |
Low |
| 199 |
Color difference |
5,185 |
185 |
B |
High |
| 200 |
Halftone |
5,182 |
185 |
C |
Mid |
| 201 |
Cosmic latte |
5,158 |
184 |
Start |
Low |
| 202 |
Autochrome Lumière |
5,113 |
182 |
C |
Low |
| 203 |
Color symbolism |
5,110 |
182 |
Start |
Mid |
| 204 |
Equine coat color |
5,109 |
182 |
Start |
Low |
| 205 |
Saffron (color) |
5,095 |
181 |
Start |
High |
| 206 |
Color term |
5,051 |
180 |
Start |
High |
| 207 |
Pastel (color) |
5,037 |
179 |
Stub |
Mid |
| 208 |
List of video game console palettes |
5,032 |
179 |
List |
Low |
| 209 |
Congenital red–green color blindness |
5,028 |
179 |
C |
Mid |
| 210 |
Rec. 2020 |
5,002 |
178 |
C |
Low |
| 211 |
Pan-Arab colors |
4,990 |
178 |
Start |
Low |
| 212 |
Darkness |
4,953 |
176 |
C |
Unknown |
| 213 |
Shades of violet |
4,932 |
176 |
List |
Mid |
| 214 |
Y′UV |
4,930 |
176 |
C |
Low |
| 215 |
Secondary color |
4,927 |
175 |
C |
High |
| 216 |
Hand-colouring of photographs |
4,888 |
174 |
C |
Mid |
| 217 |
Gamut |
4,879 |
174 |
C |
High |
| 218 |
High-dynamic-range television |
4,871 |
173 |
C |
Mid |
| 219 |
Color motion picture film |
4,849 |
173 |
B |
Low |
| 220 |
CIELUV |
4,847 |
173 |
Start |
Mid |
| 221 |
Color rendering index |
4,819 |
172 |
C |
Mid |
| 222 |
Color of water |
4,803 |
171 |
C |
Low |
| 223 |
Go Away Green |
4,803 |
171 |
Start |
Low |
| 224 |
Spectrophotometry |
4,777 |
170 |
C |
High |
| 225 |
List of monochrome and RGB color formats |
4,760 |
170 |
List |
Mid |
| 226 |
Phosphor |
4,757 |
169 |
Start |
Unknown |
| 227 |
Prism (optics) |
4,714 |
168 |
Start |
Mid |
| 228 |
Tiffany Blue |
4,694 |
167 |
Start |
Low |
| 229 |
Gendered associations of pink and blue |
4,685 |
167 |
C |
Mid |
| 230 |
Baker–Miller pink |
4,642 |
165 |
Start |
Low |
| 231 |
Shades of magenta |
4,635 |
165 |
List |
Mid |
| 232 |
Sienna |
4,609 |
164 |
Start |
Mid |
| 233 |
Photonics |
4,596 |
164 |
C |
Low |
| 234 |
Ivory (color) |
4,572 |
163 |
Stub |
Low |
| 235 |
Inkjet printing |
4,552 |
162 |
C |
Unknown |
| 236 |
Tint, shade and tone |
4,533 |
161 |
Start |
High |
| 237 |
RAL colour standard |
4,499 |
160 |
Start |
Mid |
| 238 |
Lilac (color) |
4,475 |
159 |
Stub |
Low |
| 239 |
Alpha compositing |
4,403 |
157 |
Start |
Unknown |
| 240 |
Blood red |
4,402 |
157 |
Stub |
Low |
| 241 |
Flame test |
4,387 |
156 |
Start |
Low |
| 242 |
Structural coloration |
4,370 |
156 |
GA |
Mid |
| 243 |
Dark mode |
4,314 |
154 |
B |
Low |
| 244 |
Spring green |
4,280 |
152 |
C |
Low |
| 245 |
Emission spectrum |
4,278 |
152 |
C |
Unknown |
| 246 |
Theory of Colours |
4,262 |
152 |
B |
High |
| 247 |
False color |
4,238 |
151 |
B |
Mid |
| 248 |
Colorfulness |
4,228 |
151 |
Start |
High |
| 249 |
Traditional colors of Japan |
4,188 |
149 |
Start |
Mid |
| 250 |
Luminance |
4,178 |
149 |
Start |
Unknown |
| 251 |
Savoy blue |
4,156 |
148 |
B |
Low |
| 252 |
Laser printing |
4,137 |
147 |
C |
Unknown |
| 253 |
Photoreceptor cell |
4,105 |
146 |
C |
Mid |
| 254 |
List of international auto racing colours |
4,098 |
146 |
List |
Low |
| 255 |
Color grading |
4,090 |
146 |
Start |
Mid |
| 256 |
Blue-green |
4,086 |
145 |
Start |
Mid |
| 257 |
Standard illuminant |
4,076 |
145 |
B |
High |
| 258 |
Spectral color |
4,044 |
144 |
Start |
High |
| 259 |
Whitewash |
4,022 |
143 |
Start |
High |
| 260 |
Egyptian blue |
3,933 |
140 |
B |
Mid |
| 261 |
Optic nerve |
3,885 |
138 |
C |
Unknown |
| 262 |
Buff (colour) |
3,857 |
137 |
Start |
Low |
| 263 |
Natural dye |
3,841 |
137 |
C |
Mid |
| 264 |
YInMn Blue |
3,831 |
136 |
B |
Low |
| 265 |
Contrast (vision) |
3,743 |
133 |
Start |
High |
| 266 |
Newton disc |
3,705 |
132 |
C |
Mid |
| 267 |
Specular reflection |
3,678 |
131 |
C |
Unknown |
| 268 |
Carmine (color) |
3,614 |
129 |
Stub |
Low |
| 269 |
Spectrometer |
3,550 |
126 |
Start |
Unknown |
| 270 |
RYB color model |
3,525 |
125 |
C |
Mid |
| 271 |
Polychrome |
3,431 |
122 |
C |
Mid |
| 272 |
Retinal |
3,407 |
121 |
Start |
Unknown |
| 273 |
Luminous intensity |
3,396 |
121 |
Start |
Unknown |
| 274 |
Umber |
3,387 |
120 |
Start |
Low |
| 275 |
Alvy Ray Smith |
3,377 |
120 |
C |
Low |
| 276 |
Viridian |
3,355 |
119 |
Start |
Low |
| 277 |
Color scheme |
3,329 |
118 |
Start |
Mid |
| 278 |
Film colorization |
3,311 |
118 |
C |
Low |
| 279 |
Feldgrau |
3,284 |
117 |
Start |
Low |
| 280 |
Amaranth (color) |
3,280 |
117 |
Start |
Low |
| 281 |
Purple Earth hypothesis |
3,279 |
117 |
Start |
Unknown |
| 282 |
Lincoln green |
3,269 |
116 |
C |
Low |
| 283 |
Pan-Slavic colors |
3,233 |
115 |
Start |
Low |
| 284 |
Grapheme–color synesthesia |
3,212 |
114 |
C |
Low |
| 285 |
Subtractive color |
3,207 |
114 |
Start |
High |
| 286 |
Cordovan (color) |
3,206 |
114 |
Stub |
Low |
| 287 |
YPbPr |
3,160 |
112 |
Start |
Mid |
| 288 |
25-pair color code |
3,149 |
112 |
Start |
Low |
| 289 |
Puce |
3,133 |
111 |
Stub |
Mid |
| 290 |
Electric blue (color) |
3,109 |
111 |
Start |
Low |
| 291 |
LED display |
3,090 |
110 |
Start |
Unknown |
| 292 |
Rose (color) |
3,073 |
109 |
C |
Low |
| 293 |
Shades of rose |
3,056 |
109 |
List |
Mid |
| 294 |
Anti-flash white |
3,040 |
108 |
Start |
Mid |
| 295 |
List of color palettes |
