| Rank |
Page title |
Views |
Daily average |
Assessment |
Importance |
| 1 |
The dress |
88,298 |
2,848 |
GA |
Low |
| 2 |
Johann Wolfgang von Goethe |
58,777 |
1,896 |
B |
Mid |
| 3 |
Eye color |
41,217 |
1,329 |
C |
Mid |
| 4 |
Rainbow |
40,177 |
1,296 |
C |
Unknown |
| 5 |
Shades of blue |
39,926 |
1,287 |
List |
Mid |
| 6 |
Camera |
34,095 |
1,099 |
C |
Unknown |
| 7 |
White |
30,254 |
975 |
C |
Top |
| 8 |
Light |
29,799 |
961 |
B |
Unknown |
| 9 |
Blue |
29,610 |
955 |
B |
Top |
| 10 |
Color blindness |
29,584 |
954 |
B |
Top |
| 11 |
Shades of green |
29,555 |
953 |
List |
Mid |
| 12 |
List of colors: A–F |
27,980 |
902 |
List |
High |
| 13 |
Red hair |
27,779 |
896 |
C |
Low |
| 14 |
PAL |
26,681 |
860 |
C |
Low |
| 15 |
Technicolor |
26,679 |
860 |
C |
Low |
| 16 |
Web colors |
26,053 |
840 |
C |
Mid |
| 17 |
Red |
25,919 |
836 |
B |
Top |
| 18 |
Shades of red |
25,099 |
809 |
List |
Mid |
| 19 |
Photon |
24,863 |
802 |
B |
Unknown |
| 20 |
Indigo |
24,492 |
790 |
Start |
Mid |
| 21 |
Tyrian purple |
22,948 |
740 |
B |
Mid |
| 22 |
Qualia |
22,745 |
733 |
B |
Unknown |
| 23 |
Blond |
22,393 |
722 |
C |
Low |
| 24 |
Fitzpatrick scale |
22,232 |
717 |
Start |
Low |
| 25 |
Color |
21,715 |
700 |
B |
Top |
| 26 |
List of Crayola crayon colors |
20,037 |
646 |
List |
Mid |
| 27 |
Black |
20,027 |
646 |
C |
Top |
| 28 |
Purple |
19,975 |
644 |
C |
High |
| 29 |
Shades of pink |
19,872 |
641 |
List |
Mid |
| 30 |
Vantablack |
19,832 |
639 |
C |
Low |
| 31 |
Prussian blue |
19,809 |
639 |
B |
Mid |
| 32 |
Human skin color |
18,835 |
607 |
B |
High |
| 33 |
Vermilion |
18,734 |
604 |
C |
Mid |
| 34 |
RGB color model |
18,698 |
603 |
B |
High |
| 35 |
Tincture (heraldry) |
18,056 |
582 |
B |
Mid |
| 36 |
Black-body radiation |
17,968 |
579 |
B |
Unknown |
| 37 |
HSL and HSV |
17,698 |
570 |
B |
High |
| 38 |
Rayleigh scattering |
17,491 |
564 |
B |
Unknown |
| 39 |
Green |
17,273 |
557 |
B |
Top |
| 40 |
List of colors (alphabetical) |
17,039 |
549 |
List |
Low |
| 41 |
Impossible color |
16,870 |
544 |
Start |
Mid |
| 42 |
Ochre |
16,847 |
543 |
C |
Mid |
| 43 |
Visible spectrum |
16,768 |
540 |
B |
Top |
| 44 |
Olo (color) |
16,578 |
534 |
Start |
Low |
| 45 |
Liquid-crystal display |
16,435 |
530 |
B |
Unknown |
| 46 |
OLED |
16,389 |
528 |
B |
Unknown |
| 47 |
Cyan |
16,314 |
526 |
C |
High |
| 48 |
Color wheel |
16,303 |
525 |
C |
High |
| 49 |
Color theory |
16,146 |
520 |
C |
Top |
| 50 |
Eye |
16,080 |
518 |
B |
Unknown |
| 51 |
Yellow |
16,067 |
518 |
C |
Top |
| 52 |
Magenta |
15,997 |
516 |
Start |
High |
| 53 |
CMYK color model |
15,876 |
512 |
Start |
High |
| 54 |
Tetrachromacy |
15,481 |
499 |
C |
High |
| 55 |
Pantone |
15,419 |
497 |
B |
High |
| 56 |
Primary color |
14,969 |
482 |
B |
Top |
| 57 |
Human hair color |
14,874 |
479 |
Start |
Mid |
| 58 |
Shades of purple |
14,572 |
470 |
List |
Mid |
| 59 |
Human eye |
14,416 |
465 |
B |
Unknown |
| 60 |
Redshift |
14,243 |
459 |
FA |
Mid |
| 61 |
Violet (color) |
14,202 |
458 |
B |
High |
| 62 |
Blue raspberry flavor |
14,183 |
457 |
Start |
Low |
| 63 |
Lists of colors |
14,158 |
456 |
List |
Mid |
| 64 |
NTSC |
13,587 |
438 |
C |
Low |
| 65 |
Shades of brown |
13,288 |
428 |
List |
Mid |
| 66 |
History of red |
13,282 |
428 |
C |
Mid |
| 67 |
Chartreuse (color) |
13,261 |
427 |
Start |
Mid |
| 68 |
Shades of yellow |
13,137 |
423 |
List |
Mid |
| 69 |
Periwinkle (color) |
12,984 |
418 |
Stub |
Mid |
| 70 |
Shades of gray |
12,932 |
417 |
List |
High |
| 71 |
ROYGBIV |
12,196 |
393 |
Start |
Mid |
| 72 |
Teal |
12,064 |
389 |
C |
High |
| 73 |
Orange (colour) |
11,844 |
382 |
C |
High |
| 74 |
CIE 1931 color space |
11,800 |
380 |
B |
High |
| 75 |
Pink |
11,789 |
380 |
C |
High |
| 76 |
Color television |
11,597 |
374 |
B |
Mid |
| 77 |
Shades of orange |
11,483 |
370 |
List |
Mid |
| 78 |
Ultramarine |
11,271 |
363 |
C |
Mid |
| 79 |
Light skin |
11,250 |
362 |
B |
High |
| 80 |
Terracotta |
11,246 |
362 |
C |
Low |
| 81 |
International Klein Blue |
11,209 |
361 |
C |
Low |
| 82 |
CIELAB color space |
10,939 |
352 |
C |
High |
| 83 |
Shades of white |
10,931 |
352 |
List |
Mid |
| 84 |
Planck's law |
10,783 |
347 |
B |
Unknown |
| 85 |
Plasma display |
10,596 |
341 |
C |
Unknown |
| 86 |
SMPTE color bars |
10,568 |
340 |
C |
Low |
| 87 |
Grey |
10,269 |
331 |
C |
Top |
| 88 |
Dark skin |
10,070 |
324 |
B |
High |
| 89 |
Eigengrau |
10,013 |
323 |
Start |
Low |
| 90 |
Burgundy (color) |
9,969 |
321 |
Start |
Low |
| 91 |
Cerulean |
9,952 |
321 |
Start |
Low |
| 92 |
Beer–Lambert law |
9,932 |
320 |
Start |
Unknown |
| 93 |
List of colors by shade |
9,854 |
317 |
List |
Low |
| 94 |
Brown hair |
9,695 |
312 |
C |
Low |
| 95 |
Freckle |
9,561 |
308 |
Start |
Low |
| 96 |
Fluorescence |
9,511 |
306 |
B |
Unknown |
| 97 |
Beige |
9,403 |
303 |
C |
Mid |
| 98 |
Iridescence |
9,400 |
303 |
Start |
Mid |
| 99 |
Ishihara test |
9,383 |
302 |
C |
Mid |
| 100 |
Khaki |
9,364 |
302 |
Start |
Mid |
| 101 |
Brilliant blue FCF |
9,262 |
298 |
C |
Mid |
| 102 |
National colours of Australia |
9,179 |
296 |
Start |
Low |
| 103 |
Maroon |
9,037 |
291 |
C |
Mid |
| 104 |
SRGB |
8,980 |
289 |
C |
High |
| 105 |
Color in Chinese culture |
8,929 |
288 |
Start |
Mid |
| 106 |
Color temperature |
8,778 |
283 |
B |
High |
| 107 |
Shades of cyan |
8,724 |
281 |
List |
Mid |
| 108 |
Paint |
8,655 |
279 |
C |
High |
| 109 |
Optics |
8,578 |
276 |
B |
Unknown |
| 110 |
Stroop effect |
8,578 |
276 |
B |
Mid |
| 111 |
Verdigris |
8,567 |
276 |
Start |
Low |
| 112 |
Spectroscopy |
8,479 |
273 |
C |
Unknown |
| 113 |
Complementary colors |
8,392 |
270 |
Start |
High |
| 114 |
Azure (color) |
8,384 |
270 |
Start |
Mid |
| 115 |
Skin whitening |
8,374 |
270 |
B |
Low |
| 116 |
Cobalt blue |
8,337 |
268 |
Start |
Mid |
| 117 |
List of colors: N–Z |
8,331 |
268 |
List |
High |
| 118 |
Brown |
8,177 |
263 |
B |
High |
| 119 |
Turquoise (color) |
7,930 |
255 |
C |
Mid |
| 120 |
Haint blue |
7,904 |
254 |
Start |
Low |
| 121 |
Auburn hair |
7,836 |
252 |
Start |
Low |
| 122 |
Sky blue |
7,822 |
252 |
Start |
High |
| 123 |
Ultra-high-definition television |
7,796 |
251 |
C |
Low |
| 124 |
Chromatic aberration |
7,773 |
250 |
B |
Mid |
| 125 |
Navy blue |
7,745 |
249 |
C |
Mid |
| 126 |
X11 color names |
7,731 |
249 |
Start |
Mid |
| 127 |
Lavender (color) |
7,713 |
248 |
C |
Low |
| 128 |
Black body |
7,682 |
247 |
B |
