Ya Ya Ya

"Ya Ya Ya" was met with positive to mixed reviews from Norwegian music critics. In a pre-contest review for NRK, Jim Ødegård Pedersen and Sofie Martesdatter Granberg praised the entry's energy and composition. Giving a six out of six rating, Pedersen noted that the track was the strongest in the selection, remarking on its immediate impact and potential to succeed both MGP and at Eurovision. Granberg, rating it a four out of six, drew comparisons between the song's guitar-driven sound and British indie music from the 2000s, describing the work as "rocking" and full of "groove".^[2] Post-MGP, Pedersen retained his six out of six rating. He applauded his "vocally outstanding" vocals and praised his live performance, calling it "intense and energetic... that really impresses". He also remarked the song’s driving bass line and drew stylistic comparisons to a blend of the White Stripes and Benson Boone.^[3]

Similarly, Ralf Lofstad of Dagbladet gave the song a five out of six pre-contest, praising his vocal delivery, noting that he "sings very strongly and reaches high notes with great confidence".^[4] Post-MGP, he rated the track a six out of six, describing it as a "guitar-heavy rock song" that is "driving and catchy", and commended his live vocals, calling it "simply fantastic".^[1] Writing for TV 2, Line Haus awarded the track a six out of six, praising Lovv's "charming arrogance" and his natural ability to connect with the camera. She noted that the live performance successfully created a "concert feeling" that appealed to both the live audience and home viewers. Haus further remarked that the rock-influenced energy of the entry was the strongest in the competition, describing Lovv as a standout "star".^[5]

In Nettavisen, Maria Ludvigsen and Pål Nisja-Wilhelmsen [no] provided mixed reviews. Ludvigsen gave the track a four out of six, citing Lovv's "raw voice" as a strength. Although she found certain parts of the song awkward, she praised its memorability and catchiness compared to the other MGP entries. Conversely, Wilhelmsen gave the song a rating of three out of six, characterising it as "generic pop-rock" and criticising its lack of momentum and perceived lack of "animal" energy.^[6]