3,029 |
108 |
List |
Mid |
| 296 |
List of colors |
3,029 |
108 |
NA |
High |
| 297 |
Ecru |
2,992 |
106 |
Stub |
Mid |
| 298 |
Chromostereopsis |
2,982 |
106 |
C |
Mid |
| 299 |
Silver (color) |
2,979 |
106 |
Start |
Mid |
| 300 |
International orange |
2,978 |
106 |
Stub |
Low |
| 301 |
Rhodopsin |
2,958 |
105 |
Start |
Low |
| 302 |
SIGGRAPH |
2,907 |
103 |
Start |
Unknown |
| 303 |
Absorption spectroscopy |
2,893 |
103 |
C |
Unknown |
| 304 |
Dye-sublimation printing |
2,872 |
102 |
Unknown |
Unknown |
| 305 |
Reflectance |
2,858 |
102 |
C |
Unknown |
| 306 |
Trichromacy |
2,823 |
100 |
C |
High |
| 307 |
Dichromacy |
2,808 |
100 |
Start |
Mid |
| 308 |
RGBA color model |
2,797 |
99 |
Start |
Mid |
| 309 |
National colours |
2,742 |
97 |
Start |
Mid |
| 310 |
Dandelion (crayon color) |
2,732 |
97 |
Start |
Low |
| 311 |
Luminescence |
2,731 |
97 |
C |
Unknown |
| 312 |
Cerise (color) |
2,728 |
97 |
Stub |
Low |
| 313 |
Rod cell |
2,721 |
97 |
Start |
Unknown |
| 314 |
ICC profile |
2,714 |
96 |
C |
Low |
| 315 |
Midnight blue |
2,702 |
96 |
Start |
Low |
| 316 |
Phthalocyanine Green G |
2,676 |
95 |
Start |
Low |
| 317 |
Monochromacy |
2,665 |
95 |
C |
Mid |
| 318 |
Tan (color) |
2,636 |
94 |
Start |
Mid |
| 319 |
Photoluminescence |
2,628 |
93 |
C |
Unknown |
| 320 |
Lime (color) |
2,622 |
93 |
Start |
Mid |
| 321 |
Veralto |
2,610 |
93 |
Start |
Unknown |
| 322 |
Basic Color Terms |
2,585 |
92 |
Start |
Mid |
| 323 |
Diffuse reflection |
2,523 |
90 |
Start |
Unknown |
| 324 |
Purkinje effect |
2,523 |
90 |
C |
Unknown |
| 325 |
Additive color |
2,520 |
90 |
Start |
High |
| 326 |
Tawny (colour) |
2,516 |
89 |
Start |
Low |
| 327 |
School colors |
2,511 |
89 |
Start |
Mid |
| 328 |
Chromophore |
2,496 |
89 |
Start |
Mid |
| 329 |
Opsin |
2,469 |
88 |
C |
Unknown |
| 330 |
Coral (color) |
2,467 |
88 |
Stub |
Low |
| 331 |
Gules |
2,463 |
87 |
NA |
Low |
| 332 |
Color model |
2,463 |
87 |
B |
High |
| 333 |
Chromaticity |
2,461 |
87 |
Start |
High |
| 334 |
Robin egg blue |
2,439 |
87 |
Stub |
Low |
| 335 |
Maya blue |
2,423 |
86 |
C |
Low |
| 336 |
8-bit color |
2,402 |
85 |
C |
Low |
| 337 |
Green in Islam |
2,398 |
85 |
Stub |
Low |
| 338 |
Falun red |
2,390 |
85 |
Start |
Low |
| 339 |
Colored pencil |
2,372 |
84 |
C |
High |
| 340 |
Linguistic relativity and the color naming debate |
2,371 |
84 |
Start |
Mid |
| 341 |
RGB color spaces |
2,365 |
84 |
Start |
Mid |
| 342 |
Wine red |
2,362 |
84 |
Stub |
Low |
| 343 |
Cornflower blue |
2,347 |
83 |
Stub |
Low |
| 344 |
Opponent process |
2,340 |
83 |
Start |
High |
| 345 |
Absorption (electromagnetic radiation) |
2,328 |
83 |
Start |
Unknown |
| 346 |
Rose madder |
2,299 |
82 |
Start |
Low |
| 347 |
Johannes Itten |
2,292 |
81 |
Start |
Mid |
| 348 |
History of Crayola crayons |
2,280 |
81 |
C |
Low |
| 349 |
Color balance |
2,279 |
81 |
C |
Low |
| 350 |
Shades of chartreuse |
2,278 |
81 |
List |
Mid |
| 351 |
Sage (color) |
2,273 |
81 |
Stub |
Low |
| 352 |
Light blue |
2,263 |
80 |
Stub |
Low |
| 353 |
Von Luschan's chromatic scale |
2,256 |
80 |
Start |
Low |
| 354 |
Aqua (color) |
2,249 |
80 |
Stub |
Mid |
| 355 |
Colour banding |
2,243 |
80 |
Stub |
Low |
| 356 |
Salmon (color) |
2,243 |
80 |
Start |
Low |
| 357 |
Photographic print toning |
2,232 |
79 |
Start |
Mid |
| 358 |
New riddle of induction |
2,231 |
79 |
Start |
Low |
| 359 |
Wilhelm Ostwald |
2,216 |
79 |
C |
Mid |
| 360 |
Alice blue |
2,194 |
78 |
B |
Low |
| 361 |
Metamerism (color) |
2,172 |
77 |
Start |
High |
| 362 |
List of dyes |
2,170 |
77 |
List |
Mid |
| 363 |
Baby blue |
2,151 |
76 |
Stub |
Low |
| 364 |
Lake pigment |
2,150 |
76 |
Start |
Low |
| 365 |
Aquamarine (color) |
2,145 |
76 |
Stub |
Low |
| 366 |
ColorChecker |
2,137 |
76 |
Start |
Mid |
| 367 |
Isabelline (colour) |
2,135 |
76 |
Start |
Unknown |
| 368 |
Sable (heraldry) |
2,117 |
75 |
Stub |
Low |
| 369 |
Blue-gray |
2,115 |
75 |
C |
Low |
| 370 |
Comparison of CRT, LCD, plasma, and OLED displays |
2,115 |
75 |
List |
Unknown |
| 371 |
Demosaicing |
2,094 |
74 |
Start |
Low |
| 372 |
Copper (color) |
2,093 |
74 |
Stub |
Low |
| 373 |
Chromotherapy |
2,091 |
74 |
C |
Low |
| 374 |
Powder blue |
2,065 |
73 |
Stub |
Low |
| 375 |
Thermochromism |
2,060 |
73 |
Start |
Low |
| 376 |
Rosso corsa |
2,039 |
72 |
Start |
Low |
| 377 |
Mach bands |
2,036 |
72 |
Start |
Unknown |
| 378 |
Johann Heinrich Lambert |
2,025 |
72 |
Start |
Unknown |
| 379 |
Color chart |
1,994 |
71 |
Start |
Mid |
| 380 |
Scotopic vision |
1,991 |
71 |
Start |
Low |
| 381 |
Bronze (color) |
1,980 |
70 |
Start |
Mid |
| 382 |
Color constancy |
1,965 |
70 |
B |
Mid |
| 383 |
List of color spaces and their uses |
1,954 |
69 |
Start |
High |
| 384 |
Colorimetry |
1,935 |
69 |
Start |
High |
| 385 |
List of inorganic pigments |
1,931 |
68 |
List |
Low |
| 386 |
Rec. 601 |
1,927 |
68 |
Start |
Unknown |
| 387 |
Color analysis |
1,927 |
68 |
Start |
Mid |
| 388 |
School bus yellow |
1,922 |
68 |
C |
Low |
| 389 |
Color management |
1,918 |
68 |
Start |
Mid |
| 390 |
Earth tone |
1,915 |
68 |
Stub |
Low |
| 391 |
Dinosaur coloration |
1,896 |
67 |
C |
Mid |
| 392 |
Cambridge Blue (colour) |
