ADL (album)
2026 studio album by Yeat
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ADL is the sixth studio album by the American rapper Yeat. It was released through Lyfestyle Corporation, Field Trip Recordings, and Capitol Records on March 27, 2026.[a] A double album, it consists of the discs A Dangerous Lyfe and A Dangerous Love. It features collaborations with Don Toliver, Elton John, YoungBoy Never Broke Again, Kid Cudi, Grimes, Julia Wolf, Kylie Jenner (under her alter-ego King Kylie), Swizz Beatz, Joji, and 070 Shake. Production was handled by Dylan Brady, Bnyx, Rampa, Synthetic, Lucid, and Sapjer, among others.[1] It was supported by the single "Let King Tonka Talk".[2][3] To promote the album, Yeat will embark on the Love/Lyfe Tour.[4][5]
| ADL | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | March 27, 2026[a] | |||
| Genres | ||||
| Length | 62:01 | |||
| Labels |
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| Producers |
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| Yeat chronology | ||||
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| Singles from ADL | ||||
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Background
Development on ADL began during the production of Yeat's fifth album, Lyfestyle. In an October 2024 interview with The Fader, the producer Synthetic described the emerging sound of ADL as a more refined version of 2093, Yeat's fourth album; Synthetic also estimated that ADL would take "three or four months to a year" to be completed.[6] In July 2025, Yeat announced Dangerous Summer, an extended play that serves as a precursor to the album. On July 26, 2025, producer Bnyx confirmed that Dangerous Summer would be its own separate project from ADL. The EP was released on August 1, 2025.[7] Three days before the album’s release, Yeat would showcase the album’s feature list on a page panel from the New York Times newspaper.[8]
Recording and production
In an October 2025 interview with Complex, Yeat characterized his approach to ADL as "polished and meticulous", a departure from the rapid pace of production he had become accustomed to over the course of his career. He explained that during the making of his EP Dangerous Summer, he began to revisit songs after recording sessions, something he would rarely do in the past. He credited this shift to sobriety, the end of a relationship, and a conversation with his manager, Zack Bia.[9]
While working on ADL, Yeat left his house more often and found inspiration while traveling through Europe and Japan. In Saint-Tropez, France, he rented villas for himself, the producers Bnyx and Sapjer, and an engineer so that they could work in tandem. During production, Yeat would also listen to the ambient music of artists like Jon Hassell to identify potential samples.[9]
Critical reception
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 54/100[10] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Clash | 5/10[12] |
| RapReviews | 6.5/10[13] |
| Rolling Stone | |
| Slant Magazine | |
| The Needle Drop | 3/10[16] |
According to the review aggregator Metacritic, ADL received "mixed or average reviews" based on a weighted average score of 54 out of 100 from 5 critic scores.[10] In a mixed review, Clash found ADL bloated and, at times, aimless. Pointing to the list of collaborators, which ranges from YoungBoy Never Broke Again to Elton John, they write that both discs lack a coherent identity, likening them to "a widescreen blockbuster that is big on stunning vistas, and short on plot". While complementing Yeat's "wholly distinctive ... slick, effects-laden flows" on songs like "Griddle", "2Nite", "Lose Control", "No More Ghosts", and "Real Life Shit", they also highlight "Liv Like Dis", "Silk Face", and "Geek Luv" as examples of excess holding the album back for all but the most dedicated fans.[12]
Paul Attard for Slant stated that the album "sacrifices something central: the zany, off-kilter personality that once defined both Yeat and his music."[17] Anthony Fantano wrote how bloated the project was, stating how the album sees lack personality, and how ADL sees Yeat trying to fit in the conformities of Kanye West.[16]
Mosi Reeves of Rolling Stone gave the album decent praise, writing how he sees Yeat evolving from the chaotic, punk-influenced energy of his earlier work toward a clearer, more mainstream sound; however, the results are very mixed. Reeves appreciates the enunciation of Yeat's vocals, as well as the melodic velocity he is putting out, delving away from the over-saturation of the rage rap style. While Reeves did praise some of the tracks and enjoyed Yeat's high energy and claimed that his vocal tone is his strongest asset, he did criticize Yeat's limited range in terms of lyrical depth. All in all, he wrote how the album saw Yeat evolve, but his maturation as an artist remained incomplete.[14]
Commercial performance
Yeat's ADL debuted at number five on the Billboard 200, with 57,000 album-equivalent units,[18] making it his seventh top-ten placement on the chart following the release of Dangerous Summer, which debuted at number 9.[19]
Track listing
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Purpose General" |
|
| 3:25 |
| 2. | "Face the Flame" (with YoungBoy Never Broke Again and Grimes) |
|
| 3:44 |
| 3. | "Lose Control" (with Elton John) |
| Lucid | 2:39 |
| 4. | "Griddle" (with Don Toliver) |
|
| 2:37 |
| 5. | "What I Want" (with Bnyx) |
| Bnyx | 2:39 |
| 6. | "Liv Like Dis" |
|
| 2:41 |
| 7. | "Taller" |
|
| 2:48 |
| 8. | "My Way" (with Julia Wolf) |
|
| 3:12 |
| 9. | "Let King Tonka Talk" (with King Kylie) |
|
| 3:01 |
| 10. | "Dangerous House" |
|
| 3:52 |
| 11. | "No More Ghosts" (with Kid Cudi) |
|
| 2:50 |
| Total length: | 33:28 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "2Nite" |
|
| 2:45 |
| 2. | "Geek Luv" |
|
| 2:28 |
| 3. | "Naked" |
|
| 1:33 |
| 4. | "Went Wrong" (with 070 Shake) |
| Lucid | 3:36 |
| 5. | "Real Life Shit" |
| Sapjer | 3:12 |
| 6. | "My Time" (with Swizz Beatz) |
|
| 3:29 |
| 7. | "2Planes" |
|
| 2:07 |
| 8. | "Silk Face" |
|
| 2:32 |
| 9. | "Back Home" (with Joji) |
|
| 3:13 |
| 10. | "Up from Here" |
|
| 3:38 |
| Total length: | 28:33 | |||
Notes
- "Face the Flame" is stylized as "Face the Flamë".
- "Live Like Dis" is stylized as "Liv Likë Dis".
- "Taller" is stylized as "Tallër".
- "2Planes" is stylized as "2Planës".
- "Silk Face" is stylized as "Silk Facë".
- "No More Ghosts" is stylized in all caps.
Charts
| Chart (2026) | Peak position |
|---|---|
| Australian Albums (ARIA)[20] | 29 |
| Australian Hip Hop/R&B Albums (ARIA)[21] | 6 |
| Austrian Albums (Ö3 Austria)[22] | 22 |
| Belgian Albums (Ultratop Flanders)[23] | 105 |
| Belgian Albums (Ultratop Wallonia)[24] | 182 |
| Canadian Albums (Billboard)[25] | 21 |
| Dutch Albums (Album Top 100)[26] | 36 |
| German Albums (Offizielle Top 100)[27] | 47 |
| Hungarian Albums (MAHASZ)[28] | 16 |
| Lithuanian Albums (AGATA)[29] | 19 |
| New Zealand Albums (RMNZ)[30] | 21 |
| Norwegian Albums (IFPI Norge)[31] | 39 |
| Polish Albums (ZPAV)[32] | 42 |
| Portuguese Albums (AFP)[33] | 33 |
| Swiss Albums (Schweizer Hitparade)[34] | 11 |
| UK Albums (Official Charts)[35] | 86 |
| US Billboard 200[18] | 5 |
| US Top R&B/Hip-Hop Albums (Billboard)[36] | 2 |