Mid |
| 129 |
Retina |
7,520 |
242 |
B |
Unknown |
| 130 |
Mauve |
7,503 |
242 |
Start |
Mid |
| 131 |
Black and white |
7,502 |
242 |
Start |
Mid |
| 132 |
Scarlet (color) |
7,495 |
241 |
C |
Mid |
| 133 |
Color photography |
7,489 |
241 |
C |
Low |
| 134 |
Ink |
7,271 |
234 |
C |
Unknown |
| 135 |
Color depth |
7,211 |
232 |
C |
Mid |
| 136 |
Gold (color) |
7,204 |
232 |
Start |
Mid |
| 137 |
Pigment |
7,178 |
231 |
B |
Top |
| 138 |
Black hair |
7,159 |
230 |
Start |
Low |
| 139 |
Shades of black |
7,140 |
230 |
List |
Top |
| 140 |
Candela |
7,117 |
229 |
B |
Unknown |
| 141 |
Chromesthesia |
7,086 |
228 |
B |
Low |
| 142 |
Phosphorescence |
6,967 |
224 |
Start |
Unknown |
| 143 |
Crimson |
6,902 |
222 |
Start |
Mid |
| 144 |
Pantone 448 C |
6,885 |
222 |
Stub |
Low |
| 145 |
List of flags containing the color purple |
6,823 |
220 |
List |
Low |
| 146 |
Color space |
6,792 |
219 |
C |
High |
| 147 |
Night vision |
6,784 |
218 |
C |
Unknown |
| 148 |
Munsell color system |
6,754 |
217 |
B |
High |
| 149 |
Visual perception |
6,645 |
214 |
C |
Mid |
| 150 |
List of colors: G–M |
6,623 |
213 |
List |
High |
| 151 |
British racing green |
6,622 |
213 |
Start |
Low |
| 152 |
Blue–green distinction in language |
6,600 |
212 |
Start |
Mid |
| 153 |
Color of water |
6,526 |
210 |
C |
Low |
| 154 |
Political colour |
6,516 |
210 |
B |
Low |
| 155 |
Quantum dot |
6,510 |
210 |
C |
Unknown |
| 156 |
AMOLED |
6,502 |
209 |
C |
Unknown |
| 157 |
Pan-Arab colors |
6,450 |
208 |
Start |
Low |
| 158 |
Printer (computing) |
6,417 |
207 |
C |
Unknown |
| 159 |
Lighting |
6,410 |
206 |
C |
Unknown |
| 160 |
Darkness |
6,388 |
206 |
C |
Unknown |
| 161 |
Structural coloration |
6,349 |
204 |
GA |
Mid |
| 162 |
Millennial grey |
6,318 |
203 |
Start |
Low |
| 163 |
Amber (color) |
6,285 |
202 |
C |
Mid |
| 164 |
Sepia (color) |
6,239 |
201 |
Start |
Mid |
| 165 |
CIELUV |
6,221 |
200 |
Start |
Mid |
| 166 |
Olive (color) |
6,208 |
200 |
Start |
High |
| 167 |
Pan-African colours |
6,183 |
199 |
Start |
Low |
| 168 |
Fuchsia (color) |
6,166 |
198 |
Start |
Mid |
| 169 |
SECAM |
6,161 |
198 |
C |
Mid |
| 170 |
Hue |
6,054 |
195 |
Start |
High |
| 171 |
Oklab color space |
6,054 |
195 |
Start |
Low |
| 172 |
Cone cell |
6,045 |
195 |
C |
Mid |
| 173 |
ColorADD |
6,042 |
194 |
Start |
Low |
| 174 |
Anaglyph 3D |
6,026 |
194 |
C |
Low |
| 175 |
Color vision |
6,012 |
193 |
B |
Top |
| 176 |
Taupe |
5,780 |
186 |
Start |
Low |
| 177 |
Royal blue |
5,767 |
186 |
Start |
Mid |
| 178 |
Visual system |
5,748 |
185 |
C |
Unknown |
| 179 |
Mummy brown |
5,740 |
185 |
B |
Mid |
| 180 |
Pastel (color) |
5,735 |
185 |
Stub |
Mid |
| 181 |
Secondary color |
5,723 |
184 |
C |
High |
| 182 |
Cosmic latte |
5,696 |
183 |
Start |
Low |
| 183 |
YCbCr |
5,695 |
183 |
Start |
High |
| 184 |
Shades of magenta |
5,682 |
183 |
List |
Mid |
| 185 |
DCI-P3 |
5,648 |
182 |
C |
Low |
| 186 |
Afterimage |
5,523 |
178 |
C |
High |
| 187 |
Tyndall effect |
5,502 |
177 |
C |
Low |
| 188 |
Hair coloring |
5,495 |
177 |
Start |
Low |
| 189 |
Monochrome |
5,482 |
176 |
C |
High |
| 190 |
Grayscale |
5,482 |
176 |
C |
High |
| 191 |
Thomas Young (scientist) |
5,443 |
175 |
C |
Mid |
| 192 |
Saffron (color) |
5,432 |
175 |
Start |
High |
| 193 |
Knowledge argument |
5,422 |
174 |
C |
Low |
| 194 |
Dye |
5,370 |
173 |
C |
High |
| 195 |
Gamma correction |
5,352 |
172 |
C |
Unknown |
| 196 |
Chroma subsampling |
5,334 |
172 |
B |
Low |
| 197 |
Hermann von Helmholtz |
5,330 |
171 |
C |
Mid |
| 198 |
Dichromacy |
5,323 |
171 |
Start |
Mid |
| 199 |
Ermine (tincture) |
5,247 |
169 |
Stub |
Low |
| 200 |
SCART |
5,231 |
168 |
Start |
Low |
| 201 |
Quantum dot display |
5,180 |
167 |
C |
Unknown |
| 202 |
Tiffany Blue |
5,171 |
166 |
Start |
Low |
| 203 |
Color psychology |
5,132 |
165 |
C |
High |
| 204 |
Halftone |
5,125 |
165 |
C |
Mid |
| 205 |
Trichromacy |
5,109 |
164 |
C |
High |
| 206 |
Visual cortex |
5,094 |
164 |
C |
Unknown |
| 207 |
Bayer filter |
5,027 |
162 |
C |
Mid |
| 208 |
SIGGRAPH |
5,014 |
161 |
Start |
Unknown |
| 209 |
List of video game console palettes |
5,011 |
161 |
List |
Low |
| 210 |
Spectral color |
4,963 |
160 |
Start |
High |
| 211 |
Diffraction grating |
4,938 |
159 |
C |
Unknown |
| 212 |
Puce |
4,890 |
157 |
Stub |
Mid |
| 213 |
Electronic color code |
4,889 |
157 |
C |
Low |
| 214 |
Whitewash |
4,888 |
157 |
Start |
High |
| 215 |
International orange |
4,882 |
157 |
Stub |
Low |
| 216 |
Spring green |
4,810 |
155 |
C |
Low |
| 217 |
Rec. 709 |
4,769 |
153 |
C |
Low |
| 218 |
High-dynamic-range television |
4,766 |
153 |
C |
Mid |
| 219 |
Rec. 2020 |
4,760 |
153 |
C |
Low |
| 220 |
Shades of violet |
4,741 |
152 |
List |
Mid |
| 221 |
Autochrome Lumière |
4,714 |
152 |
C |
Low |
| 222 |
Reflection (physics) |
4,710 |
151 |
C |
Unknown |
| 223 |
Gamut |
4,600 |
148 |
C |
High |
| 224 |
Food coloring |
4,566 |
147 |
C |
Mid |
| 225 |
Color motion picture film |
4,541 |
146 |
B |
Low |
| 226 |
Equine coat color |
4,512 |
145 |
Start |
Low |
| 227 |
Color symbolism |
4,469 |
144 |
Start |
Mid |
| 228 |
Inkjet printing |
4,464 |
144 |
C |
Unknown |
| 229 |
Gendered associations of pink and blue |
4,455 |
143 |
C |
Mid |
| 230 |
Phosphor |
4,433 |
143 |
Start |
Unknown |
| 231 |
Color grading |
4,406 |
142 |
Start |
Mid |
| 232 |
Photonics |
4,401 |
141 |
C |
Low |
| 233 |
Checker shadow illusion |
4,390 |
141 |
Stub |
Unknown |
| 234 |
Color term |
4,375 |
141 |
Start |
High |
| 235 |
Y′UV |
4,359 |
140 |
C |
Low |
| 236 |
Savoy blue |
4,327 |
139 |
B |
Low |
| 237 |
Lilac (color) |
4,316 |
139 |
Stub |
Low |
| 238 |
List of monochrome and RGB color formats |
4,298 |
138 |
List |
Mid |
| 239 |
Color difference |
4,295 |
138 |
B |
High |
| 240 |
Purple Earth hypothesis |
4,282 |
138 |
Start |
Unknown |
| 241 |
Marker pen |
4,272 |
137 |
Start |
Low |
| 242 |
RAL colour standard |
4,253 |
137 |
Start |
Mid |
| 243 |
Ivory (color) |
4,236 |
136 |
Stub |
Low |
| 244 |
List of international auto racing colours |
4,191 |
135 |
List |
Low |
| 245 |
Blue in culture |
4,165 |
134 |
B |
High |
| 246 |
Rufous |
4,156 |
134 |
Start |
Low |
| 247 |
Colorfulness |
4,131 |
133 |
Start |
High |
| 248 |
Congenital red–green color blindness |
4,108 |
132 |
C |
Mid |
| 249 |
Prism (optics) |
4,039 |
130 |
Start |
Mid |
| 250 |
Color rendering index |
4,023 |
129 |
C |
Mid |
| 251 |
Blood red |
4,015 |