1,880 |
67 |
Start |
Low |
| 393 |
Colors of the day in Thailand |
1,878 |
67 |
Stub |
Low |
| 394 |
LMS color space |
1,873 |
66 |
Start |
Mid |
| 395 |
Peach (color) |
1,872 |
66 |
Stub |
Low |
| 396 |
Oxblood |
1,871 |
66 |
Start |
Low |
| 397 |
Chromophobia |
1,861 |
66 |
Start |
Mid |
| 398 |
Color mixing |
1,852 |
66 |
C |
High |
| 399 |
Solarized |
1,850 |
66 |
Start |
Low |
| 400 |
Argent |
1,844 |
65 |
NA |
Low |
| 401 |
Luminous paint |
1,843 |
65 |
C |
Low |
| 402 |
Lightness |
1,829 |
65 |
Start |
High |
| 403 |
Hypercolor |
1,798 |
64 |
C |
Low |
| 404 |
Natural Color System |
1,793 |
64 |
Start |
High |
| 405 |
Han purple and Han blue |
1,783 |
63 |
B |
Mid |
| 406 |
Carnation (heraldry) |
1,779 |
63 |
Stub |
Low |
| 407 |
Safety orange |
1,752 |
62 |
Start |
Low |
| 408 |
Champagne (color) |
1,752 |
62 |
Stub |
Low |
| 409 |
Glaucous |
1,751 |
62 |
Stub |
Low |
| 410 |
Diffuse sky radiation |
1,713 |
61 |
C |
Mid |
| 411 |
Rec. 2100 |
1,712 |
61 |
Start |
Low |
| 412 |
Adobe RGB color space |
1,705 |
60 |
Start |
Mid |
| 413 |
Mustard (color) |
1,695 |
60 |
Stub |
Low |
| 414 |
Color vision test |
1,688 |
60 |
B |
High |
| 415 |
Specular highlight |
1,683 |
60 |
Start |
Unknown |
| 416 |
Bleu de France (colour) |
1,682 |
60 |
Start |
Low |
| 417 |
Palette (computing) |
1,669 |
59 |
C |
Mid |
| 418 |
Red-violet |
1,655 |
59 |
Stub |
Low |
| 419 |
Retinal ganglion cell |
1,648 |
58 |
C |
Unknown |
| 420 |
Russet (color) |
1,648 |
58 |
Stub |
Low |
| 421 |
Animal coloration |
1,647 |
58 |
GA |
Mid |
| 422 |
Color appearance model |
1,646 |
58 |
Start |
Mid |
| 423 |
Analogous colors |
1,641 |
58 |
Start |
Mid |
| 424 |
Autumn leaf color |
1,633 |
58 |
C |
Mid |
| 425 |
St. Patrick's blue |
1,622 |
57 |
Start |
Low |
| 426 |
Or (heraldry) |
1,603 |
57 |
NA |
Low |
| 427 |
Blue in culture |
1,601 |
57 |
B |
High |
| 428 |
List of 16-bit computer color palettes |
1,589 |
56 |
List |
Low |
| 429 |
Vair |
1,586 |
56 |
Stub |
Low |
| 430 |
Michel Eugène Chevreul |
1,567 |
55 |
Start |
Unknown |
| 431 |
Cream (colour) |
1,565 |
55 |
Stub |
Low |
| 432 |
Relative luminance |
1,556 |
55 |
Start |
Mid |
| 433 |
Azure (heraldry) |
1,539 |
54 |
NA |
Low |
| 434 |
Luma (video) |
1,537 |
54 |
Start |
Unknown |
| 435 |
Photometry (optics) |
1,535 |
54 |
Start |
Unknown |
| 436 |
Red pigments |
1,533 |
54 |
C |
Low |
| 437 |
Dodger blue |
1,528 |
54 |
Start |
Low |
| 438 |
Color printing |
1,527 |
54 |
C |
High |
| 439 |
Black-and-white dualism |
1,517 |
54 |
Start |
Low |
| 440 |
Xanthochromism |
1,515 |
54 |
Stub |
Low |
| 441 |
Color code |
1,497 |
53 |
Start |
Mid |
| 442 |
Wine color |
1,490 |
53 |
Start |
Low |
| 443 |
Adaptation (eye) |
1,484 |
53 |
B |
Unknown |
| 444 |
Rust (color) |
1,481 |
52 |
Stub |
Low |
| 445 |
Mountbatten pink |
1,480 |
52 |
GA |
Low |
| 446 |
Sunset (color) |
1,480 |
52 |
Start |
Low |
| 447 |
Glare (vision) |
1,479 |
52 |
Start |
Low |
| 448 |
Inverted spectrum |
1,475 |
52 |
C |
Low |
| 449 |
Intrinsically photosensitive retinal ganglion cell |
1,467 |
52 |
C |
Unknown |
| 450 |
Chestnut (color) |
1,463 |
52 |
Stub |
Low |
| 451 |
Gamboge |
1,458 |
52 |
Start |
Low |
| 452 |
Blue light spectrum |
1,453 |
51 |
C |
Unknown |
| 453 |
Monochromator |
1,450 |
51 |
Start |
Unknown |
| 454 |
Carolina blue |
1,447 |
51 |
Start |
Mid |
| 455 |
Domain coloring |
1,438 |
51 |
C |
Low |
| 456 |
Fawn (colour) |
1,436 |
51 |
Stub |
Low |
| 457 |
Alizarin crimson (color) |
1,433 |
51 |
Stub |
Mid |
| 458 |
Philipp Otto Runge |
1,430 |
51 |
C |
Low |
| 459 |
Mahogany (color) |
1,427 |
50 |
Stub |
Low |
| 460 |
Air Force blue |
1,427 |
50 |
Start |
Low |
| 461 |
Planckian locus |
1,425 |
50 |
C |
Mid |
| 462 |
LED strip light |
1,397 |
49 |
C |
Low |
| 463 |
Color science |
1,377 |
49 |
Stub |
Top |
| 464 |
Lemon (color) |
1,375 |
49 |
Stub |
Low |
| 465 |
Color gradient |
1,366 |
48 |
Start |
Low |
| 466 |
International Commission on Illumination |
1,355 |
48 |
Start |
High |
| 467 |
Columbia blue |
1,354 |
48 |
Stub |
Low |
| 468 |
Ruby (color) |
1,350 |
48 |
Start |
Mid |
| 469 |
Byzantium (color) |
1,338 |
47 |
Start |
Low |
| 470 |
ISCC–NBS system |
1,331 |
47 |
Start |
High |
| 471 |
Cadet grey |
1,322 |
47 |
Start |
Low |
| 472 |
Rose (disambiguation) |
1,311 |
46 |
NA |
NA |
| 473 |
Academy Color Encoding System |
1,311 |
46 |
C |
Unknown |
| 474 |
YIQ |
1,309 |
46 |
Start |
Low |
| 475 |
Persian blue |
1,306 |
46 |
Stub |
Low |
| 476 |
Heliotrope (color) |
1,303 |
46 |
Stub |
Low |
| 477 |
Slate gray |
1,292 |
46 |
Stub |
Low |
| 478 |
HWB color model |
1,288 |
46 |
Stub |
Low |
| 479 |
Dracula (color scheme) |
1,281 |
45 |
C |
Low |
| 480 |
Complexion |
1,261 |
45 |
Start |
Low |
| 481 |
Super black |
1,258 |
44 |
Start |
Mid |
| 482 |
Payne's grey |
1,257 |
44 |
Stub |
Mid |
| 483 |
Opponent-process theory |
1,253 |
44 |
Start |
Unknown |
| 484 |
Chrome yellow |
1,247 |
44 |
C |
Mid |
| 485 |
Color picker |
1,247 |
44 |
Start |
Low |
| 486 |
Gray card |
1,242 |
44 |
Start |
Low |
| 487 |
X-Rite |
1,242 |
44 |
Start |
Low |
| 488 |
Majorelle Blue |
1,240 |
44 |
Stub |
Low |
| 489 |
Lüscher color test |
1,228 |
43 |
