All Born Screaming

On February 16, 2024, Clark first spoke about the record, saying how she "needed to go deeper in finding [her] own sonic vocabulary" and referring to the album as "post-plague pop".^[6] All Born Screaming marks the first studio album entirely produced by Clark herself, alongside mixing by Cian Riordan. The record features contributions from Dave Grohl and Josh Freese of Foo Fighters, Cate Le Bon, Justin Meldal-Johnsen, Stella Mozgawa of Warpaint, Rachel Eckroth, Mark Guiliana, and David Ralicke of Dengue Fever.^[7] Trying to explain the sound of the album, Clark compared it to "taking the long walk into the woods alone" in order to find the messages of your heart. As a result, she opined that it "sounds real because it is real".^[8]

Clark shared the lead single "Broken Man", an "industrial menacing rock" piece, on February 29, 2024, along with a music video directed by Alex Da Corte.^[9] During the video, she bursts into flames, an image that is also depicted as the album artwork.^[10] A second single, "Flea", was released on March 28, the same day the All Born Screaming Tour was officially announced.^[11] A Japanese edition, with live bonus tracks, was announced to be released on December 25, 2024.^[4]

As soon as St Vincent's previous studio album, Daddy's Home (2021), was released, Clark immediately began writing for its follow-up.^[12] Clark began experimenting with drum machines and modular synthesizers where she said she ended up making "hours and hours of esoteric post-industrial dance music" on her own.^[13] During this experimentation period, Clark got into microdosing on psychedelic drugs.^[13]

All Born Screaming was recorded at six studios in three cities, including Clark's own Compound Fracture studio in Los Angeles, Electric Lady Studios in New York and Electrical Audio in Chicago.^[14] It is her first self-produced album. Clark felt a need to self-produce the album as there "were sounds in my head that, really, only I could render" and wanting to be seen as a singular artist with greater control over her own work.^[14] Paste described All Born Screaming as "career-spanning time capsule harboring the flourishes of her greatest eras" that incorporates elements of lounge, noise rock, baroque, funk, chamber pop and electronica.^[14]

Regarding the album's title, Clark noted: "We're all born in some ways against our will. But at the same time, if you're born screaming, it's a great sign – it's a sign you're alive. We're all born in protest, so screaming is what it means to be alive".^[15] Clark elaborated: "I've known I was going to make a record called All Born Screaming since I was 23, but I just wasn't ready. I wasn't really worthy of the title, 'cause you have to live a lot to be worthy of a title that really says it all. It's the beauty, it's the brutality, and it's all part of the same continuum".^[16]

"Big Time Nothing" is a synth and bass-driven funky dance-pop track that Clark says reminds her of the "early '90s London … The Prodigy, sort of, like, rave moment". The track's verse, which is delivered in a spoken-word style, came from Clark's own "constant inner monologue of depression and anxiety".^[17] The track "Sweetest Fruit" includes an ode to the late music producer Sophie, who died in 2021 after a fall that’s quoted in “Sweetest Fruit”, and whom Clark admired, and is about "people trying for transcendence, and at least they were taking a big swing or trying for something beautiful".^[18] The artist admitted recording over a hundred vocal takes for "Hell is Near": "That was a song that if I didn’t bow before it, it just wouldn’t happen. I sang it 100 times. The chorus is bare … and I have to actually be there to sing it and for it to be real and not throw a bunch of ego or bullshit".^[19]

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	8.1/10[20]
Metacritic	89/100[21]
Review scores
Source	Rating
AllMusic	[22]
Clash	9/10[23]
Financial Times	[24]
The Guardian	[25]
The Independent	[26]
The Line of Best Fit	8/10[27]
NME	[28]
Pitchfork	7.8/10[29]
Rolling Stone	[30]
The Skinny	[31]

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All Born Screaming received a score of 89 out of 100 on review aggregator Metacritic based on 23 critics' reviews, which the website categorized as "universal acclaim".^[21]