129 |
Stub |
Low |
| 252 |
Egyptian blue |
4,012 |
129 |
B |
Mid |
| 253 |
Tint, shade and tone |
4,008 |
129 |
Start |
High |
| 254 |
Blue-green |
3,978 |
128 |
Start |
Mid |
| 255 |
Alpha compositing |
3,951 |
127 |
Start |
Unknown |
| 256 |
Dark mode |
3,917 |
126 |
Start |
Low |
| 257 |
Traditional colors of Japan |
3,900 |
125 |
Start |
Mid |
| 258 |
False color |
3,892 |
125 |
B |
Mid |
| 259 |
Gamboge |
3,872 |
124 |
Start |
Low |
| 260 |
Go Away Green |
3,852 |
124 |
Start |
Low |
| 261 |
Carmine (color) |
3,819 |
123 |
Stub |
Low |
| 262 |
Baker–Miller pink |
3,766 |
121 |
Start |
Low |
| 263 |
Laser printing |
3,743 |
120 |
C |
Unknown |
| 264 |
Lincoln green |
3,710 |
119 |
C |
Low |
| 265 |
Theory of Colours |
3,647 |
117 |
B |
High |
| 266 |
Retinal |
3,642 |
117 |
Start |
Unknown |
| 267 |
Umber |
3,610 |
116 |
Start |
Low |
| 268 |
Polychrome |
3,582 |
115 |
C |
Mid |
| 269 |
Buff (colour) |
3,581 |
115 |
Start |
Low |
| 270 |
Non-photo blue |
3,554 |
114 |
Start |
Low |
| 271 |
Luminance |
3,543 |
114 |
Start |
Unknown |
| 272 |
Viridian |
3,491 |
112 |
Start |
Low |
| 273 |
Sienna |
3,460 |
111 |
Start |
Mid |
| 274 |
YInMn Blue |
3,438 |
110 |
B |
Low |
| 275 |
Grapheme–color synesthesia |
3,409 |
109 |
C |
Low |
| 276 |
Standard illuminant |
3,400 |
109 |
B |
High |
| 277 |
Pan-Slavic colors |
3,360 |
108 |
Start |
Low |
| 278 |
Middle gray |
3,355 |
108 |
Stub |
Unknown |
| 279 |
Rose (color) |
3,350 |
108 |
C |
Low |
| 280 |
Von Luschan's chromatic scale |
3,332 |
107 |
Start |
Low |
| 281 |
Photoreceptor cell |
3,313 |
106 |
C |
Mid |
| 282 |
Alvy Ray Smith |
3,286 |
106 |
C |
Low |
| 283 |
Brightness |
3,279 |
105 |
Start |
Mid |
| 284 |
Linguistic relativity and the color naming debate |
3,234 |
104 |
Start |
Mid |
| 285 |
Tan (color) |
3,230 |
104 |
Start |
Mid |
| 286 |
Contrast (vision) |
3,216 |
103 |
Start |
High |
| 287 |
Color scheme |
3,181 |
102 |
Start |
Mid |
| 288 |
Feldgrau |
3,170 |
102 |
Start |
Low |
| 289 |
Purkinje effect |
3,150 |
101 |
C |
Unknown |
| 290 |
LED display |
3,138 |
101 |
Start |
Unknown |
| 291 |
RYB color model |
3,135 |
101 |
C |
Mid |
| 292 |
Flame test |
3,116 |
100 |
Start |
Low |
| 293 |
Anti-flash white |
3,113 |
100 |
Start |
Mid |
| 294 |
Cerise (color) |
3,098 |
99 |
Stub |
Low |
| 295 |
Robin egg blue |
3,083 |
99 |
Stub |
Low |
| 296 |
Ecru |
3,071 |
99 |
Stub |
Mid |
| 297 |
Spectrometer |
3,050 |
98 |
Start |
Unknown |
| 298 |
Natural dye |
3,044 |
98 |
C |
Mid |
| 299 |
Colourant |
3,041 |
98 |
Stub |
High |
| 300 |
Gules |
3,029 |
97 |
NA |
Low |
| 301 |
Tawny (colour) |
3,021 |
97 |
Start |
Low |
| 302 |
Shades of rose |
3,011 |
97 |
List |
Mid |
| 303 |
Emission spectrum |
3,010 |
97 |
C |
Unknown |
| 304 |
Lime (color) |
3,008 |
97 |
Start |
Mid |
| 305 |
List of color palettes |
3,005 |
96 |
List |
Mid |
| 306 |
Light blue |
3,004 |
96 |
Stub |
Low |
| 307 |
Spectrophotometry |
3,003 |
96 |
C |
High |
| 308 |
Specular reflection |
3,000 |
96 |
C |
Unknown |
| 309 |
YPbPr |
2,989 |
96 |
Start |
Mid |
| 310 |
Film colorization |
2,985 |
96 |
C |
Low |
| 311 |
Electric blue (color) |
2,978 |
96 |
Start |
Low |
| 312 |
Monochromacy |
2,973 |
95 |
C |
Mid |
| 313 |
Photographic print toning |
2,948 |
95 |
Start |
Mid |
| 314 |
Optic nerve |
2,931 |
94 |
C |
Unknown |
| 315 |
Luminous intensity |
2,916 |
94 |
Start |
Unknown |
| 316 |
List of colors |
2,910 |
93 |
NA |
High |
| 317 |
Powder blue |
2,891 |
93 |
Stub |
Low |
| 318 |
Subtractive color |
2,856 |
92 |
Start |
High |
| 319 |
Midnight blue |
2,784 |
89 |
Start |
Low |
| 320 |
Aqua (color) |
2,780 |
89 |
Stub |
Mid |
| 321 |
National colours |
2,777 |
89 |
Start |
Mid |
| 322 |
Aquamarine (color) |
2,761 |
89 |
Stub |
Low |
| 323 |
Shades of chartreuse |
2,728 |
88 |
List |
Mid |
| 324 |
Cornflower blue |
2,715 |
87 |
Stub |
Low |
| 325 |
Maya blue |
2,705 |
87 |
C |
Low |
| 326 |
Falun red |
2,694 |
86 |
Start |
Low |
| 327 |
Hypercolor |
2,693 |
86 |
C |
Low |
| 328 |
Silver (color) |
2,677 |
86 |
Start |
Mid |
| 329 |
Baby blue |
2,674 |
86 |
Stub |
Low |
| 330 |
Sage (color) |
2,609 |
84 |
Stub |
Low |
| 331 |
Coral (color) |
2,570 |
82 |
Stub |
Low |
| 332 |
Amaranth (color) |
2,566 |
82 |
Start |
Low |
| 333 |
Wine red |
2,553 |
82 |
Stub |
Low |
| 334 |
Rosso corsa |
2,542 |
82 |
Start |
Low |
| 335 |
Rhodopsin |
2,437 |
78 |
Start |
Low |
| 336 |
Basic Color Terms |
2,433 |
78 |
Start |
Mid |
| 337 |
Luminescence |
2,393 |
77 |
C |
Unknown |
| 338 |
Dye-sublimation printing |
2,342 |
75 |
Unknown |
Unknown |
| 339 |
Veralto |
2,336 |
75 |
Start |
Unknown |
| 340 |
Rod cell |
2,303 |
74 |
Start |
Unknown |
| 341 |
History of Crayola crayons |
2,296 |
74 |
C |
Low |
| 342 |
ICC profile |
2,293 |
73 |
C |
Low |
| 343 |
Phthalocyanine Green G |
2,292 |
73 |
Start |
Low |
| 344 |
Lake pigment |
2,251 |
72 |
Start |
Low |
| 345 |
Glaucous |
2,248 |
72 |
Stub |
Low |
| 346 |
Reflectance |
2,247 |
72 |
C |
Unknown |
| 347 |
Isabelline (colour) |
2,216 |
71 |
Start |
Unknown |
| 348 |
Sable (tincture) |
2,213 |
71 |
Stub |
Low |
| 349 |
Opsin |
2,203 |
71 |
C |
Unknown |
| 350 |
25-pair color code |
2,193 |
70 |
Start |
Low |
| 351 |
Mustard (color) |
2,187 |
70 |
Stub |
Low |
| 352 |
Autumn leaf color |
2,186 |
70 |
C |
Mid |
| 353 |
Diffuse reflection |
2,184 |
70 |
Start |
Unknown |
| 354 |
Hybrid log–gamma |
2,184 |
70 |
Start |
Low |
| 355 |
Metallic color |
2,178 |
70 |
Start |
Mid |
| 356 |
Kumkuma |
2,148 |
69 |
Start |
Mid |
| 357 |
Rose madder |
2,143 |
69 |
Start |
Low |
| 358 |
Bronze (color) |
2,122 |
68 |
Start |
Mid |
| 359 |
School bus yellow |
2,118 |
68 |
C |
Low |
| 360 |
RGBA color model |
2,113 |
68 |
Start |
Mid |
| 361 |
Photoluminescence |
2,104 |
67 |
C |
Unknown |
| 362 |
Additive color |
2,089 |
67 |
Start |
High |
| 363 |
Diffuse sky radiation |
2,089 |
67 |
C |
Mid |
| 364 |
Safety orange |
2,088 |
67 |
Start |
Low |
| 365 |
Metamerism (color) |
2,075 |
66 |
Start |
High |
| 366 |
Champagne (color) |
2,070 |
66 |
Stub |
Low |
| 367 |
Colors of the day in Thailand |
2,068 |
66 |
Stub |
Low |
| 368 |
Absorption spectroscopy |
2,064 |
66 |
C |
Unknown |
| 369 |
8-bit color |
2,064 |
66 |
C |
Low |
| 370 |
Chromaticity |
2,057 |
66 |
Start |
High |
| 371 |
Alice blue |
2,033 |
65 |
B |
Low |
| 372 |
Peach (color) |
2,030 |
65 |
Stub |
Low |
| 373 |
Scotopic vision |
2,020 |
65 |
Start |
Low |
| 374 |
