Yusef Lateef's Detroit
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| Yusef Lateef's Detroit Latitude 42° 30′ Longitude 83° | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | June 1969 | |||
| Recorded | February 4–5, 1969 | |||
| Studio | Century Sound, New York City | |||
| Genre | Jazz | |||
| Length | 31:02 | |||
| Label | Atlantic SD 1525 | |||
| Producer | Joel Dorn | |||
| Yusef Lateef chronology | ||||
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Yusef Lateef's Detroit (subtitled Latitude 42° 30′ Longitude 83°) is an album by multi-instrumentalist Yusef Lateef, recorded in 1969 (with one track from The Complete Yusef Lateef recording sessions in 1967) and released on the Atlantic label.[1]
Recording
The album was recorded at Century Sound, a small Detroit studio typically produced commercial pop and disco records.[4] Producer Joel Dorn sought to blend Lateef's jazz sound with Motown elements by combining two rhythm sections: Lateef's traditional jazz group and Atlantic Records' R&B musicians (including Eric Gale on guitar, Chuck Rainey on electric bass, and Bernard Purdie on drums).[4] Initially, tension existed between the musicians due to their different playing styles, but during the sessions the two rhythm sections merged organically. According to Dorn, it was "one of the few times where oil and water produced a whole new liquid."[4]
Chart performance
Track listing
All compositions by Yusef Lateef except as indicated
- "Bishop School" – 3:00
- "Livingston Playground" – 3:37
- "Eastern Market" – 4:15
- "Belle Isle" – 3:12
- "Russell and Elliot" – 4:47
- "Raymond Winchester" – 2:35
- "Woodward Avenue" – 2:11
- "That Lucky Old Sun" (Haven Gillespie, Beasley Smith) – 7:25
- Recorded at Century Sound Studios in New York City on February 4, 1969 (tracks 1, 4, 5 & 7), and February 5, 1969 (tracks 2, 3, & 6), and on June 1, 1967, in New York City (track 8)
Record Store Day re-release
The album was re-released in the UK for Record Store Day on April 22, 2023, as a limited edition of 2,000 copies. It was selected by Giles Peterson from the Warner archive for re-release on his Arc Records label, it was re-mastered in mono from the original tapes by Bernie Grundman and pressed on 180-gram black vinyl. This is the only re-issue the album has had on vinyl since its original release in 1969.[6]
