Kok won a grant from La DRAC Ile-de-France in 2006 to create the film Karabic OK.[5] In 2007, she made a second film, Yet in Exile: Family Script, based on her travels in Tibet and India.[1] The film was well-received critically, and was a finalist for the Hong Kong Independent Film and Video Award in 2009.[5] Yet in Exile: Family Script was also selected for screening at the Gwanju Biennale, in 2010.[6]
In 2011, Kok's art project, Passing-Green Island, was selected to represent Macau at the Venice Biennale.[3] She has since had five solo exhibitions in Macau.[2]
Kok makes video, installations, drawings, and writing in her art projects. She represents several themes, including multiculturalism, religious themes drawn from Buddhism, and post-colonial concerns of identity.[6]
Kok is the editor of a Chinese art magazine, CLOSER, and also teaches as a visiting professor at the Macau Institute of Tourism, the University of St. Joseph, and the Macau University of Science and Technology.[6][7] She has been the director of the Artists Association of Macau's Art For All Society, a significant non-profit organization dedicated to promoting local Macau art, since 2014, and was also the director for a literary festival in Macau named 'The Script Road'.[8][2] She is a curator at the Women Artists International Biennial in Macau.[1]