School colors |
2,018 |
65 |
Start |
Mid |
| 375 |
ColorChecker |
1,999 |
64 |
Start |
Mid |
| 376 |
Luminous paint |
1,996 |
64 |
C |
Low |
| 377 |
Thermochromism |
1,991 |
64 |
Start |
Low |
| 378 |
Argent |
1,982 |
63 |
NA |
Low |
| 379 |
Colored pencil |
1,974 |
63 |
C |
High |
| 380 |
Opponent process |
1,961 |
63 |
Start |
High |
| 381 |
Chromophore |
1,953 |
63 |
Start |
Mid |
| 382 |
Color balance |
1,948 |
62 |
C |
Low |
| 383 |
Comparison of CRT, LCD, plasma, and OLED displays |
1,918 |
61 |
List |
Unknown |
| 384 |
Dinosaur coloration |
1,908 |
61 |
C |
Mid |
| 385 |
Copper (color) |
1,901 |
61 |
Stub |
Low |
| 386 |
Color model |
1,901 |
61 |
B |
High |
| 387 |
Green in Islam |
1,894 |
61 |
Stub |
Low |
| 388 |
List of color spaces and their uses |
1,887 |
60 |
Start |
High |
| 389 |
Salmon (color) |
1,882 |
60 |
Start |
Low |
| 390 |
Blue-gray |
1,872 |
60 |
C |
Low |
| 391 |
Color mixing |
1,868 |
60 |
C |
High |
| 392 |
Air Force blue |
1,857 |
59 |
Start |
Low |
| 393 |
Bleu de France (colour) |
1,854 |
59 |
Start |
Low |
| 394 |
Xanthochromism |
1,848 |
59 |
Start |
Low |
| 395 |
Colour banding |
1,845 |
59 |
Stub |
Low |
| 396 |
Red-violet |
1,837 |
59 |
Stub |
Low |
| 397 |
Chestnut (color) |
1,828 |
58 |
Stub |
Low |
| 398 |
Absorption (electromagnetic radiation) |
1,813 |
58 |
Start |
Unknown |
| 399 |
Color chart |
1,798 |
58 |
Start |
Mid |
| 400 |
LMS color space |
1,797 |
57 |
Start |
Mid |
| 401 |
Heliotrope (color) |
1,789 |
57 |
Stub |
Low |
| 402 |
Ruby (color) |
1,789 |
57 |
Start |
Mid |
| 403 |
Earth tone |
1,781 |
57 |
Stub |
Low |
| 404 |
Dodger blue |
1,780 |
57 |
Start |
Low |
| 405 |
Carnation (tincture) |
1,780 |
57 |
Stub |
Low |
| 406 |
Demosaicing |
1,777 |
57 |
C |
Low |
| 407 |
Wilhelm Ostwald |
1,770 |
57 |
C |
Mid |
| 408 |
Lightness |
1,769 |
57 |
Start |
High |
| 409 |
RGB color spaces |
1,768 |
57 |
Start |
Mid |
| 410 |
Sepia tone |
1,767 |
57 |
NA |
Mid |
| 411 |
Or (heraldry) |
1,765 |
56 |
NA |
Low |
| 412 |
List of inorganic pigments |
1,759 |
56 |
List |
Low |
| 413 |
Color analysis |
1,749 |
56 |
Start |
Mid |
| 414 |
Russet (color) |
1,748 |
56 |
Stub |
Low |
| 415 |
Solarized |
1,722 |
55 |
Start |
Low |
| 416 |
New riddle of induction |
1,715 |
55 |
Start |
Low |
| 417 |
Cambridge Blue (colour) |
1,700 |
54 |
Start |
Low |
| 418 |
Han purple and Han blue |
1,678 |
54 |
B |
Mid |
| 419 |
Dandelion (crayon color) |
1,673 |
53 |
Start |
Low |
| 420 |
Oxblood |
1,660 |
53 |
Start |
Low |
| 421 |
Natural Color System |
1,648 |
53 |
Start |
High |
| 422 |
Alizarin crimson (color) |
1,648 |
53 |
Stub |
Mid |
| 423 |
Adaptation (eye) |
1,647 |
53 |
B |
Unknown |
| 424 |
Johann Heinrich Lambert |
1,639 |
52 |
Start |
Unknown |
| 425 |
Azure (heraldry) |
1,610 |
51 |
NA |
Low |
| 426 |
Johannes Itten |
1,606 |
51 |
Start |
Mid |
| 427 |
Adobe RGB color space |
1,604 |
51 |
Start |
Mid |
| 428 |
Inverted spectrum |
1,600 |
51 |
C |
Low |
| 429 |
List of dyes |
1,595 |
51 |
List |
Mid |
| 430 |
Rec. 2100 |
1,591 |
51 |
Start |
Low |
| 431 |
Specular highlight |
1,583 |
51 |
Start |
Unknown |
| 432 |
Blue light spectrum |
1,560 |
50 |
C |
Unknown |
| 433 |
International Color Consortium |
1,557 |
50 |
Start |
Mid |
| 434 |
Mountbatten pink |
1,543 |
49 |
GA |
Low |
| 435 |
Vair |
1,538 |
49 |
Stub |
Low |
| 436 |
LED strip light |
1,530 |
49 |
C |
Low |
| 437 |
Chromophobia |
1,514 |
48 |
Start |
Mid |
| 438 |
Rec. 601 |
1,505 |
48 |
Start |
Unknown |
| 439 |
Palette (computing) |
1,498 |
48 |
C |
Mid |
| 440 |
Fawn (colour) |
1,498 |
48 |
Stub |
Low |
| 441 |
Color appearance model |
1,495 |
48 |
Start |
Mid |
| 442 |
Mach bands |
1,462 |
47 |
Start |
Unknown |
| 443 |
Colorimetry |
1,458 |
47 |
Start |
High |
| 444 |
Perceptual quantizer |
1,447 |
46 |
Start |
Low |
| 445 |
Plum (color) |
1,438 |
46 |
Start |
Mid |
| 446 |
Color printing |
1,436 |
46 |
C |
High |
| 447 |
Chromostereopsis |
1,429 |
46 |
C |
Mid |
| 448 |
Color management |
1,424 |
45 |
Start |
Mid |
| 449 |
Photometry (optics) |
1,423 |
45 |
Start |
Unknown |
| 450 |
Lemon (color) |
1,416 |
45 |
Stub |
Low |
| 451 |
Carolina blue |
1,412 |
45 |
Start |
Mid |
| 452 |
Chromotherapy |
1,411 |
45 |
C |
Low |
| 453 |
Red pigments |
1,411 |
45 |
C |
Low |
| 454 |
Color constancy |
1,406 |
45 |
B |
Mid |
| 455 |
Philipp Otto Runge |
1,382 |
44 |
C |
Low |
| 456 |
Luma (video) |
1,381 |
44 |
Start |
Unknown |
| 457 |
Cadet grey |
1,373 |
44 |
Start |
Low |
| 458 |
Glare (vision) |
1,366 |
44 |
Start |
Low |
| 459 |
Wine color |
1,359 |
43 |
Start |
Low |
| 460 |
Persian blue |
1,344 |
43 |
Stub |
Low |
| 461 |
Hand-colouring of photographs |
1,343 |
43 |
C |
Mid |
| 462 |
Animal coloration |
1,341 |
43 |
GA |
Mid |
| 463 |
Steel blue |
1,327 |
42 |
Stub |
Low |
| 464 |
Retinal ganglion cell |
1,323 |
42 |
C |
Unknown |
| 465 |
Planckian locus |
1,320 |
42 |
C |
Mid |
| 466 |
Fulvous |
1,315 |
42 |
Start |
Low |
| 467 |
List of 16-bit computer color palettes |
1,300 |
41 |
List |
Low |
| 468 |
Majorelle Blue |
1,295 |
41 |
Stub |
Low |
| 469 |
Color vision test |
1,295 |
41 |
B |
High |
| 470 |
Mahogany (color) |
1,294 |
41 |
Stub |
Low |
| 471 |
Michel Eugène Chevreul |
1,287 |
41 |
Start |
Unknown |
| 472 |
ISCC–NBS system |
1,277 |
41 |
Start |
High |
| 473 |
St. Patrick's blue |
1,276 |
41 |
Start |
Low |
| 474 |
HWB color model |
1,274 |
41 |
Stub |
Low |
| 475 |
High Capacity Color Barcode |
1,268 |
40 |
C |
Low |
| 476 |
Photopic vision |
1,267 |
40 |
Start |
Unknown |
| 477 |
Payne's grey |
1,266 |
40 |
Stub |
Mid |
| 478 |
Eton blue |
1,255 |
40 |
Stub |
Low |
| 479 |
Fechner color effect |
1,248 |
40 |
Start |
Low |
| 480 |
International Commission on Illumination |
1,219 |
39 |
Start |
High |
| 481 |
Byzantium (color) |
1,214 |
39 |
Start |
Low |
| 482 |
Mesopic vision |
1,213 |
39 |
C |
Unknown |
| 483 |
CIECAM02 |
1,207 |
38 |
B |
High |
| 484 |
Intrinsically photosensitive retinal ganglion cell |
1,204 |
38 |
C |
Unknown |
| 485 |
Day-Glo Color Corp. |
1,204 |
38 |
Start |
Mid |
| 486 |
Black-and-white dualism |
1,200 |
38 |
Start |
Low |
| 487 |
YIQ |
1,198 |
38 |
Start |
Low |
| 488 |
Ink cartridge |
1,196 |
38 |
Start |
Unknown |
| 489 |
Academy Color Encoding System |
1,195 |
38 |
C |
Unknown |
| 490 |
Optical brightener |
1,182 |
38 |
Start |
Mid |
| 491 |
Slate gray |
1,181 |
38 |
Stub |
Low |
| 492 |
Relative luminance |
1,167 |
