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Ademola Olugebefola

American visual artist (born 1941) From Wikipedia, the free encyclopedia

Ademola Olugebefola (né Bedwick Lyola Thomas; born October 2, 1941)[1][2] is an American multidisciplinary visual artist, designer, educator, musician, and businessperson from Saint Thomas, U.S. Virgin Islands.[3][4] He is considered a founder within the Black Arts Movement of the 1960s and 1970s.[5] Olugebefola art practice includes work in painting, murals, printmaking, illustration, drawing, theatre scenic design, and sculpture.[6] He lives in Harlem, New York City, where he moved in 1966.[5][7]

Born
Bedwick Lyola Thomas

(1941-10-02) October 2, 1941 (age 84)
Charlotte Amalie, St. Thomas, U.S. Virgin Islands
OccupationsVisual artist, designer, educator, musician, businessperson
Quick facts Born, Education ...
Ademola Olugebefola
Born
Bedwick Lyola Thomas

(1941-10-02) October 2, 1941 (age 84)
Charlotte Amalie, St. Thomas, U.S. Virgin Islands
EducationFashion Institute of Technology (AA)
OccupationsVisual artist, designer, educator, musician, businessperson
MovementBlack Arts Movement
SpousePat Davis (m. ?–2017; her death)
Children7
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Early life and education

Ademola Olugebefola was born as Bedwick Lyola Thomas on October 2, 1941, in Charlotte Amalie, St. Thomas, U.S. Virgin Islands. At a young age, he moved with his family to New York City, where he was raised.[3]

He graduated with an A.A. degree from the Fashion Institute of Technology.[8]

Career

Fine arts

Olugebefola joined the Twentieth-Century Creators group in 1964; and was a founder of Weusi Artist Collective in 1965 and subsequently the Weusi Gallery in New York City.[2] These three organizations supported African-American artists, made work for a Black audience, and their work often featured pan-African aesthetics, themes and symbols.[2][9] He later co-founded of the Dwyer Cultural Center in Harlem, New York City.[4]

Olugebefola took part in the exhibitions Seeing Jazz: Artists and Writers on Jazz (1997) at the Smithsonian Institution, Washington, D.C.;[10] Black Art-Ancestral Legacy: The African Impulse in African-American Art (1989–1990) at the Dallas Museum of Art in Dallas, Texas; When The Spirit Moves: African American Art Inspired by Dance (2000–2001) at the Spelman College Museum of Fine Art in Atlanta, and Anacostia Community Museum in Washington D.C.;[2][11] and the 2025 exhibition Photography and the Black Arts Movement, 1955–1985 at the National Gallery of Art.[12]

Olugebefola's work can be found in museum collections, including the Studio Museum in Harlem;[13] and his papers are in the archives at Schomburg Center for Research in Black Culture.

Design and business

He has illustrated many books, magazines, and other publications, including Shirley E. Riley's poetry book, The Cool is Gone (1979).[2]

In the 1970s with his brothers, he opened "Ori-Gem", a Caribbean apparel store and gallery in St. Thomas.[1] In 1978, he opened "Tetrahedron", an arts brokerage.[1] In 1980, with his wife Pat Davis, he opened Solar Associates an marketing, advertising, and graphic production firm.[1]

Exhibitions

See also

References

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