In a five-star review, Alexis Petridis of The Guardian praised Clark's "beautifully honed skill as a songwriter" and the "personality she imprints across the album".^[25] Petridis highlights how Clark takes inspiration from the music of her youth such as Tori Amos and Nine Inch Nails while adding her own unique ideas to avoid swerving into "90s revivialism".^[25] The Independent in their four-star review praised the album's runtime and cohesion as a "tight and digestible affair" with Clark allowing herself "a bit of indulgence" on the seven-minute album closing track that builds over time.^[26]

Some reviews noted how All Born Screaming departs from the 1970s rock of Clark's previous studio album Daddy's Home. iNews called it a "striking departure" with praise for the album's lyrical themes that draw on "experiences of death and loss, and references to mortality abound".^[32] Similarly, the Financial Times commended Clark's ability to undergo a Bowie-esque reinvention with a "rebirth" that focusses less on taking on a persona and more on writing songs that cut "very close to the bone".^[24]

Shaad D'Souza of Pitchfork felt that the two singles that preceded the album, "Flea" and "Broken Man", do not accurately represent the album's "sensitive and introspective" moments. The Line of Best Fit concurred with this sentiment.^[27] D'Souza called All Born Screaming Clark's "most hopeful record to date".^[29] Jordan Bassett, in a four-star review for NME, praised the vulnerability displayed by Clark with lyrics "besieged by loss", making the album her "most generous and open statement yet".^[28]

The album won three of its four nominations at the 67th Annual Grammy Awards: Best Alternative Music Album, Best Rock Song for "Broken Man", and Best Alternative Music Performance for "Flea".^[33]

Musicians

• Annie Clark – lead vocals (all tracks), synthesizer (tracks 1–3, 5–8, 10), bass (1, 4–8); twelve-string guitar, acoustic guitar, electric piano (1); drum programming (2–10), guitar (3–10), modular synthesizer (3, 6); backing vocals, organ (4); contrabass (6), theremin (9)
• Justin Meldal-Johnsen – bass (tracks 1–4, 6, 8–10), synthesizer (1, 9); drum programming, guitar (2, 10); electric upright bass (2), backing vocals (4), contrabass (6), percussion (7), effects (9), tambourine (10)
• Rachel Eckroth – upright piano (track 1), keyboards (2, 9); organ, piano (2)
• Josh Freese – drums (tracks 1, 9)
• Dave Grohl – drums (tracks 3, 4)
• Cian Riordan – drums (tracks 3, 5), bass (6–8)
• Mark Guiliana – drums (tracks 3, 6)
• David Ralicke – saxophone (track 3), horns (5, 6, 8, 9)
• Cate Le Bon – bass (tracks 7, 10), backing vocals (10)
• Stella Mozgawa – drums (track 10)

Technical

• St. Vincent – production, engineering
• Justin Meldal-Johnsen – engineering (tracks 1, 2, 7–10)
• Cian Riordan – engineering, mixing
• Ruairi O'Flaherty – mastering

Quick facts Todos Nacen Gritando, Remix album by St. Vincent ...

Todos Nacen Gritando
Remix album by St. Vincent
Released	November 15, 2024 (2024-11-15)
Length	41:10
Language	Spanish
Label	Total Pleasure
Producer	St. Vincent
St. Vincent chronology
All Born Screaming (2024) Todos Nacen Gritando (2024) Live in London! (2026)
Singles from Todos Nacen Gritando
"Hombre Roto" Released: September 20, 2024 "Pulga" Released: October 11, 2024 "El Mero Cero" Released: November 12, 2024

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Todos Nacen Gritando is a Spanish-language version of All Born Screaming, released on November 15, 2024. It is Clark's first Spanish language project, saying she wanted to "offer a little thanks to Spanish-language fans who have met me in my native tongue for seven records".^[53] Clark enlisted her friend Alan Del Rio Ortiz to help with translating the album's lyrics.^[54] The spanish versions of all All Born Screaming singles were released in the same order, with the first single, "Hombre Roto", released on September 20.^[55]