37 |
Start |
Mid |
| 493 |
Forest green |
1,163 |
37 |
Stub |
Low |
| 494 |
High color |
1,162 |
37 |
Start |
Low |
| 495 |
Cream (colour) |
1,158 |
37 |
Stub |
Low |
| 496 |
Complexion |
1,153 |
37 |
Start |
Low |
| 497 |
Iron oxide red |
1,152 |
37 |
Start |
Low |
| 498 |
Rose (disambiguation) |
1,151 |
37 |
NA |
NA |
| 499 |
Chrome yellow |
1,145 |
36 |
C |
Mid |
| 500 |
Lightfastness |
1,144 |
36 |
Start |
Mid |
| 501 |
Coquelicot |
1,142 |
36 |
Start |
Low |
| 502 |
Color picker |
1,131 |
36 |
Start |
Low |
| 503 |
Old gold |
1,125 |
36 |
Start |
Low |
| 504 |
Apricot (color) |
1,117 |
36 |
Stub |
Low |
| 505 |
Gray card |
1,117 |
36 |
Start |
Low |
| 506 |
Domain coloring |
1,099 |
35 |
C |
Low |
| 507 |
Bistre |
1,090 |
35 |
Start |
Mid |
| 508 |
Color science |
1,088 |
35 |
Stub |
Top |
| 509 |
Iris (color) |
1,083 |
34 |
Stub |
Low |
| 510 |
Color gradient |
1,077 |
34 |
Start |
Low |
| 511 |
Chrominance |
1,073 |
34 |
C |
Mid |
| 512 |
Marian blue |
1,073 |
34 |
Start |
Low |
| 513 |
List of animals that can change color |
1,071 |
34 |
List |
Low |
| 514 |
Color correction |
1,065 |
34 |
Start |
Mid |
| 515 |
Desert sand (color) |
1,059 |
34 |
Start |
Low |
| 516 |
Photochromism |
1,058 |
34 |
C |
Low |
| 517 |
Color code |
1,050 |
33 |
Start |
Mid |
| 518 |
Newton disc |
1,046 |
33 |
C |
Mid |
| 519 |
X-Rite |
1,046 |
33 |
Start |
Low |
| 520 |
Contrast effect |
1,045 |
33 |
C |
Mid |
| 521 |
Dracula (color scheme) |
1,037 |
33 |
C |
Low |
| 522 |
Fire engine red |
1,022 |
32 |
Stub |
Low |
| 523 |
Vectorscope |
1,021 |
32 |
Start |
Low |
| 524 |
Columbia blue |
1,020 |
32 |
Stub |
Low |
| 525 |
ProPhoto RGB color space |
1,019 |
32 |
Start |
Low |
| 526 |
Color quantization |
1,019 |
32 |
C |
High |
| 527 |
Duotone |
1,003 |
32 |
Start |
Low |
| 528 |
Flax (color) |
999 |
32 |
Stub |
Low |
| 529 |
Dominant white |
998 |
32 |
GA |
Low |
| 530 |
Lüscher color test |
997 |
32 |
Start |
Low |
| 531 |
Super black |
990 |
31 |
Start |
Mid |
| 532 |
Spectral power distribution |
988 |
31 |
Start |
High |
| 533 |
Tertiary color |
980 |
31 |
NA |
High |
| 534 |
Raspberry (color) |
978 |
31 |
Start |
Low |
| 535 |
Rust (color) |
977 |
31 |
Stub |
Low |
| 536 |
Monochromator |
965 |
31 |
Start |
Unknown |
| 537 |
Opponent-process theory |
965 |
31 |
Start |
Unknown |
| 538 |
Color filter array |
964 |
31 |
C |
Low |
| 539 |
Orchid (color) |
962 |
31 |
Stub |
Low |
| 540 |
Mars surface color |
955 |
30 |
C |
Low |
| 541 |
Venetian red |
953 |
30 |
Stub |
Low |
| 542 |
List of people with color blindness |
952 |
30 |
List |
Low |
| 543 |
Indexed color |
943 |
30 |
C |
High |
| 544 |
Caput mortuum (pigment) |
943 |
30 |
Start |
Low |
| 545 |
Mexican pink |
941 |
30 |
Start |
Low |
| 546 |
Color blind glasses |
940 |
30 |
B |
Mid |
| 547 |
Line of purples |
937 |
30 |
Start |
Mid |
| 548 |
Colour Index International |
935 |
30 |
Start |
Mid |
| 549 |
Sinopia |
934 |
30 |
Start |
Low |
| 550 |
Cerebral achromatopsia |
933 |
30 |
C |
Low |
| 551 |
Color solid |
919 |
29 |
Start |
High |
| 552 |
Farnsworth–Munsell 100 hue test |
917 |
29 |
C |
Low |
| 553 |
Candy apple red |
916 |
29 |
Start |
Low |
| 554 |
Sunset (color) |
916 |
29 |
Start |
Low |
| 555 |
Color-blocking |
911 |
29 |
Start |
Low |
| 556 |
Coyote brown |
905 |
29 |
Stub |
Mid |
| 557 |
Evolution of color vision in primates |
903 |
29 |
C |
Mid |
| 558 |
Purpure |
901 |
29 |
Start |
Low |
| 559 |
Eggplant (color) |
900 |
29 |
Stub |
Low |
| 560 |
Cardinal (color) |
896 |
28 |
Stub |
Low |
| 561 |
Van Dyke brown |
892 |
28 |
Stub |
Low |
| 562 |
Tenné |
891 |
28 |
B |
Low |
| 563 |
Hyaline |
887 |
28 |
Stub |
Low |
| 564 |
Optica (society) |
885 |
28 |
C |
Low |
| 565 |
Color preferences |
873 |
28 |
Stub |
Mid |
| 566 |
Colorist |
869 |
28 |
C |
Low |
| 567 |
Spectral sensitivity |
865 |
27 |
Start |
Mid |
| 568 |
List of chicken colours |
862 |
27 |
List |
Low |
| 569 |
Platinum (color) |
860 |
27 |
Stub |
Low |
| 570 |
Analogous colors |
859 |
27 |
Start |
Mid |
| 571 |
Selective yellow |
858 |
27 |
C |
Low |
| 572 |
Gray |
847 |
27 |
NA |
NA |
| 573 |
Color burst |
842 |
27 |
Start |
Low |
| 574 |
Cornsweet illusion |
838 |
27 |
Start |
Unknown |
| 575 |
Cyanometer |
838 |
27 |
Stub |
Low |
| 576 |
Capri (color) |
836 |
26 |
Stub |
Low |
| 577 |
PAL-M |
831 |
26 |
Start |
Low |
| 578 |
Chocolate (color) |
825 |
26 |
Start |
Low |
| 579 |
Architectural lighting design |
821 |
26 |
C |
Unknown |
| 580 |
HCL color space |
819 |
26 |
Start |
Mid |
| 581 |
Correlated color temperature |
816 |
26 |
C |
Low |
| 582 |
EnChroma |
805 |
25 |
Start |
Mid |
| 583 |
White point |
802 |
25 |
Start |
High |
| 584 |
Palatinate (colour) |
802 |
25 |
Start |
Low |
| 585 |
Murrey |
800 |
25 |
Stub |
Low |
| 586 |
Sakura Color Products Corporation |
797 |
25 |
Stub |
Low |
| 587 |
Vert (tincture) |
796 |
25 |
Start |
Low |
| 588 |
List of color film systems |
796 |
25 |
List |
Low |
| 589 |
Aureolin |
794 |
25 |
Stub |
Low |
| 590 |
Federal Standard 595 |
792 |
25 |
Stub |
Low |
| 591 |
Liver (color) |
789 |
25 |
Stub |
Low |
| 592 |
Orcein |
788 |
25 |
Start |
Mid |
| 593 |
Bleu celeste |
786 |
25 |
Start |
Low |
| 594 |
Cordovan (color) |
782 |
25 |
Stub |
Low |
| 595 |
Evolution of color vision |
778 |
25 |
Start |
Mid |
| 596 |
Budgerigar colour genetics |
777 |
25 |
Start |
Low |
| 597 |
Goldenrod (color) |
769 |
24 |
Start |
Low |
| 598 |
Oren–Nayar reflectance model |
769 |
24 |
C |
Low |
| 599 |
Mulberry (color) |
756 |
24 |
Stub |
Low |
| 600 |
RG color models |
743 |
23 |
C |
Mid |
| 601 |
High-CRI LED lighting |
742 |
23 |
C |
Low |
| 602 |
Color gel |
739 |
23 |
Start |
Low |
| 603 |
Melanopsin |
739 |
23 |
C |
Low |
| 604 |
Young–Helmholtz theory |
738 |
23 |
Stub |
High |
| 605 |
Chromatic adaptation |
730 |
23 |
Start |
Mid |
| 606 |
Tooth discoloration |
725 |
23 |
C |
Low |
| 607 |
DIC Corporation |
721 |
23 |
Start |
Low |
| 608 |
Color of the day (police) |
716 |
23 |
Start |
Low |
| 609 |
History of spectroscopy |
706 |
22 |
B |
Mid |
| 610 |
Drab (color) |
705 |
22 |
Stub |
Low |
| 611 |
Color of chemicals |
704 |
22 |
C |
High |
| 612 |
Marigold (color) |
703 |
22 |
Stub |
Low |
| 613 |
Spot color |
701 |
22 |
Start |
High |
| 614 |
Dichroic filter |
695 |
22 |
NA |
NA |
| 615 |
ICtCp |
694 |
22 |
C |
Mid |
| 616 |
Diffuser (optics) |
692 |
22 |
Stub |
Unknown |
| 617 |
Pearl (color) |