Start |
Low |
| 490 |
Optical brightener |
1,227 |
43 |
Start |
Mid |
| 491 |
Color of the day (police) |
1,223 |
43 |
Start |
Low |
| 492 |
Photochromism |
1,216 |
43 |
C |
Low |
| 493 |
Chrominance |
1,206 |
43 |
C |
Mid |
| 494 |
Mesopic vision |
1,206 |
43 |
C |
Unknown |
| 495 |
Plum (color) |
1,198 |
42 |
Start |
Mid |
| 496 |
Color correction |
1,187 |
42 |
Start |
Mid |
| 497 |
Color quantization |
1,187 |
42 |
C |
High |
| 498 |
Mars surface color |
1,184 |
42 |
C |
Low |
| 499 |
Spectral power distribution |
1,175 |
41 |
Start |
High |
| 500 |
HCL color space |
1,172 |
41 |
Start |
Mid |
| 501 |
Iris (color) |
1,168 |
41 |
Stub |
Low |
| 502 |
Indexed color |
1,167 |
41 |
C |
High |
| 503 |
Colorburst |
1,166 |
41 |
Start |
Low |
| 504 |
Solvatochromism |
1,160 |
41 |
Start |
Low |
| 505 |
Diffuser (optics) |
1,147 |
40 |
Stub |
Unknown |
| 506 |
Photopic vision |
1,140 |
40 |
Start |
Unknown |
| 507 |
Coquelicot |
1,139 |
40 |
Start |
Low |
| 508 |
Cardinal (color) |
1,132 |
40 |
Stub |
Low |
| 509 |
Sepia tone |
1,123 |
40 |
NA |
Mid |
| 510 |
Rufous |
1,118 |
39 |
Start |
Low |
| 511 |
High color |
1,117 |
39 |
Start |
Low |
| 512 |
CIECAM02 |
1,115 |
39 |
B |
High |
| 513 |
History of red |
1,115 |
39 |
C |
Mid |
| 514 |
Cornsweet illusion |
1,109 |
39 |
Start |
Unknown |
| 515 |
ProPhoto RGB color space |
1,108 |
39 |
Start |
Low |
| 516 |
Lightfastness |
1,097 |
39 |
Start |
Mid |
| 517 |
Day-Glo Color Corp. |
1,093 |
39 |
Start |
Mid |
| 518 |
Bistre |
1,081 |
38 |
Start |
Mid |
| 519 |
Fulvous |
1,078 |
38 |
Start |
Low |
| 520 |
Desert sand (color) |
1,076 |
38 |
Start |
Low |
| 521 |
Color of chemicals |
1,071 |
38 |
C |
High |
| 522 |
Dominant white |
1,070 |
38 |
GA |
Low |
| 523 |
Orchid (color) |
1,066 |
38 |
Stub |
Low |
| 524 |
List of people with color blindness |
1,065 |
38 |
List |
Low |
| 525 |
Iron oxide red |
1,061 |
37 |
Start |
Low |
| 526 |
Color-blocking |
1,059 |
37 |
Start |
Low |
| 527 |
Hyaline |
1,058 |
37 |
Stub |
Low |
| 528 |
Color filter array |
1,051 |
37 |
C |
Low |
| 529 |
Vectorscope |
1,044 |
37 |
Start |
Low |
| 530 |
Colour Index International |
1,042 |
37 |
Start |
Mid |
| 531 |
History of spectroscopy |
1,032 |
36 |
B |
Mid |
| 532 |
Spectral sensitivity |
1,028 |
36 |
Start |
Mid |
| 533 |
Color preferences |
1,027 |
36 |
Stub |
Mid |
| 534 |
Farnsworth–Munsell 100 hue test |
1,027 |
36 |
C |
Low |
| 535 |
Contrast effect |
1,024 |
36 |
C |
Mid |
| 536 |
Steel blue |
1,006 |
35 |
Stub |
Low |
| 537 |
Color blind glasses |
998 |
35 |
B |
Mid |
| 538 |
Apricot (color) |
979 |
34 |
Stub |
Low |
| 539 |
Composite artifact colors |
974 |
34 |
C |
Low |
| 540 |
Optica (society) |
972 |
34 |
C |
Low |
| 541 |
Young–Helmholtz theory |
971 |
34 |
Stub |
High |
| 542 |
Eggplant (color) |
962 |
34 |
Stub |
Low |
| 543 |
Ink cartridge |
962 |
34 |
Start |
Unknown |
| 544 |
List of animals that can change color |
961 |
34 |
List |
Low |
| 545 |
Melanopsin |
960 |
34 |
C |
Low |
| 546 |
Old gold |
957 |
34 |
Start |
Low |
| 547 |
Coyote brown |
956 |
34 |
Stub |
Mid |
| 548 |
Metallic color |
954 |
34 |
Start |
Mid |
| 549 |
Duotone |
949 |
33 |
Start |
Low |
| 550 |
Middle gray |
949 |
33 |
Stub |
Unknown |
| 551 |
Gray |
948 |
33 |
NA |
NA |
| 552 |
Correlated color temperature |
948 |
33 |
C |
Low |
| 553 |
Eton blue |
943 |
33 |
Stub |
Low |
| 554 |
Cyanometer |
941 |
33 |
Stub |
Low |
| 555 |
Colorist |
938 |
33 |
C |
Low |
| 556 |
Platinum (color) |
931 |
33 |
Stub |
Low |
| 557 |
Image gradient |
928 |
33 |
Stub |
Mid |
| 558 |
Non-photo blue |
927 |
33 |
Start |
Low |
| 559 |
Abney effect |
922 |
32 |
B |
Mid |
| 560 |
White point |
913 |
32 |
Start |
High |
| 561 |
Raspberry (color) |
911 |
32 |
Start |
Low |
| 562 |
Color solid |
908 |
32 |
Start |
High |
| 563 |
Venetian red |
897 |
32 |
Stub |
Low |
| 564 |
Oren–Nayar reflectance model |
895 |
31 |
C |
Low |
| 565 |
Liver (color) |
892 |
31 |
Stub |
Low |
| 566 |
Tertiary color |
891 |
31 |
NA |
High |
| 567 |
Orcein |
889 |
31 |
Start |
Mid |
| 568 |
Illuminant D65 |
876 |
31 |
NA |
Mid |
| 569 |
Selective yellow |
873 |
31 |
C |
Low |
| 570 |
High-CRI LED lighting |
872 |
31 |
C |
Low |
| 571 |
Forest green |
870 |
31 |
Stub |
Low |
| 572 |
Tenné |
869 |
31 |
B |
Low |
| 573 |
Alcian blue stain |
866 |
30 |
C |
Low |
| 574 |
Palatinate (colour) |
864 |
30 |
Start |
Low |
| 575 |
Van Dyke brown |
863 |
30 |
Stub |
Low |
| 576 |
List of chicken colours |
859 |
30 |
List |
Low |
| 577 |
Color gel |
854 |
30 |
Start |
Low |
| 578 |
Spot color |
854 |
30 |
Start |
High |
| 579 |
DIC Corporation |
853 |
30 |
Start |
Low |
| 580 |
Federal Standard 595 |
851 |
30 |
Stub |
Low |
| 581 |
RG color models |
847 |
30 |
C |
Mid |
| 582 |
Fire engine red |
846 |
30 |
Stub |
Low |
| 583 |
Xanthochromia |
842 |
30 |
Start |
Low |
| 584 |
Soil color |
837 |
29 |
Start |
Low |
| 585 |
MacAdam ellipse |
832 |
29 |
C |
High |
| 586 |
Aureolin |
832 |
29 |
Stub |
Low |
| 587 |
Caput mortuum (pigment) |
827 |
29 |
Start |
Low |
| 588 |
Cerebral achromatopsia |
824 |
29 |
C |
Low |
| 589 |
Line of purples |
820 |
29 |
Start |
Mid |
| 590 |
Harmony (color) |
