Alfred Bartles

After spending summer of 1949 studying with Lennie Tristano, Bartles went to Vanderbilt University in the fall of 1949 wanting to get a premedical curriculum at first. However, he later transferred to Peabody College, to begin his studies in composition. During the Korean war, there was an Army Reserve Band in which Bartles played for and was called out of, for active duty. It later led to him transferring to University of Mississippi after the army.^[6]

At the University of Mississippi, he became interested in the cello as an instrument to take up despite not knowing much about it. Because of his musical past and devotion towards it, the learning curve was easier. Also while there he met Claus Adam, a cellist for the Juilliard String Quartet who would later become his mentor. At the University of Mississippi he met a piano student Martha Jean Smith. They married January 31, 1954, in the middle of their graduate studies at Ohio University (Athens Ohio). It was at Ohio University where Bartles studied composition with Karl Ahrendt and Roy Harris. Bartles received his master's degree in composition from Ohio University in 1954.^[7]

Alfred and Martha moved to New York City later that year where Bartles studied music theory with Felix Salzer at the Mannes School of Music. He was accepted by Claus Adam as cello student and studied works of cello pedagogues. He began a study with cellist Luigi Silva before his abrupt passing, where he used Silva's technique for cello playing. Bartles developed Silva's ideas in later years into his cello method compositions. After being in New York for a short time he joined the musicians union and started playing as a jazz pianist around the city. He taught private cello classes at the Rudolf Steiner School. He maintained cello work playing in orchestras for Broadway shows (Half a Sixpence),in places such as the Radio City Music Hall, in the Little Orchestra Society, Mantovani's orchestra,^{[clarification needed]} the Springfield Symphony Orchestra, and the St. Louis Symphony Orchestra. He even had a stint playing jazz cello in Charles Mingus' band. During this time, his daughters Isabel and Julia were born. As a jazz composer, Bartles co-wrote "Come Ride the Wind with Me" with lyricist Bryan Lindsay which was later recorded by Johnny Mathis.

In 1969, Bartles received a grant from a private foundation to study music teaching in Waldorf schools in Germany. In 1970 he began teaching at Schiller College in Bönnigheim, Germany, where he taught music history and theory and was a conductor. In 1973, they moved back to for teaching positions at Tennessee Technological University with Alfred at the cello and teaching music theory and Martha continuing with the piano. Here, Alfred played with the Nashville Symphony. In 1978, both Alfred and Martha got positions at the Eurythmeum in Stuttgart, Germany. Martha played for the Eurythmy troupe and Alfred taught music theory to the students while teaching some private cello as well. After four years, Alfred concentrated on only teaching cello with a position at the Musikschule Stuttgart. His wife Martha accepted a position at the Ludwigsburg University of Education. He remained in this position until his mandatory retirement in 1996. Martha retired in 1997.^[1]

They returned to Nashville and Alfred took on teaching positions at Murray State University and then at Tennessee Technological university again. He continued as a freelance cellist while developing his cello teaching materials and compositions. He died in Nashville on December 28, 2006, of colon cancer.

Bartles genre varied in style as he developed. He was considered a classical, jazz, and crossover composer. In later works he showed strengths in jazz more in writing and ensembles works for bands and orchestras as well as different works for cello. In the United States, he wrote several pieces for tuba and low brass (notably "When Tubas Walz") that he wrote at the request of Winston Morris, a friend of his. In Germany, he composed music for various eurythmy performances. Bartles has also been involved in arrangements and adaptions such as in 1985 where an orchestration of his for chamber orchestra of Alban Berg's Piano Sonata, Op. 1. was premiered by the Alban Berg Foundation at the Berg festival in Vienna, and later recorded by the Koechlin Ensemble. In 1988, he adapted the orchestration of Bartók's Cello Concerto to conform to Bartók's cello transcription of the work.^[8]

In 1994, he made two cello volumes and later adapted another piece of Bartók's for brass quintet, and wrote a Duo for Cello and Bassoon entitled "Three for Two". Later in 2002, he continued with his pedagogical compositions with jazz ensembles. He was working on a saxophone concerto at time of death. All his works and compositions were donated to Vanderbilt University in 2008.