691 |
22 |
Stub |
Low |
| 618 |
Rifle green |
687 |
22 |
NA |
Low |
| 619 |
Albert Henry Munsell |
686 |
22 |
Start |
Mid |
| 620 |
Abney effect |
685 |
22 |
B |
Mid |
| 621 |
Electrochromism |
684 |
22 |
C |
Low |
| 622 |
Unique hues |
684 |
22 |
C |
Mid |
| 623 |
Standard Reference Method |
682 |
22 |
C |
Low |
| 624 |
Colour trade mark |
680 |
21 |
Start |
High |
| 625 |
Quattron |
680 |
21 |
Stub |
Low |
| 626 |
Coffee (color) |
680 |
21 |
Start |
Low |
| 627 |
Colour fastness |
679 |
21 |
Start |
Low |
| 628 |
Harmony (color) |
675 |
21 |
C |
High |
| 629 |
Composite artifact colors |
675 |
21 |
C |
Low |
| 630 |
List of historical sources for pink and blue as gender signifiers |
668 |
21 |
List |
Low |
| 631 |
Light reflectance value |
661 |
21 |
Start |
Unknown |
| 632 |
Rich black |
659 |
21 |
C |
Mid |
| 633 |
Arylide yellow |
656 |
21 |
Stub |
Low |
| 634 |
Standard-dynamic-range video |
655 |
21 |
C |
Mid |
| 635 |
Cinereous |
652 |
21 |
Stub |
Low |
| 636 |
Camel (color) |
649 |
20 |
Start |
Low |
| 637 |
Gene therapy for color blindness |
644 |
20 |
C |
Low |
| 638 |
Alcian blue stain |
642 |
20 |
C |
Low |
| 639 |
Hold-And-Modify |
637 |
20 |
Start |
Low |
| 640 |
YCoCg |
637 |
20 |
C |
Mid |
| 641 |
MacAdam ellipse |
636 |
20 |
C |
High |
| 642 |
Citrine (colour) |
632 |
20 |
Stub |
Low |
| 643 |
APHA color |
618 |
19 |
Start |
Low |
| 644 |
Color triangle |
615 |
19 |
Start |
High |
| 645 |
Utility location |
610 |
19 |
Start |
Mid |
| 646 |
The Secret Lives of Colour |
610 |
19 |
C |
Low |
| 647 |
Soil color |
607 |
19 |
Start |
Low |
| 648 |
On Vision and Colours |
605 |
19 |
Start |
Low |
| 649 |
Biofluorescence |
605 |
19 |
B |
Low |
| 650 |
Zaffre |
604 |
19 |
Stub |
Mid |
| 651 |
Marengo (color) |
597 |
19 |
Start |
Low |
| 652 |
Illuminant D65 |
596 |
19 |
NA |
Mid |
| 653 |
Chubb illusion |
596 |
19 |
C |
Unknown |
| 654 |
Image gradient |
595 |
19 |
Stub |
Mid |
| 655 |
Philosophy of color |
595 |
19 |
Start |
High |
| 656 |
Field-sequential color system |
592 |
19 |
C |
Low |
| 657 |
Citron (color) |
591 |
19 |
Stub |
Low |
| 658 |
Channel (digital image) |
586 |
18 |
C |
Mid |
| 659 |
Synthetic colorant |
584 |
18 |
C |
Low |
| 660 |
Visual processing |
575 |
18 |
Start |
Low |
| 661 |
Maize (color) |
573 |
18 |
Stub |
Low |
| 662 |
Image color transfer |
566 |
18 |
Start |
Low |
| 663 |
Android green |
566 |
18 |
Stub |
Low |
| 664 |
Color war |
564 |
18 |
Stub |
Low |
| 665 |
Index of color-related articles |
556 |
17 |
Start |
Mid |
| 666 |
Werner's Nomenclature of Colours |
556 |
17 |
Stub |
Low |
| 667 |
Solvatochromism |
555 |
17 |
Start |
Low |
| 668 |
Bezold–Brücke shift |
553 |
17 |
Stub |
Low |
| 669 |
Printing registration |
547 |
17 |
C |
Low |
| 670 |
Vanilla (color) |
546 |
17 |
Start |
Mid |
| 671 |
Olive drab |
545 |
17 |
NA |
NA |
| 672 |
Xanthochromia |
544 |
17 |
Start |
Low |
| 673 |
Shades of azure |
544 |
17 |
NA |
NA |
| 674 |
Hexachrome |
542 |
17 |
Start |
Low |
| 675 |
Wide-gamut RGB color space |
542 |
17 |
Start |
Mid |
| 676 |
ScRGB |
539 |
17 |
Start |
Mid |
| 677 |
MERDC camouflage |
539 |
17 |
Stub |
Low |
| 678 |
Dominant wavelength |
532 |
17 |
Start |
High |
| 679 |
Colored smoke |
532 |
17 |
Stub |
Mid |
| 680 |
Magnolia (color) |
526 |
16 |
Stub |
Low |
| 681 |
Yale Blue |
524 |
16 |
Start |
Low |
| 682 |
Color print film |
522 |
16 |
Start |
Low |
| 683 |
Jasmine (color) |
518 |
16 |
Stub |
Low |
| 684 |
CcMmYK color model |
516 |
16 |
Stub |
Low |
| 685 |
Jungle green |
515 |
16 |
C |
Low |
| 686 |
Pompeian red |
514 |
16 |
B |
Low |
| 687 |
Photopigment |
506 |
16 |
Start |
Low |
| 688 |
Orange (tincture) |
501 |
16 |
Stub |
Low |
| 689 |
Tuscan red |
500 |
16 |
Start |
Low |
| 690 |
Tricolour |
497 |
16 |
NA |
NA |
| 691 |
Eggshell (color) |
487 |
15 |
Stub |
Low |
| 692 |
Kruithof curve |
484 |
15 |
C |
Mid |
| 693 |
Color organ |
483 |
15 |
C |
Low |
| 694 |
Coventry blue |
475 |
15 |
Stub |
Low |
| 695 |
Carnelian (color) |
472 |
15 |
Stub |
Low |
| 696 |
Vision science |
470 |
15 |
Start |
Mid |
| 697 |
Blue Wool Scale |
469 |
15 |
Stub |
Low |
| 698 |
Zinc white |
467 |
15 |
C |
Mid |
| 699 |
Practical Color Coordinate System |
467 |
15 |
Stub |
Low |
| 700 |
ACM SIGGRAPH |
461 |
14 |
Start |
Low |
| 701 |
XvYCC |
452 |
14 |
Start |
Low |
| 702 |
Vertebrate visual opsin |
439 |
14 |
Start |
Unknown |
| 703 |
Sanguine (tincture) |
434 |
14 |
Stub |
Low |
| 704 |
Calcein |
434 |
14 |
Start |
Low |
| 705 |
Wheat (color) |
433 |
13 |
Stub |
Low |
| 706 |
PALplus |
431 |
13 |
C |
Low |
| 707 |
Sapphire (color) |
430 |
13 |
NA |
Low |
| 708 |
Floral color change |
428 |
13 |
C |
Low |
| 709 |
OPN1LW |
426 |
13 |
B |
Unknown |
| 710 |
Tangerine (color) |
422 |
13 |
Stub |
Low |
| 711 |
Mired |
421 |
13 |
C |
Mid |
| 712 |
Map coloring |
421 |
13 |
Start |
Low |
| 713 |
Azure spar |
420 |
13 |
List |
Low |
| 714 |
Color cycling |
419 |
13 |
Start |
Low |
| 715 |
Grassmann's laws (color science) |
417 |
13 |
Start |
Mid |
| 716 |
Rose pink |
413 |
13 |
Stub |
Low |
| 717 |
Duke blue |
411 |
13 |
Stub |
Low |
| 718 |
Marrs green |
411 |
13 |
Stub |
Low |
| 719 |
Color calibration |
407 |
13 |
Start |
Mid |
| 720 |
Red in culture |
403 |
13 |
C |
High |
| 721 |
Pterobilin |
400 |
12 |
Start |
Low |
| 722 |
Dichromatism |
388 |
12 |
Start |
Unknown |
| 723 |
National colours of Portugal |
388 |
12 |
Start |
Low |
| 724 |
Bice |
386 |
12 |
Stub |
Low |
| 725 |
Solid ink |
378 |
12 |
Start |
Unknown |
| 726 |
Multiplexed Analogue Components |
376 |
12 |
B |
Low |
| 727 |
Specularity |
375 |
12 |
Stub |
Unknown |
| 728 |
CMY color model |
370 |
11 |
NA |
High |
| 729 |
Mysore Paints and Varnish |
368 |
11 |
Start |
Low |
| 730 |
Beta movement |
365 |
11 |
C |
Low |
| 731 |
Lava (color) |
365 |
11 |
Stub |
Low |
| 732 |
Lion (color) |
365 |
11 |
Stub |
Low |
| 733 |
Eyeborg |
362 |
11 |
Start |
Low |
| 734 |
HSV color space |
358 |
11 |
NA |
High |
| 735 |
Color histogram |
354 |
11 |
Start |
Mid |
| 736 |
Navajo white |
354 |
11 |
Stub |
Low |
| 737 |
Tristimulus colorimeter |
354 |
11 |
Stub |
Low |
| 738 |
Journal of the Optical Society of America |
351 |
11 |
Start |
Unknown |
| 739 |
Colour recovery |
350 |
11 |
C |
Low |
| 740 |
Illuminating Engineering Society |
347 |
11 |
Start |
Unknown |
| 741 |
Straw (colour) |
347 |
11 |
Stub |
Low |
| 742 |
Ostwald color system |
346 |
11 |
C |