818 |
29 |
C |
High |
| 591 |
Rich black |
814 |
29 |
C |
Mid |
| 592 |
List of color film systems |
813 |
29 |
List |
Low |
| 593 |
Chromatic adaptation |
810 |
28 |
Start |
Mid |
| 594 |
High Capacity Color Barcode |
809 |
28 |
C |
Low |
| 595 |
Chocolate (color) |
806 |
28 |
Start |
Low |
| 596 |
Goldenrod (color) |
805 |
28 |
Start |
Low |
| 597 |
Wide-gamut RGB color space |
803 |
28 |
Start |
Mid |
| 598 |
Citrine (colour) |
802 |
28 |
Stub |
Low |
| 599 |
Color organ |
799 |
28 |
C |
Low |
| 600 |
Capri (color) |
799 |
28 |
Stub |
Low |
| 601 |
CMY color model |
798 |
28 |
NA |
High |
| 602 |
Standard-dynamic-range video |
798 |
28 |
C |
Mid |
| 603 |
Marian blue |
797 |
28 |
Start |
Low |
| 604 |
Tooth discoloration |
796 |
28 |
C |
Low |
| 605 |
APHA color |
783 |
27 |
Start |
Low |
| 606 |
Drab (color) |
781 |
27 |
Stub |
Low |
| 607 |
Electrochromism |
778 |
27 |
C |
Low |
| 608 |
List of historical sources for pink and blue as gender signifiers |
776 |
27 |
List |
Low |
| 609 |
Sakura Color Products Corporation |
774 |
27 |
Stub |
Low |
| 610 |
Flax (color) |
773 |
27 |
Stub |
Low |
| 611 |
Bleu celeste |
771 |
27 |
Start |
Low |
| 612 |
Chubb illusion |
770 |
27 |
C |
Unknown |
| 613 |
Marengo (color) |
770 |
27 |
Start |
Low |
| 614 |
Philosophy of color |
767 |
27 |
Start |
High |
| 615 |
Albert Henry Munsell |
763 |
27 |
Start |
Mid |
| 616 |
Candy apple red |
762 |
27 |
Start |
Low |
| 617 |
Rifle green |
759 |
27 |
NA |
Low |
| 618 |
Mulberry (color) |
758 |
27 |
Stub |
Low |
| 619 |
Sinopia |
750 |
26 |
Start |
Low |
| 620 |
Mexican pink |
750 |
26 |
Start |
Low |
| 621 |
Architectural lighting design |
747 |
26 |
C |
Unknown |
| 622 |
Evolution of color vision |
739 |
26 |
Start |
Mid |
| 623 |
Budgerigar colour genetics |
733 |
26 |
Start |
Low |
| 624 |
Evolution of color vision in primates |
730 |
26 |
C |
Mid |
| 625 |
EnChroma |
725 |
25 |
Start |
Mid |
| 626 |
Unique hues |
723 |
25 |
C |
Mid |
| 627 |
Channel (digital image) |
716 |
25 |
C |
Mid |
| 628 |
Light reflectance value |
716 |
25 |
Start |
Unknown |
| 629 |
PAL-M |
707 |
25 |
Start |
Low |
| 630 |
Bezold–Brücke shift |
706 |
25 |
Stub |
Low |
| 631 |
YCoCg |
705 |
25 |
C |
Mid |
| 632 |
Colour fastness |
685 |
24 |
Start |
Low |
| 633 |
Ostwald color system |
684 |
24 |
C |
High |
| 634 |
Image color transfer |
682 |
24 |
Start |
Low |
| 635 |
The Secret Lives of Colour |
679 |
24 |
C |
Low |
| 636 |
Color triangle |
678 |
24 |
Start |
High |
| 637 |
ScRGB |
677 |
24 |
Start |
Mid |
| 638 |
Dominant wavelength |
674 |
24 |
Start |
High |
| 639 |
Colourant |
662 |
23 |
Stub |
High |
| 640 |
Kruithof curve |
660 |
23 |
C |
Mid |
| 641 |
Visual processing |
659 |
23 |
Start |
Low |
| 642 |
Quattron |
656 |
23 |
Stub |
Low |
| 643 |
Coffee (color) |
655 |
23 |
Start |
Low |
| 644 |
Vision science |
654 |
23 |
Start |
Mid |
| 645 |
Cinereous |
645 |
23 |
Stub |
Low |
| 646 |
Fechner color effect |
640 |
22 |
Start |
Low |
| 647 |
Arylide yellow |
639 |
22 |
Stub |
Low |
| 648 |
Yale Blue |
634 |
22 |
Start |
Low |
| 649 |
ICtCp |
629 |
22 |
C |
Mid |
| 650 |
Vert (heraldry) |
625 |
22 |
Start |
Low |
| 651 |
Utility location |
624 |
22 |
Start |
Mid |
| 652 |
Printing registration |
622 |
22 |
C |
Low |
| 653 |
Murrey |
606 |
21 |
Stub |
Low |
| 654 |
Pompeian red |
599 |
21 |
B |
Low |
| 655 |
On Vision and Colours |
594 |
21 |
Start |
Low |
| 656 |
Olive drab |
593 |
21 |
NA |
NA |
| 657 |
Synthetic colorant |
579 |
20 |
C |
Low |
| 658 |
Mired |
577 |
20 |
C |
Mid |
| 659 |
Magnolia (color) |
569 |
20 |
Stub |
Low |
| 660 |
Index of color-related articles |
567 |
20 |
Start |
Mid |
| 661 |
Lava (color) |
561 |
20 |
Stub |
Low |
| 662 |
Camel (color) |
557 |
19 |
Start |
Low |
| 663 |
Biofluorescence |
548 |
19 |
B |
Low |
| 664 |
Rose pink |
547 |
19 |
Stub |
Low |
| 665 |
Eyeborg |
547 |
19 |
Start |
Low |
| 666 |
Android green |
545 |
19 |
Stub |
Low |
| 667 |
Zaffre |
543 |
19 |
Stub |
Mid |
| 668 |
Field-sequential color system |
540 |
19 |
C |
Low |
| 669 |
Red in culture |
537 |
19 |
C |
High |
| 670 |
Tuscan red |
536 |
19 |
Start |
Low |
| 671 |
Vertebrate visual opsin |
530 |
18 |
Start |
Unknown |
| 672 |
Calcein |
529 |
18 |
Start |
Low |
| 673 |
Maize (color) |
528 |
18 |
Stub |
Low |
| 674 |
Citron (color) |
527 |
18 |
Stub |
Low |
| 675 |
Erin (color) |
526 |
18 |
NA |
Low |
| 676 |
Jungle green |
520 |
18 |
C |
Low |
| 677 |
Color histogram |
514 |
18 |
Start |
Mid |
| 678 |
Persian red |
514 |
18 |
Stub |
Low |
| 679 |
Purpure |
513 |
18 |
NA |
Low |
| 680 |
Tricolour |
513 |
18 |
NA |
NA |
| 681 |
Beta movement |
511 |
18 |
C |
Low |
| 682 |
Photopigment |
510 |
18 |
Start |
Low |
| 683 |
Duke blue |
510 |
18 |
Stub |
Low |
| 684 |
PALplus |
509 |
18 |
C |
Low |
| 685 |
Pearl (color) |
509 |
18 |
Stub |
Low |
| 686 |
Colour trade mark |
507 |
18 |
Start |
High |
| 687 |
Map coloring |
507 |
18 |
Start |
Low |
| 688 |
Werner's Nomenclature of Colours |
506 |
18 |
Stub |
Low |
| 689 |
OPN1LW |
501 |
17 |
B |
Unknown |
| 690 |
Color print film |
500 |
17 |
Start |
Low |
| 691 |
XvYCC |
499 |
17 |
Start |
Low |
| 692 |
Colored smoke |
495 |
17 |
