A Damsel in Distress (musical)

Reviews were generally positive. BritishTheatre.com: "Sams and Hudson have done an excellent job of adapting this work for the stage, inventing and re-inventing parts of Wodehouse’s original wheel. The dialogue is snappy and effervescent, and the tone light and supple throughout. There might be a tad too much emphasis on George’s artistic angst than is strictly necessary or properly explained, but that does not really get in the way of the roller coaster of frivolity that the duo has here penned."^[4]

The Stage: "In an age of metamusicals from The Producers to the current Broadway hit Something Rotten, which offer their own ironic commentaries on the genre itself, A Damsel in Distress is both blissfully affectionate yet never affected as a young Broadway composer (Richard Fleeshman) and a British socialite (Summer Strallen) are set on an tangled but inevitable course towards each other in a dizzying, but always sincere, series of romantic collisions. Rob Ashford directs and choreographs an absolutely luxurious cast that includes hilarious turns from Richard Dempsey, Isla Blair and Desmond Barrit, and the brassily brilliant Sally Ann Triplett as the leading showgirl."^[5]

The Telegraph: "While complex characterization was perhaps not one of Wodehouse’s main preoccupations (there are several sour little quips around George’s desire to create serious, incomprehensible 'art', rather than mere shallow, enjoyable 'entertainment'), both Summer Strallen as Maud and Richard Fleeshman as George bring a sparky edge to their obstacle-filled romance, while the late-blooming love between Nicholas Farrell as Lord Marshmoreton, who always wanted to marry a showgirl, and Sally Ann Triplett as the girl of his dreams, equally at home on the stage or in the pigsty, is genuinely touching."^[6]