High |
| 743 |
Rose (tincture) |
337 |
10 |
Start |
Low |
| 744 |
Tyros (nymph) |
337 |
10 |
C |
Low |
| 745 |
Brunswick green |
333 |
10 |
NA |
Low |
| 746 |
Ewald Hering |
331 |
10 |
Start |
Mid |
| 747 |
Bole (color) |
330 |
10 |
Start |
Low |
| 748 |
Color phi phenomenon |
329 |
10 |
Start |
Low |
| 749 |
Blush (color) |
329 |
10 |
Stub |
Low |
| 750 |
Color of clothing |
329 |
10 |
Start |
Mid |
| 751 |
Margaret Hayden Rorke |
325 |
10 |
C |
Low |
| 752 |
Harvest gold |
324 |
10 |
Stub |
Low |
| 753 |
Reseda green |
320 |
10 |
Stub |
Low |
| 754 |
Colour cast |
318 |
10 |
Start |
Mid |
| 755 |
Color reproduction |
317 |
10 |
Stub |
High |
| 756 |
Rg chromaticity |
314 |
10 |
Stub |
Low |
| 757 |
Gardner color scale |
312 |
10 |
Stub |
Mid |
| 758 |
Azurite (pigment) |
309 |
9 |
Stub |
Low |
| 759 |
On Colors |
308 |
9 |
Start |
Low |
| 760 |
Abnormal urine color |
307 |
9 |
Start |
Low |
| 761 |
U of T Blue |
306 |
9 |
Start |
Unknown |
| 762 |
Lemon chiffon |
302 |
9 |
Start |
Low |
| 763 |
Colors (Ken Nordine album) |
302 |
9 |
Start |
Low |
| 764 |
Persian red |
300 |
9 |
Stub |
Low |
| 765 |
Burnt sienna |
293 |
9 |
NA |
Mid |
| 766 |
Fallow (color) |
289 |
9 |
Stub |
Low |
| 767 |
Mars Black (pigment) |
285 |
9 |
Stub |
Low |
| 768 |
Memory color effect |
282 |
9 |
C |
Mid |
| 769 |
Densitometry |
279 |
9 |
Stub |
Low |
| 770 |
OPN1MW |
279 |
9 |
Stub |
Unknown |
| 771 |
Color Association of the United States |
275 |
8 |
Start |
Mid |
| 772 |
Seal brown |
271 |
8 |
Stub |
Low |
| 773 |
Local color (visual art) |
269 |
8 |
Stub |
Low |
| 774 |
Tobias Mayer |
268 |
8 |
Start |
Unknown |
| 775 |
OPN1SW |
267 |
8 |
Stub |
Unknown |
| 776 |
ASC CDL |
263 |
8 |
Start |
Low |
| 777 |
Spring bud |
260 |
8 |
C |
Low |
| 778 |
Cendrée |
259 |
8 |
Stub |
Low |
| 779 |
Ruddy |
258 |
8 |
NA |
NA |
| 780 |
Acid green |
256 |
8 |
NA |
Low |
| 781 |
Dark blue (color) |
252 |
8 |
NA |
Low |
| 782 |
Seashell (color) |
251 |
8 |
Stub |
Low |
| 783 |
Colorpuncture |
250 |
8 |
B |
Low |
| 784 |
Cerulean blue |
247 |
7 |
NA |
NA |
| 785 |
CIE 1960 color space |
243 |
7 |
Start |
Low |
| 786 |
CIE 1964 color space |
236 |
7 |
Stub |
Low |
| 787 |
Display contrast |
236 |
7 |
C |
Unknown |
| 788 |
Continuous tone image |
233 |
7 |
Start |
Low |
| 789 |
Color rendering |
230 |
7 |
Start |
Mid |
| 790 |
Cream (color) |
229 |
7 |
NA |
Low |
| 791 |
Standard Color Reference of America |
227 |
7 |
Start |
Low |
| 792 |
YDbDr |
225 |
7 |
Start |
Low |
| 793 |
Amethyst (color) |
224 |
7 |
NA |
NA |
| 794 |
French gray |
222 |
7 |
Stub |
Low |
| 795 |
Jonquil (color) |
220 |
7 |
NA |
NA |
| 796 |
Color suite |
220 |
7 |
Start |
Low |
| 797 |
YJK |
220 |
7 |
Stub |
Low |
| 798 |
Hunt effect (color) |
220 |
7 |
Stub |
Low |
| 799 |
Burnt umber |
219 |
7 |
NA |
Mid |
| 800 |
ColorCode 3-D |
219 |
7 |
Start |
Low |
| 801 |
Cynthia Brewer |
216 |
6 |
Start |
Low |
| 802 |
Spring green (color) |
213 |
6 |
NA |
NA |
| 803 |
Purplish |
212 |
6 |
NA |
NA |
| 804 |
Golden ochre |
212 |
6 |
C |
Low |
| 805 |
OSA-UCS |
211 |
6 |
Stub |
Low |
| 806 |
Moses Harris |
209 |
6 |
Start |
Mid |
| 807 |
Bipack color |
207 |
6 |
C |
Low |
| 808 |
IT8 |
206 |
6 |
Start |
Low |
| 809 |
Polka-dot paint |
206 |
6 |
Start |
Low |
| 810 |
Icterine |
204 |
6 |
Stub |
Low |
| 811 |
American Association of Textile Chemists and Colorists |
200 |
6 |
Stub |
Mid |
| 812 |
Double cone (biology) |
200 |
6 |
Start |
Low |
| 813 |
Teal (color) |
200 |
6 |
NA |
NA |
| 814 |
Zinzolin |
197 |
6 |
B |
Low |
| 815 |
Bondi blue |
196 |
6 |
NA |
NA |
| 816 |
HKS (colour system) |
193 |
6 |
Stub |
Low |
| 817 |
International Colour Day |
191 |
6 |
Start |
Mid |
| 818 |
Le Corbusier's Architectural Polychromy |
191 |
6 |
C |
Unknown |
| 819 |
Specifications for Web Offset Publications |
187 |
6 |
Start |
Low |
| 820 |
Color Naming System |
187 |
6 |
Start |
Low |
| 821 |
TSL color space |
184 |
5 |
Stub |
Low |
| 822 |
Oil droplet |
184 |
5 |
Start |
Low |
| 823 |
Hunter Lab |
184 |
5 |
Start |
Low |
| 824 |
Visual weight |
183 |
5 |
Stub |
Low |
| 825 |
Erin (color) |
182 |
5 |
NA |
Low |
| 826 |
Coloured Book protocols |
181 |
5 |
C |
Low |
| 827 |
Stiles–Crawford effect |
178 |
5 |
Start |
Unknown |
| 828 |
Jacob Christoph Le Blon |
171 |
5 |
Start |
Low |
| 829 |
Jade (color) |
169 |
5 |
NA |
Low |
| 830 |
Multi-primary color display |
169 |
5 |
Stub |
Low |
| 831 |
Ao (color) |
167 |
5 |
NA |
Low |
| 832 |
Comparison of color models in computer graphics |
164 |
5 |
Unknown |
Unknown |
| 833 |
Telechrome |
164 |
5 |
B |
Unknown |
| 834 |
Titanium yellow |
162 |
5 |
Stub |
Low |
| 835 |
Chromism |
161 |
5 |
C |
Low |
| 836 |
Grey component replacement |
158 |
5 |
Stub |
Low |
| 837 |
Coloroid |
158 |
5 |
Stub |
Low |
| 838 |
Color coding in data visualization |
156 |
5 |
NA |
High |
| 839 |
Halochromism |
154 |
4 |
Stub |
Low |
| 840 |
Mikado yellow |
152 |
4 |
Stub |
Low |
| 841 |
Holmgren's wool test |
149 |
4 |
Start |
Low |
| 842 |
Iron ochre |
148 |
4 |
List |
Low |
| 843 |
Lusty gallant |
144 |
4 |
Stub |
Low |
| 844 |
Society for Imaging Science and Technology |
142 |
4 |
Stub |
Unknown |
| 845 |
Munsell Color Company |
139 |
4 |
Stub |
Mid |
| 846 |
Harlequin (color) |
138 |
4 |
NA |
NA |
| 847 |
Günter Wyszecki |
138 |
4 |
Start |
Unknown |
| 848 |
Emerald (color) |
136 |
4 |
NA |
Low |
| 849 |
Troland |
136 |
4 |
Stub |
Unknown |
| 850 |
Society for Information Display |
133 |
4 |
Start |
Low |
| 851 |
Applied Optics |
132 |
4 |
Start |
Low |
| 852 |
Portland Orange |
132 |
4 |
Stub |
Unknown |
| 853 |
HSLuv |
132 |
4 |
Start |
Low |
| 854 |
Plicopurpura columellaris |
130 |
4 |
Stub |
Low |
| 855 |
Two-color projection |
129 |
4 |
Stub |
Low |
| 856 |
PAL-S |
128 |
4 |
Start |
Low |
| 857 |
Whiteness (colorimetry) |
127 |
4 |
Start |
Low |
| 858 |
Burned (image) |
126 |
4 |
Start |
Mid |
| 859 |
Tone reproduction |
125 |
4 |
Unknown |
Unknown |
| 860 |
David MacAdam |
124 |
4 |
Start |
Mid |
| 861 |
Historic paint analysis |
123 |
3 |
C |
Low |
| 862 |
International Colour Association |
122 |
3 |
Start |
Mid |
| 863 |
Stanford Cardinal Red |
121 |
3 |
NA |
Low |
| 864 |
British Colour Council |
120 |
3 |
Start |
Mid |
| 865 |
Society of Dyers and Colourists |
119 |
3 |
Stub |
Mid |
| 866 |
Color Marketing Group |
117 |
3 |
Stub |
Low |
| 867 |
Color task |
116 |
3 |
B |
Mid |
| 868 |
International Colour Authority |