Stub |
Mid |
| 693 |
Zinc white |
491 |
17 |
C |
Mid |
| 694 |
Shades of azure |
491 |
17 |
NA |
NA |
| 695 |
Vanilla (color) |
484 |
17 |
Start |
Mid |
| 696 |
MERDC camouflage |
481 |
17 |
Stub |
Low |
| 697 |
Marigold (color) |
475 |
16 |
Stub |
Low |
| 698 |
Orange (heraldry) |
473 |
16 |
Stub |
Low |
| 699 |
CcMmYK color model |
469 |
16 |
Stub |
Low |
| 700 |
Illuminating Engineering Society |
468 |
16 |
Start |
Unknown |
| 701 |
Color calibration |
463 |
16 |
Start |
Mid |
| 702 |
Lion (color) |
460 |
16 |
Stub |
Low |
| 703 |
Specularity |
459 |
16 |
Stub |
Unknown |
| 704 |
Carnelian (color) |
456 |
16 |
Stub |
Low |
| 705 |
Journal of the Optical Society of America |
455 |
16 |
Start |
Unknown |
| 706 |
Dichromatism |
454 |
16 |
Start |
Unknown |
| 707 |
Dichroic filter |
451 |
16 |
NA |
NA |
| 708 |
Jasmine (color) |
449 |
16 |
Stub |
Low |
| 709 |
Tangerine (color) |
443 |
15 |
Stub |
Low |
| 710 |
International Color Consortium |
439 |
15 |
Start |
Mid |
| 711 |
Solid ink |
430 |
15 |
Start |
Unknown |
| 712 |
Color reproduction |
428 |
15 |
Stub |
High |
| 713 |
Blue Wool Scale |
426 |
15 |
Stub |
Low |
| 714 |
Hexachrome |
420 |
15 |
Start |
Low |
| 715 |
Grassmann's laws (color science) |
417 |
14 |
Start |
Mid |
| 716 |
International Colour Day |
415 |
14 |
Start |
Mid |
| 717 |
Abnormal urine color |
413 |
14 |
Start |
Low |
| 718 |
Burnt sienna |
411 |
14 |
NA |
Mid |
| 719 |
Tobias Mayer |
407 |
14 |
Start |
Unknown |
| 720 |
Gene therapy for color blindness |
406 |
14 |
C |
Low |
| 721 |
Bice |
404 |
14 |
Stub |
Low |
| 722 |
Eggshell (color) |
403 |
14 |
Stub |
Low |
| 723 |
Ewald Hering |
402 |
14 |
Start |
Mid |
| 724 |
U of T Blue |
401 |
14 |
Start |
Unknown |
| 725 |
Azure spar |
389 |
13 |
List |
Low |
| 726 |
HSV color space |
385 |
13 |
NA |
High |
| 727 |
Coventry blue |
385 |
13 |
Stub |
Low |
| 728 |
Blush (color) |
383 |
13 |
Stub |
Low |
| 729 |
Standard Reference Method |
382 |
13 |
C |
Low |
| 730 |
Color cycling |
380 |
13 |
Start |
Low |
| 731 |
Lemon chiffon |
379 |
13 |
Start |
Low |
| 732 |
Tristimulus colorimeter |
378 |
13 |
Stub |
Low |
| 733 |
Marrs green |
377 |
13 |
Stub |
Low |
| 734 |
Colorpuncture |
373 |
13 |
B |
Low |
| 735 |
Tyros (nymph) |
373 |
13 |
C |
Low |
| 736 |
Sanguine (heraldry) |
371 |
13 |
Stub |
Low |
| 737 |
Chromism |
371 |
13 |
C |
Low |
| 738 |
Navajo white |
368 |
13 |
Stub |
Low |
| 739 |
Colour cast |
367 |
13 |
Start |
Mid |
| 740 |
Golden ochre |
367 |
13 |
C |
Low |
| 741 |
Rose (heraldic tincture) |
360 |
12 |
Start |
Low |
| 742 |
Mysore Paints and Varnish |
359 |
12 |
Start |
Low |
| 743 |
Color of clothing |
358 |
12 |
Start |
Mid |
| 744 |
Harvest gold |
349 |
12 |
Stub |
Low |
| 745 |
OPN1MW |
347 |
12 |
Stub |
Unknown |
| 746 |
Floral color change |
346 |
12 |
C |
Low |
| 747 |
Bole (color) |
341 |
12 |
Start |
Low |
| 748 |
Straw (colour) |
341 |
12 |
Stub |
Low |
| 749 |
Rg chromaticity |
337 |
12 |
Stub |
Low |
| 750 |
Color Association of the United States |
337 |
12 |
Start |
Mid |
| 751 |
ACM SIGGRAPH |
336 |
12 |
Start |
Low |
| 752 |
Gardner color scale |
336 |
12 |
Stub |
Mid |
| 753 |
HKS (colour system) |
331 |
11 |
Stub |
Low |
| 754 |
Reseda green |
331 |
11 |
Stub |
Low |
| 755 |
Sapphire (color) |
330 |
11 |
NA |
Low |
| 756 |
CIE 1960 color space |
330 |
11 |
Start |
Low |
| 757 |
Fallow (color) |
329 |
11 |
Stub |
Low |
| 758 |
Wheat (color) |
327 |
11 |
Stub |
Low |
| 759 |
Densitometry |
326 |
11 |
Stub |
Low |
| 760 |
On Colors |
326 |
11 |
Start |
Low |
| 761 |
Cendrée |
325 |
11 |
Stub |
Low |
| 762 |
Color war |
325 |
11 |
Stub |
Low |
| 763 |
ASC CDL |
325 |
11 |
Start |
Low |
| 764 |
Colour recovery |
319 |
11 |
C |
Low |
| 765 |
Brunswick green |
317 |
11 |
NA |
Low |
| 766 |
CIE 1964 color space |
316 |
11 |
Stub |
Low |
| 767 |
Mars Black (pigment) |
316 |
11 |
Stub |
Low |
| 768 |
Azurite (pigment) |
316 |
11 |
Stub |
Low |
| 769 |
Bipack color |
315 |
11 |
C |
Low |
| 770 |
Coloroid |
312 |
11 |
Stub |
Low |
| 771 |
ColorADD |
308 |
11 |
Start |
Low |
| 772 |
Jacob Christoph Le Blon |
307 |
10 |
Start |
Low |
| 773 |
OPN1SW |
297 |
10 |
Stub |
Unknown |
| 774 |
Memory color effect |
296 |
10 |
C |
Mid |
| 775 |
Continuous tone image |
292 |
10 |
Start |
Low |
| 776 |
Seal brown |
285 |
10 |
Stub |
Low |
| 777 |
TSL color space |
285 |
10 |
Stub |
Low |
| 778 |
Dark blue (color) |
283 |
10 |
NA |
Low |
| 779 |
American Association of Textile Chemists and Colorists |
282 |
10 |
Stub |
Mid |
| 780 |
Colors (Ken Nordine album) |
276 |
9 |
Start |
Low |
| 781 |
French gray |
276 |
9 |
Stub |
Low |
| 782 |
Margaret Hayden Rorke |
264 |
9 |
C |
Low |
| 783 |
Specifications for Web Offset Publications |
257 |
9 |
Start |
Low |
| 784 |
Local color (visual art) |
256 |
9 |
Stub |
Low |
| 785 |
Cynthia Brewer |
253 |
9 |
Start |
Low |
| 786 |
Hunter Lab |
250 |
8 |
Start |
Low |
| 787 |
Cerulean blue |
249 |
8 |
NA |
NA |
| 788 |
YJK |
244 |
8 |
Stub |
Low |
| 789 |
Zinzolin |
243 |
8 |
B |
Low |
| 790 |
Multiplexed Analogue Components |
241 |
8 |
Unknown |
Unknown |
| 791 |
IT8 |
241 |
8 |
Start |
Low |
| 792 |
Visual weight |
237 |
8 |
