1974 Cannes Film Festival
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The 27th Cannes Film Festival took place from 9 to 24 May 1974. French filmmaker René Clair served as jury president for the main competition.
![]() Official poster of the 27th Cannes Film Festival, an original illustration by Georges Lacroix.[1] | |
| Opening film | Amarcord |
|---|---|
| Closing film | S*P*Y*S |
| Location | Cannes, France |
| Founded | 1946 |
| Awards | Grand Prix: The Conversation |
| No. of films | 26 (In Competition)[2] |
| Festival date | 9 May 1974 – 24 May 1974 |
| Website | festival-cannes |
The Grand Prix, then the festival's main prize, was awarded to American filmmaker Francis Ford Coppola for the drama film The Conversation.[3][4]
The festival opened with Amarcord by Federico Fellini,[5][6] and closed with S*P*Y*S by Irvin Kershner.[7]
Juries
Main Competition
- René Clair, French filmmaker - Jury President[8]
- Jean-Loup Dabadie, French journalist
- Kenne Fant, Swedish actor
- Félix Labisse, French painter
- Irwin Shaw, American writer
- Michel Soutter, Swiss filmmaker
- Monica Vitti, Italian actress
- Alexander Walker, British film critic and author
- Rostislav Yurenev, Soviet film critic
Official Selection
In Competition
The following feature films competed for the Grand Prix International du Festival:[2]
Out of Competition
The following films were selected to be screened out of competition:[2]
- 1789 by Ariane Mnouchkine
- Amarcord by Federico Fellini
- And Now My Love (Toute une vie) by Claude Lelouch
- Birds Do It, Bees Do It by Nicolas Noxon, Irwin Rosten
- Entr'acte by René Clair
- The Homecoming by Peter Hall
- The Grand Maneuver (Les Grandes Manoeuvres) by René Clair
- Henry Miller, Poète Maudit by Michèle Arnault
- Lancelot du Lac by Robert Bresson
- Once by Mort Heilig
- Parade by Jacques Tati
- Picasso, L'Homme et Son Oeuvre by Edward Quinn
- S*P*Y*S by Irvin Kershner
- Le Trio Infernal by Francis Girod
Short Films Competition
The following short films competed for the Short Film Palme d'Or:[2]
- Akvarium by Zdenka Doitcheva
- Another Saturday Night by Steven B. Poster, Mik Derks
- Carnet trouvé chez les fourmis by Georges Senechal
- Hunger by Peter Foldes
- I stała się światłość by Jerzy Kalina
- Jocselekedetek by Béla Vajda
- Leonarduv denik by Jan Švankmajer
- O sidarta by Michel Jakar
- Ostrov (Island) by Fyodor Khitruk
Parallel sections
International Critics' Week
The following feature films were screened for the 13th International Critics' Week (13e Semaine de la Critique):[9]
- A Bigger Splash by Jack Hazan (United Kingdom)
- Na wylot by Grzegorz Królikiewicz (Poland)
- The Spirit of the Beehive (El espíritu de la colmena) by Víctor Erice (Spain)
- Hearts and Minds by Peter Davis (United States)
- The Hour of Liberation Has Arrived (L’heure de la libération a sonné) by Heiny Srour (Lebanon)
- I.F.Stone’s Weekly by Jerry Bruck Jr (United States)
- La Paloma by Daniel Schmid (Switzerland)
- The Promised Land by Miguel Littín (Chile)
- Der Tod des Flohzirkusdirektos by Thomas Koerfer (Switzerland)
Directors' Fortnight
The following films were screened for the 1974 Directors' Fortnight (Quinzaine des Réalizateurs):[10]
- A Noite Do Espantalho by Sergio Ricardo (Brazil)
- A Rainha Diaba by Antonio Carlos Fontura (Brazil)
- Au-delà des sables by Radu Gabrea (Romania)
- Celine and Julie Go Boating (Céline et Julie vont en bateau) by Jacques Rivette (France)
- Contra la Razon y por la Fuerza (doc.) by Carlos Ortiz Tejeda (Mexico)
- La Coupe à 10 francs by Philippe Condroyer (France)
- Erica Minor by Bertrand Van Effenterre (Switzerland)
- The Expropriation (La expropiación) by Raúl Ruiz (Chile)
- The Extradition (Die Auslieferung) by Peter von Gunten (Switzerland)
- Gelegenheitsarbeit einer Sklavin by Alexander Kluge (West Germany)
- ¡Hay que matar al general! (Operación Alfa) by Enrique Urteaga (Chile)
- Il pleut toujours où c'est mouillé by Jean-Daniel Simon (France)
- Lars Ole, 5C by Nils Malmros (Denmark)
- The Last Betrothal (Les Dernières Fiançailles) by Jean Pierre Lefebvre (Canada)
- Let Mrtve Ptice by Živojin Pavlović (Yugoslavia)
- Manifest by Antonis Lepeniotis (Austria)
- Mean Streets by Martin Scorsese (United States)
- The Migrants by Tom Gries (United States)
- Morel's Invention (L'invenzione di Morel) by Emidio Greco (Italy)
- Once Upon a Time There Was a Singing Blackbird (Iko shashvi mgalobeli) by Otar Iosseliani (Soviet Union)
- Padatik by Mrinal Sen (India)
- Processo Per Direttisima by Lucio De Caro (Italy)
- The Profiteer (Il Saprofita) by Sergio Nasca (Italy)
- Sweet Movie by Dušan Makavejev (Canada, France, West Germany)
- Uira by Gustavo Dahl (Brazil)
- Vai Travalhar Vagabundo by Hugo Carvanna (Brazil)
- La Vérité sur l'imaginaire passion d'un inconnu by Marcel Hanoun (France)
- Short films
- L'Agression by Frank Cassenti (France)
- Au nom de Jésus by José Rodrigues Dos Santos, Gérard Loubeau (Ivory Coast)
- Brainwash by Ronald Bijlsma (Netherlands)
- Film sur Hans Bellmeer by Catherine Binet (France)
- Liberté-Jean by Jean-Michel Carré (France)
- Une puce sur un no man's land by Marie-France Molle (France)
- Stillborn by Ladd Mc Portlan] (United States)
- Winda by Jerzy Kucia (Poland)
Official Awards
Main Competition
- Grand Prix du Festival International du Film: The Conversation by Francis Ford Coppola[3]
- Grand Prix Spécial du Jury: Arabian Nights by Pier Paolo Pasolini
- Best Screenplay: Hal Barwood, Matthew Robbins and Steven Spielberg for The Sugarland Express
- Best Actress: Marie-José Nat for Violins at the Ball
- Best Actor: Jack Nicholson for The Last Detail
- Jury Prize: La prima Angélica by Carlos Saura
Short Films Competition
- Grand Prix International du Festival: Ostrov by Fyodor Khitruk
- Jury Prize: Hunger by Peter Foldes
- The Jury President and the winners of the 1974 Grand Prix
- René Clair (left), Jury President
- Francis Ford Coppola, Grand Prix International du Festival winner
- Pier Paolo Pasolini, Grand Prix Spécial du Jury winner
Independent Awards
FIPRESCI Prize
- Ali: Fear Eats the Soul by Rainer Werner Fassbinder (In competition)[11]
- Lancelot du Lac by Robert Bresson (Out of competition)
Commission Supérieure Technique
Prize of the Ecumenical Jury
- Ali: Fear Eats the Soul by Rainer Werner Fassbinder[12]
- Special Mention: The Conversation by Francis Ford Coppola[13]