115 |
3 |
Stub |
Low |
| 869 |
ICAM (color appearance model) |
115 |
3 |
Start |
Low |
| 870 |
Rail Blue |
113 |
3 |
NA |
NA |
| 871 |
Association for Research in Vision and Ophthalmology |
113 |
3 |
Stub |
Low |
| 872 |
Forensic colorimetry |
113 |
3 |
Start |
Low |
| 873 |
Coloured hat |
111 |
3 |
C |
Low |
| 874 |
Skyscope |
110 |
3 |
Stub |
Unknown |
| 875 |
Charcoal (color) |
106 |
3 |
NA |
NA |
| 876 |
Alumina effect pigment |
106 |
3 |
Start |
Low |
| 877 |
SYCC |
106 |
3 |
Unknown |
Unknown |
| 878 |
Von Kries coefficient law |
103 |
3 |
C |
Low |
| 879 |
Retinylidene protein |
102 |
3 |
Start |
Unknown |
| 880 |
Battleship grey |
100 |
3 |
NA |
NA |
| 881 |
Sea green |
98 |
3 |
NA |
Low |
| 882 |
Principle of univariance |
97 |
3 |
Stub |
Low |
| 883 |
Cycolor |
96 |
3 |
Stub |
Low |
| 884 |
Liquid color |
96 |
3 |
C |
Low |
| 885 |
Hansa yellow |
94 |
3 |
NA |
Low |
| 886 |
Journal of Vision |
94 |
3 |
Stub |
Low |
| 887 |
Color wheel (optics) |
92 |
2 |
Stub |
Low |
| 888 |
Andrew J. Elliot |
91 |
2 |
Stub |
Unknown |
| 889 |
Moss green |
90 |
2 |
NA |
Low |
| 890 |
Raisin black |
87 |
2 |
Stub |
Low |
| 891 |
Absolute color space |
86 |
2 |
NA |
Mid |
| 892 |
Postage stamp color |
83 |
2 |
C |
Low |
| 893 |
Color normalization |
83 |
2 |
Start |
Mid |
| 894 |
Cyclamen (color) |
83 |
2 |
NA |
Low |
| 895 |
Sonochromatism |
82 |
2 |
Start |
Unknown |
| 896 |
Deane B. Judd |
80 |
2 |
Start |
Low |
| 897 |
Attic ochre |
79 |
2 |
C |
Low |
| 898 |
Colorway |
78 |
2 |
NA |
Low |
| 899 |
Brown spar |
78 |
2 |
List |
Low |
| 900 |
True Blue (color) |
77 |
2 |
NA |
Low |
| 901 |
Army green |
76 |
2 |
NA |
NA |
| 902 |
Carry van Biema |
76 |
2 |
Stub |
Low |
| 903 |
Adams chromatic valence color space |
75 |
2 |
Start |
Mid |
| 904 |
Color quality scale |
75 |
2 |
Stub |
Mid |
| 905 |
Sinople |
74 |
2 |
NA |
NA |
| 906 |
The Color Association of the United States |
74 |
2 |
NA |
Mid |
| 907 |
Colorimeter |
73 |
2 |
NA |
NA |
| 908 |
Splash of color |
73 |
2 |
Stub |
Low |
| 909 |
Robert Birmelin |
70 |
2 |
C |
Low |
| 910 |
Inter-Society Color Council |
69 |
2 |
Start |
Low |
| 911 |
Neugebauer equations |
64 |
2 |
Stub |
Mid |
| 912 |
Color Light Output |
64 |
2 |
Start |
Low |
| 913 |
Leaf Color Chart |
64 |
2 |
Stub |
Low |
| 914 |
Colour look-up table |
63 |
2 |
NA |
Low |
| 915 |
Vantage theory |
63 |
2 |
Start |
Low |
| 916 |
Pinchin Johnson & Associates |
62 |
2 |
Start |
Low |
| 917 |
Differential phase |
62 |
2 |
Start |
Low |
| 918 |
Windows Color System |
61 |
1 |
Start |
Mid |
| 919 |
Blaze Orange |
60 |
1 |
NA |
Mid |
| 920 |
Bernice Kentner |
60 |
1 |
Start |
Low |
| 921 |
Lead ochre |
59 |
1 |
List |
Low |
| 922 |
Bitter spar |
58 |
1 |
List |
Low |
| 923 |
Tristimulus value |
57 |
1 |
NA |
Mid |
| 924 |
European Color Initiative |
57 |
1 |
Start |
Low |
| 925 |
Redwood (color) |
56 |
1 |
NA |
NA |
| 926 |
Augusto Garau |
56 |
1 |
Start |
Low |
| 927 |
ColorZilla |
54 |
1 |
Stub |
Low |
| 928 |
Peach black |
54 |
1 |
Stub |
Low |
| 929 |
Amber shift |
54 |
1 |
Stub |
Low |
| 930 |
Myrtle (color) |
52 |
1 |
NA |
Low |
| 931 |
Ghost white |
52 |
1 |
NA |
NA |
| 932 |
Pear (color) |
51 |
1 |
NA |
Low |
| 933 |
Hooker's green |
51 |
1 |
NA |
NA |
| 934 |
The Colour Group |
51 |
1 |
Stub |
Low |
| 935 |
Descriptive Color Names Dictionary |
50 |
1 |
Stub |
Low |
| 936 |
Klaer Lightende Spiegel der Verfkonst |
50 |
1 |
Stub |
Low |
| 937 |
Nardo gray |
50 |
1 |
NA |
Low |
| 938 |
EciRGB |
47 |
1 |
Stub |
Low |
| 939 |
Hermann Alfred Tanner |
47 |
1 |
GA |
Low |
| 940 |
Papaya whip |
45 |
1 |
NA |
Low |
| 941 |
UCLA Blue |
45 |
1 |
NA |
Low |
| 942 |
Antimony ochre |
45 |
1 |
List |
Low |
| 943 |
Carnation pink |
44 |
1 |
NA |
Low |
| 944 |
Pumpkin (color) |
44 |
1 |
NA |
NA |
| 945 |
Registration black |
43 |
1 |
NA |
Mid |
| 946 |
Color engraving |
43 |
1 |
Stub |
Low |
| 947 |
Color reaction |
43 |
1 |
NA |
Mid |
| 948 |
Sap green |
41 |
1 |
NA |
Low |
| 949 |
Tekhelet in Judaism |
41 |
1 |
NA |
Low |
| 950 |
Under color addition |
40 |
1 |
Stub |
Low |
| 951 |
Magic Pink |
40 |
1 |
NA |
Low |
| 952 |
Corn (color) |
40 |
1 |
NA |
Low |
| 953 |
Pine green |
39 |
1 |
NA |
Low |
| 954 |
Peach-yellow |
39 |
1 |
NA |
Low |
| 955 |
Ada Aline Urban |
39 |
1 |
C |
Low |
| 956 |
Autotype (printing) |
38 |
1 |
NA |
NA |
| 957 |
Theostein |
38 |
1 |
NA |
NA |
| 958 |
George Palmer (colour theorist) |
37 |
1 |
C |
Low |
| 959 |
Cobalt ochre |
37 |
1 |
List |
Low |
| 960 |
Pinkish |
35 |
1 |
NA |
NA |
| 961 |
Persian orange |
34 |
1 |
NA |
NA |
| 962 |
Lavender blush |
33 |
1 |
NA |
NA |
| 963 |
Bright green |
33 |
1 |
NA |
NA |
| 964 |
Fluorescence intensity decay shape microscopy |
33 |
1 |
Start |
Low |
| 965 |
Upsdell red |
32 |
1 |
Stub |
Low |
| 966 |
Jorrit Tornquist |
31 |
1 |
Start |
Low |
| 967 |
Rendering intent |
30 |
0 |
NA |
Mid |
| 968 |
Green-yellow |
28 |
0 |
NA |
Mid |
| 969 |
Henry Hemmendinger |
28 |
0 |
Start |
Mid |
| 970 |
Spray booth |
28 |
0 |
NA |
NA |
| 971 |
Dark purple |
28 |
0 |
NA |
Low |
| 972 |
Flame (color) |
27 |
0 |
NA |
NA |
| 973 |
Charles Albert Keeley |
27 |
0 |
Start |
Low |
| 974 |
Deep sky blue |
27 |
0 |
NA |
Low |
| 975 |
Truecolor |
25 |
0 |
NA |
Mid |
| 976 |
List of file formats for luminaire radiometric data |
24 |
0 |
B |
Unknown |
| 977 |
Old lace (color) |
23 |
0 |
NA |
Low |
| 978 |
Salmon pink |
22 |
0 |
NA |
Low |
| 979 |
Wenge (colour) |
22 |
0 |
NA |
Low |
| 980 |
Hal Glicksman |
22 |
0 |
Start |
Low |
| 981 |
Fern green |
21 |
0 |
NA |
Low |
| 982 |
Monochromatic colors |
21 |
0 |
NA |
Mid |
| 983 |
Sophie Wuerger |
21 |
0 |
Start |
Unknown |
| 984 |
Gray-asparagus |
19 |
0 |
NA |
Low |
| 985 |
Color in Informatics and Media Technology |
19 |
0 |
Start |
Low |
| 986 |
Ash grey |
19 |
0 |
NA |
Low |
| 987 |
Variations of gray |
19 |
0 |
NA |
NA |
| 988 |
Lavender pink |
19 |
0 |
NA |
NA |
| 989 |
Tea green |
18 |
0 |
NA |
Low |
| 990 |
Tufts Blue |
18 |
0 |
NA |
Low |
| 991 |
Davy's grey |
17 |
0 |
NA |
Low |
| 992 |
Asparagus (color) |
16 |
0 |
NA |
NA |
| 993 |
Mint cream |
16 |
0 |
NA |
NA |
| 994 |
Color volume |
15 |
0 |
NA |
NA |
| 995 |
Ford Blue |
14 |
0 |
NA |
NA |
| 996 |
Sandy brown |
12 |
0 |
NA |
NA |
| 997 |
Brandeis blue |
12 |
0 |
NA |
NA |
| 998 |
Pastel green |
11 |
0 |
NA |
Low |
| 999 |
Blue Violet |
11 |
0 |
NA |
NA |
| 1000 |
Visible frequency |
11 |
0 |
NA |
NA |