Stub |
Low |
| 793 |
Color phi phenomenon |
235 |
8 |
Start |
Low |
| 794 |
Color rendering |
233 |
8 |
Start |
Mid |
| 795 |
Pterobilin |
232 |
8 |
Start |
Low |
| 796 |
YDbDr |
229 |
8 |
Start |
Low |
| 797 |
Color task |
226 |
8 |
B |
Mid |
| 798 |
Icterine |
222 |
7 |
Stub |
Low |
| 799 |
Color suite |
220 |
7 |
Start |
Low |
| 800 |
Seashell (color) |
219 |
7 |
Stub |
Low |
| 801 |
Spring bud |
218 |
7 |
C |
Low |
| 802 |
Grey component replacement |
217 |
7 |
Stub |
Low |
| 803 |
Hunt effect (color) |
216 |
7 |
Stub |
Low |
| 804 |
ColorCode 3-D |
213 |
7 |
Start |
Low |
| 805 |
Spring green (color) |
211 |
7 |
NA |
NA |
| 806 |
Cream (color) |
210 |
7 |
NA |
Low |
| 807 |
Titanium yellow |
210 |
7 |
Stub |
Low |
| 808 |
Color coding in data visualization |
209 |
7 |
NA |
High |
| 809 |
Halochromism |
208 |
7 |
Stub |
Low |
| 810 |
National colours of Portugal |
207 |
7 |
Start |
Low |
| 811 |
Purplish |
206 |
7 |
NA |
NA |
| 812 |
Le Corbusier's Architectural Polychromy |
206 |
7 |
C |
Unknown |
| 813 |
Display contrast |
202 |
7 |
C |
Unknown |
| 814 |
Acid green |
198 |
7 |
NA |
Low |
| 815 |
Color Marketing Group |
195 |
6 |
Stub |
Low |
| 816 |
Jonquil (color) |
192 |
6 |
NA |
NA |
| 817 |
Stiles–Crawford effect |
191 |
6 |
Start |
Unknown |
| 818 |
Holmgren's wool test |
188 |
6 |
Start |
Low |
| 819 |
Multi-primary color display |
187 |
6 |
Stub |
Low |
| 820 |
Burnt umber |
184 |
6 |
NA |
Mid |
| 821 |
International Colour Association |
184 |
6 |
Start |
Mid |
| 822 |
Standard Color Reference of America |
181 |
6 |
Start |
Low |
| 823 |
Ruddy |
178 |
6 |
NA |
NA |
| 824 |
International Colour Authority |
177 |
6 |
Stub |
Low |
| 825 |
Double cone (biology) |
175 |
6 |
Start |
Low |
| 826 |
Bondi blue |
174 |
6 |
NA |
NA |
| 827 |
Amethyst (color) |
174 |
6 |
NA |
NA |
| 828 |
Windows Color System |
174 |
6 |
Start |
Mid |
| 829 |
Iron ochre |
174 |
6 |
List |
Low |
| 830 |
Sonochromatism |
171 |
6 |
Start |
Unknown |
| 831 |
Mikado yellow |
170 |
6 |
Stub |
Low |
| 832 |
Teal (color) |
169 |
6 |
NA |
NA |
| 833 |
Polka-dot paint |
168 |
6 |
Start |
Low |
| 834 |
Stanford Cardinal Red |
167 |
5 |
NA |
Low |
| 835 |
Applied Optics |
165 |
5 |
Start |
Low |
| 836 |
Comparison of color models in computer graphics |
165 |
5 |
Unknown |
Unknown |
| 837 |
OSA-UCS |
163 |
5 |
Stub |
Low |
| 838 |
Moses Harris |
162 |
5 |
Start |
Mid |
| 839 |
Ao (color) |
162 |
5 |
NA |
Low |
| 840 |
Coloured hat |
162 |
5 |
C |
Low |
| 841 |
Principle of univariance |
161 |
5 |
Stub |
Low |
| 842 |
Coloured Book protocols |
157 |
5 |
C |
Low |
| 843 |
Association for Research in Vision and Ophthalmology |
157 |
5 |
Stub |
Low |
| 844 |
Whiteness (colorimetry) |
155 |
5 |
Start |
Low |
| 845 |
Oil droplet |
154 |
5 |
Start |
Low |
| 846 |
Society for Imaging Science and Technology |
146 |
5 |
Stub |
Unknown |
| 847 |
David MacAdam |
146 |
5 |
Start |
Mid |
| 848 |
Tone reproduction |
145 |
5 |
Unknown |
Unknown |
| 849 |
HSLuv |
143 |
5 |
Start |
Low |
| 850 |
Jade (color) |
133 |
4 |
NA |
Low |
| 851 |
Charcoal (color) |
132 |
4 |
NA |
NA |
| 852 |
Portland Orange |
131 |
4 |
Stub |
Unknown |
| 853 |
Society for Information Display |
130 |
4 |
Start |
Low |
| 854 |
ICAM (color appearance model) |
130 |
4 |
Start |
Low |
| 855 |
Absolute color space |
127 |
4 |
NA |
Mid |
| 856 |
Journal of Vision |
126 |
4 |
Stub |
Low |
| 857 |
Color quality scale |
124 |
4 |
Stub |
Mid |
| 858 |
Von Kries coefficient law |
123 |
4 |
C |
Low |
| 859 |
Andrew J. Elliot |
123 |
4 |
Stub |
Unknown |
| 860 |
Society of Dyers and Colourists |
122 |
4 |
Stub |
Mid |
| 861 |
Color Naming System |
122 |
4 |
Start |
Low |
| 862 |
British Colour Council |
121 |
4 |
Start |
Mid |
| 863 |
Practical Color Coordinate System |
121 |
4 |
Stub |
Low |
| 864 |
Harlequin (color) |
120 |
4 |
NA |
NA |
| 865 |
Color normalization |
120 |
4 |
Start |
Mid |
| 866 |
Alumina effect pigment |
118 |
4 |
Start |
Low |
| 867 |
Rail Blue |
115 |
4 |
NA |
NA |
| 868 |
Colorimeter |
112 |
4 |
NA |
NA |
| 869 |
Munsell Color Company |
112 |
4 |
Stub |
Mid |
| 870 |
Two-color projection |
109 |
3 |
Stub |
Low |
| 871 |
Postage stamp color |
108 |
3 |
C |
Low |
| 872 |
Color Light Output |
108 |
3 |
Start |
Low |
| 873 |
Lusty gallant |
107 |
3 |
Stub |
Low |
| 874 |
Retinylidene protein |
105 |
3 |
Start |
Unknown |
| 875 |
SYCC |
105 |
3 |
Unknown |
Unknown |
| 876 |
Historic paint analysis |
101 |
3 |
C |
Low |
| 877 |
Burned (image) |
100 |
3 |
Start |
Mid |
| 878 |
Battleship grey |
100 |
3 |
NA |
NA |
| 879 |
Skyscope |
98 |
3 |
Stub |
Unknown |
| 880 |
ColorZilla |
97 |
3 |
Stub |
Low |
| 881 |
Raisin black |
95 |
3 |
Stub |
Low |
| 882 |
Moss green |
93 |
3 |
NA |
Low |
| 883 |
Emerald (color) |
92 |
3 |
NA |
Low |
| 884 |
Cycolor |
91 |
3 |
Stub |
Low |
| 885 |
True Blue (color) |
91 |
3 |
NA |
Low |
| 886 |
Leaf Color Chart |
91 |
3 |
Stub |
Low |
| 887 |
Attic ochre |
90 |
3 |
C |
Low |
| 888 |
Color wheel (optics) |
85 |
3 |
Stub |
Low |
| 889 |
Army green |
83 |
2 |
NA |
NA |
| 890 |
Troland |
82 |
2 |
Stub |
Unknown |
| 891 |
Bernice Kentner |
82 |
2 |
Start |
Low |
| 892 |
Sea green |
80 |
