A Bit of Light
2022 film directed by Stephen Moyer
From Wikipedia, the free encyclopedia
A Bit of Light is a 2022 drama film directed by Stephen Moyer and written by Rebecca Callard. It stars Anna Paquin, Ray Winstone, Pippa Bennett-Warner and Youssef Kerkour. It is based on the stage play of the same by Callard.
by Rebecca Callard
- Isabelle Georgeaux
- Phin Glynn
- Axel Kuschevatzky
- Stephen Moyer
- Anna Paquin
| A Bit of Light | |
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Theatrical release poster | |
| Directed by | Stephen Moyer |
| Screenplay by | Rebecca Callard |
| Based on | A Bit of Light by Rebecca Callard |
| Produced by |
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| Starring |
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| Cinematography | Peter Allibone |
| Edited by | Todd Sandler |
| Music by | Nathan Barr |
Production companies |
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| Distributed by | Quiver Distribution (United States) April Snow Films (United Kingdom)[1] |
Release dates |
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Running time | 98 minutes |
| Countries |
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| Language | English |
The film was released in the United States on 5 April 2024.
Premise
Recovering alcoholic Ella ends up moving back in with her father, Alan, while losing custody of her daughters.
Cast
- Anna Paquin as Ella
- Ray Winstone as Alan
- Pippa Bennett-Warner as Bethan
- Youssef Kerkour as Joseph
Production
In October 2021, it was reported that a drama film directed by Stephen Moyer and written by Rebecca Callard titled A Bit of Light, which had completed principal photography in the United Kingdom, with Anna Paquin and Ray Winstone cast in the lead roles as Ella and Alan, alongside Pippa Bennett-Warner as Bethan and Youssef Kerkour as Joseph.[2]
Release
A Bit of Light premiered at the 2022 Raindance Film Festival.[3] It was released in the United States on 5 April 2024.[4]
Reception
On the review aggregator website Rotten Tomatoes, 57% of 7 critics' reviews are positive.[5]
On Film Threat, Michael Talbot-Haynes scored the film a 7.5/10 writing in his review consensus section: "brings an electricity onscreen which hums in the air".[6] Peyton Robinson of RogerEbert.com rated it 1,5/4 stars writing that the film is "creatively unremarkable, with uninspired visuals and editing that play like a workshop in flashbacks and cool-versus-warm emotional motifs."[7]
On Common Sense Media, Kat Halstead wrote that "it's heart-wrenching to see Ella's struggles to stay sober and find hope, but Winstone's turn as her patient, frustrated, but ultimately loving father injects much-needed warmth into her journey."[8]