Alice Barnett (composer)

Barnett and Price settled in his hometown, San Diego, California. They had two sons and divorced in 1914.^[2][3]

Barnett spent the rest of her life in San Diego. From 1917 to 1926, she was a music teacher at San Diego High School. In 1926, she retired from teaching and married Dr. George Ray Stevenson. The Stevenson home became a center for local recitals and visiting musicians and composers. She was active in numerous civic organizations, including the San Diego Orchestra Association, the San Diego Civic Symphony Orchestra, the Amphion Club, the Music Makers, the Musical Merit Foundation, the Civic Music Association, the Community Concert Association, the San Diego Opera Guild, and the Browning Society.^[2]

Barnett died on 25 August 1975 in San Diego.^[1]

She began publishing her work in 1906 with her song This Day for Thee, published by a family friend. In 1908 and 1909, Chicago publisher C. F. Summy published seven more of her songs.^[2]

Violinist Efrem Zimbalist heard Barnett's work and brought it to the attention of G. Schirmer, Inc. The company published 33 of Barnett's songs between 1916 and 1932. The first was Serenade (1916), dedicated to Zimbalist's wife Alma Gluck and one of a number of songs Barnett would compose that were musical settings of works by Clinton Scollard. Serenade was the first work to draw serious critical attention to Barnett.^[2][4]

Barnett's work is often described as colorful and exotic. Her most important work was In a Gondola (1920), an eight-song setting of the twelve-part poem by Robert Browning about two lovers in 16th century Venice. Tenor Melvin Brown recorded it for a 1942 record. Other notable works by Barnett include Panels from a Chinese Screen (1924), a three-song setting of a work by Frederic Mertz, a San Diego poet who collaborated with Barnett on at least ten other songs.^[1][2][3]

Barnett largely stopped composing in the 1930s and left numerous unpublished works.^[1]