2 |
NA |
Low |
| 893 |
Hansa yellow |
79 |
2 |
NA |
Low |
| 894 |
Adams chromatic valence color space |
79 |
2 |
Start |
Mid |
| 895 |
Klaer Lightende Spiegel der Verfkonst |
77 |
2 |
Stub |
Low |
| 896 |
Colorway |
76 |
2 |
NA |
Low |
| 897 |
PAL-S |
75 |
2 |
Start |
Low |
| 898 |
EciRGB |
73 |
2 |
Stub |
Low |
| 899 |
The Color Association of the United States |
73 |
2 |
NA |
Mid |
| 900 |
George Palmer (colour theorist) |
72 |
2 |
C |
Low |
| 901 |
Günter Wyszecki |
72 |
2 |
Start |
Unknown |
| 902 |
Tristimulus value |
71 |
2 |
NA |
Mid |
| 903 |
Neugebauer equations |
71 |
2 |
Stub |
Mid |
| 904 |
Inter-Society Color Council |
71 |
2 |
Start |
Low |
| 905 |
Cyclamen (color) |
71 |
2 |
NA |
Low |
| 906 |
Plicopurpura columellaris |
70 |
2 |
Stub |
Low |
| 907 |
Differential phase |
69 |
2 |
Start |
Low |
| 908 |
UCLA Blue |
68 |
2 |
NA |
Low |
| 909 |
European Color Initiative |
65 |
2 |
Start |
Low |
| 910 |
Pinchin Johnson & Associates |
64 |
2 |
Start |
Low |
| 911 |
Deane B. Judd |
64 |
2 |
Start |
Low |
| 912 |
Splash of color |
64 |
2 |
Stub |
Low |
| 913 |
Sinople |
62 |
2 |
NA |
NA |
| 914 |
Colour look-up table |
62 |
2 |
NA |
Low |
| 915 |
Pine green |
60 |
2 |
NA |
Low |
| 916 |
Augusto Garau |
60 |
2 |
Start |
Low |
| 917 |
Under color addition |
59 |
2 |
Stub |
Low |
| 918 |
Forensic colorimetry |
59 |
2 |
Start |
Low |
| 919 |
Robert Birmelin |
58 |
2 |
C |
Low |
| 920 |
Lead ochre |
58 |
2 |
List |
Low |
| 921 |
Peach black |
57 |
2 |
Stub |
Low |
| 922 |
Jorrit Tornquist |
57 |
2 |
Start |
Low |
| 923 |
Carnation pink |
56 |
2 |
NA |
Low |
| 924 |
Myrtle (color) |
53 |
1 |
NA |
Low |
| 925 |
Tekhelet in Judaism |
53 |
1 |
NA |
Low |
| 926 |
Vantage theory |
53 |
1 |
Start |
Low |
| 927 |
Liquid color |
52 |
1 |
C |
Low |
| 928 |
Flame (color) |
51 |
1 |
NA |
NA |
| 929 |
Color reaction |
50 |
1 |
NA |
Mid |
| 930 |
The Colour Group |
49 |
1 |
Stub |
Low |
| 931 |
Ada Aline Urban |
49 |
1 |
C |
Low |
| 932 |
Registration black |
48 |
1 |
NA |
Mid |
| 933 |
Descriptive Color Names Dictionary |
47 |
1 |
Stub |
Low |
| 934 |
Hermann Alfred Tanner |
47 |
1 |
GA |
Low |
| 935 |
Sap green |
46 |
1 |
NA |
Low |
| 936 |
Salmon pink |
45 |
1 |
NA |
Low |
| 937 |
Antimony ochre |
45 |
1 |
List |
Low |
| 938 |
Cobalt ochre |
44 |
1 |
List |
Low |
| 939 |
Corn (color) |
43 |
1 |
NA |
Low |
| 940 |
Spray booth |
43 |
1 |
NA |
NA |
| 941 |
Persian orange |
42 |
1 |
NA |
NA |
| 942 |
Magic Pink |
41 |
1 |
NA |
Low |
| 943 |
Hooker's green |
41 |
1 |
NA |
NA |
| 944 |
Nardo gray |
41 |
1 |
NA |
Low |
| 945 |
Papaya whip |
39 |
1 |
NA |
Low |
| 946 |
Amber shift |
39 |
1 |
Stub |
Low |
| 947 |
Brown spar |
38 |
1 |
List |
Low |
| 948 |
Peach-yellow |
36 |
1 |
NA |
Low |
| 949 |
Upsdell red |
36 |
1 |
Stub |
Low |
| 950 |
Charles Albert Keeley |
36 |
1 |
Start |
Low |
| 951 |
Ghost white |
36 |
1 |
NA |
NA |
| 952 |
Theostein |
36 |
1 |
NA |
NA |
| 953 |
Lavender blush |
35 |
1 |
NA |
NA |
| 954 |
Pumpkin (color) |
34 |
1 |
NA |
NA |
| 955 |
Pear (color) |
34 |
1 |
NA |
Low |
| 956 |
Color engraving |
34 |
1 |
Stub |
Low |
| 957 |
Old lace (color) |
34 |
1 |
NA |
Low |
| 958 |
Autotype (printing) |
34 |
1 |
NA |
NA |
| 959 |
Fern green |
33 |
1 |
NA |
Low |
| 960 |
Dark purple |
32 |
1 |
NA |
Low |
| 961 |
Redwood (color) |
31 |
1 |
NA |
NA |
| 962 |
Mint cream |
31 |
1 |
NA |
NA |
| 963 |
Henry Hemmendinger |
30 |
1 |
Start |
Mid |
| 964 |
Variations of gray |
30 |
1 |
NA |
NA |
| 965 |
Sophie Wuerger |
30 |
1 |
Start |
Unknown |
| 966 |
Bright green |
29 |
1 |
NA |
NA |
| 967 |
Wenge (colour) |
29 |
1 |
NA |
Low |
| 968 |
Color in Informatics and Media Technology |
29 |
1 |
Start |
Low |
| 969 |
Alexis Spectral Data |
29 |
1 |
Stub |
Low |
| 970 |
Lavender pink |
25 |
0 |
NA |
NA |
| 971 |
Truecolor |
24 |
0 |
NA |
Mid |
| 972 |
Deep sky blue |
24 |
0 |
NA |
Low |
| 973 |
Tufts Blue |
24 |
0 |
NA |
Low |
| 974 |
Davy's grey |
23 |
0 |
NA |
Low |
| 975 |
Pinkish |
23 |
0 |
NA |
NA |
| 976 |
Hal Glicksman |
23 |
0 |
Start |
Low |
| 977 |
Rendering intent |
22 |
0 |
NA |
Mid |
| 978 |
Tea green |
20 |
0 |
NA |
Low |
| 979 |
List of file formats for luminaire radiometric data |
19 |
0 |
B |
Unknown |
| 980 |
Gray-asparagus |
18 |
0 |
NA |
Low |
| 981 |
Cool grey |
18 |
0 |
NA |
NA |
| 982 |
Color volume |
18 |
0 |
NA |
NA |
| 983 |
Brandeis blue |
16 |
0 |
NA |
NA |
| 984 |
Blue Violet |
16 |
0 |
NA |
NA |
| 985 |
Process blue |
16 |
0 |
NA |
NA |
| 986 |
Green-yellow |
15 |
0 |
NA |
Mid |
| 987 |
Pastel green |
15 |
0 |
NA |
Low |
| 988 |
Monochromatic colors |
15 |
0 |
NA |
Mid |
| 989 |
Dark-on-light color scheme |
14 |
0 |
NA |
Low |
| 990 |
CG Red |
14 |
0 |
NA |
NA |
| 991 |
Sandy brown |
13 |
0 |
NA |
NA |
| 992 |
Value (colorimetry) |
13 |
0 |
NA |
Mid |
| 993 |
Ash grey |
13 |
0 |
NA |
Low |
| 994 |
Fluorescence intensity decay shape microscopy |
12 |
0 |
Start |
Low |
| 995 |
Saffron in Hinduism |
12 |
0 |
NA |
Low |
| 996 |
(255, 0, 0) |
11 |
0 |
NA |
NA |
| 997 |
Visible frequency |
9 |
0 |
NA |
NA |
| 998 |
Asparagus (color) |
8 |
0 |
NA |
NA |
| 999 |
Boysenberry (color) |
8 |
0 |
NA |
NA |
| 1000 |
Ford Blue |
8 |
0 |
NA |
NA |