A Void

A Void's plot follows a group of individuals looking for a missing companion, Anton Vowl. It is in part a parody of noir and horror fiction, with many stylistic tricks, gags, plot twists, and a grim conclusion. On many occasions it implicitly talks about its own lipogrammatic limitation, highlighting its unusual syntax. A Void's protagonists finally work out which symbol is missing, but find it a hazardous topic to discuss, as any who try to bypass this story's constraint risk fatal injury. Philip Howard, writing a lipogrammatic appraisal of A Void in his column Lost Words, said: "This is a story chock-full of plots and sub-plots, of loops within loops, of trails in pursuit of trails, all of which allow its author an opportunity to display his customary virtuosity as an avant-gardist magician, acrobat and clown."

Georges Perec's direct kin passed away in World War II: his father as a GI, his mother in the Holocaust. Perec was brought up by his aunt and uncle after serving in the war as a parachutist. Warren Motte finds the lack of any e in the book as a stand-in for Perec's own notion of loss and spiritual limbo:^[1]

The absence of a sign is always the sign of an absence, and the absence of the E in A Void announces a broader, cannily coded discourse on loss, catastrophe, and mourning. Perec cannot say the words père ["father"], mère ["mother"], parents ["parents"], famille ["family"] in his novel, nor can he write the name Georges Perec. In short, each "void" in the novel is abundantly furnished with connotation, and each points toward the existential void that Perec fought with throughout his youth and early adulthood. A strange and compelling parable of survival becomes apparent in the novel, too, if one is willing to reflect on the struggles of a Holocaust orphan trying to make sense out of absence, and those of a young writer who has chosen to do without the letter that is the beginning and end of écriture ["writing"].

It was translated into English by Gilbert Adair, with the title A Void, for which he won the Scott Moncrieff Prize in 1995.^[2] The Adair translation of the book also won the 1996 Firecracker Alternative Book Award for Fiction.^[3]

Various English translations are titled A Vanishing by Ian Monk,^[4] Vanish'd! by John Lee,^[5] and Omissions by Julian West.^[6]

All translators have asked that the text follow the lipogrammatic constraint of the original work, avoiding the most commonly used letter of the alphabet. This precludes the use of words normally considered crucial such as je ("I"), et ("and"), and le (masculine "the") in French, as well as "me", "be", and "the" in English. The Spanish version contains no a, which is the second most common suffix in the Spanish language (first being e), while the Russian version contains no о. In Japan, "A Void" contains no syllables with the sound "i" (い, き, し, etc.) at all.

• Georges Perec (1969). La disparition. Gallimard. ISBN 2-07-071523-X.
• Georges Perec (1994). A Void (paperback). Translated by Gilbert Adair. The Harvill Press. ISBN 1-86046-098-4.
• Georges Perec (1994). A Void (hardcover). Translated by Gilbert Adair. The Harvill Press. ISBN 0-00-271119-2.
• Georges Perec (1991). Anton Voyls Fortgang. Translated by Eugen Helmlé. ISBN 3-499-12857-8.
• Georges Perec (April 2013). Kayboluş. Translated by Cemal Yardımcı. ISBN 978-975-539-472-5.
• Georges Perec (2009). 't Manco. Translated by Guido van de Wiel. De Arbeiderspers. ISBN 978-90-295-6766-4.
• Georges Perec (1997). El secuestro. Anagrama. ISBN 978-84-339-0836-0.
• Georges Perec (2004). Istchezanie. Translated by Valéry Kislov. Ivan Limbakh. ISBN 978-5-89059-060-2.
• Georges Perec (2005). A Void (paperback). Translated by Gilbert Adair. David R. Godine. ISBN 978-1-56792-296-7.
• Georges Perec (2022). Zniknięcia (paperback). Translated by René Koelblen and Stanisław Waszak. Lokator. ISBN 978-83-63056-88-9.

• Gadsby, another novel without the letter e
• Le Train de Nulle Part, a novel without any verbs
• Les Revenentes, a novel using words containing “e” and no other vowels.