Abominog

When the previous line-up disintegrated, guitarist Mick Box briefly considered forming a new group entirely, but ultimately decided to continue with the Heep name. Abominog was the first of three albums to feature both vocalist Peter Goalby and keyboard player John Sinclair. It also marked the return of drummer Lee Kerslake to the band; his previous departure had been due to his unhappiness with the band's management, rather than the personnel. Coming along with Kerslake was bassist Bob Daisley; the two musicians had been in Ozzy Osbourne's Blizzard of Ozz-era band before being fired by Sharon Osbourne.

Half of the ten tracks are cover versions of recordings by other artists:

• "Hot Night in a Cold Town" was originally recorded by John Cougar, on his Nothin' Matters and What If It Did album (1980). The song was written by songwriters Geoffrey Cushing-Murray and Richard Littlefield.
• "On the Rebound" was originally recorded by Russ Ballard, on his Russ Ballard & the Barnet Dogs album (1980).
• "Prisoner" was originally recorded by Sue Saad and the Next, on their self-titled album (1980). The lyrics were written by D.B. (Dirty Boy) Cooper.
• "Running All Night (With the Lion)" was originally recorded by Gary Farr's Lion, on their Running All Night album (1980). Lion keyboard player Sinclair brought this song with him when he joined Uriah Heep.
• "That's the Way That It Is" was originally recorded by the Bliss Band, on their Neon Smiles album (1979).

The album also included a remake of "Think It Over", a song recorded by the prior (and largely different) line-up of Uriah Heep. The original version (featuring Trevor Bolder on bass, Gregg Dechert on keyboards, Chris Slade on drums, and John Sloman on lead vocals), was the A-side of a 1980 Heep single.

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Collector's Guide to Heavy Metal	10/10[7]
Uncut	[8]

A retrospective review by AllMusic noted that "echoes of the group's old style could be heard in the drama and instrumental firepower of the new songs, but the overall sound owed a greater debt to the New Wave of British Heavy Metal and harder-rocking AOR groups of the time", and concluded by saying that the album "rocks hard enough to please heavy metal addicts but is slick enough to win over AOR fanatics and this combination makes it one Uriah Heep's most enduring achievements.^[2] Canadian journalist Martin Popoff defined Abominog an "intelligent, well-paced record" where the "reinvented" Uriah Heep retools the genres of each song over "a decisively strong foundation of melodic metal", evoking "the magic of the NWOBHM, tinged with the complex chemistry of the peak Byron years."^[7]