All the World Is Sleeping
American film by Ryan Lacen
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All the World Is Sleeping is a 2021 drama film written and directed by Ryan Lacen in his feature film debut. It stars Melissa Barrera, Kristen Gutoskie, Lisandra Tena, Luis Bordonada, Jackie Cruz and Jorge Garcia.
- Ian Simon
- Ryan Lacen
- Sonja Mereu
- Anthony Baldino
- Melissa Barrera
- Kristen Gutoskie
- Lisandra Tena
- Luis Bordonada
- Jackie Cruz
- Jorge Garcia
| All the World Is Sleeping | |
|---|---|
Theatrical release poster | |
| Directed by | Ryan Lacen |
| Written by | Ryan Lacen |
| Produced by |
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| Starring |
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| Cinematography | Michael Garcia |
| Edited by | Eric Seo |
| Music by | Emily Greene |
Production companies |
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| Distributed by | Gravitas Ventures |
Release dates |
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Running time | 111 minutes |
| Country | United States |
| Language | English |
Synopsis
In New Mexico a young woman resolved not to make the same mistakes as her parents but addiction issues threatens her life with her own daughter.[1]
Cast
- Melissa Barrera as Chama
- Valentina Herrera as young Chama
- Jackie Cruz as Toaster
- Kristen Gutoskie as Nell
- Luis Bordonada as Santi
- Lisandra Tena as Beatriz
- Alma Sisneros as Gata
- Cory Scott Allen as Al Taylor
- Dave Edwards as Dr. Bundy
- Jorge Garcia as Nick
Production
Written and directed by Ryan Lacen, the project was produced by Anthony Baldino, Charlene Bencomo, Micaela Cadena, Ryan Lacen and Sonja Mereu.[2] Lacen told Deadline Hollywood that "a unique collaboration with the non-profit Bold Futures" meant that the project "is not only based on the lived experiences of seven women with a history of addiction, it was made by them". He added "As a director, whose own family has been affected by addiction, my intention was to create a film that felt truthful".[3] Barrera plays a composite character based on the experiences of Bold Futures (formerly known as Young Women United), which is a New Mexico-based reproductive justice nonprofit organisation.[4]
Release
Reception
On the review aggregator website Rotten Tomatoes, 100% of five critics' reviews are positive, with an average rating of 7.2/10.[6] Michael Talbot-Haynes in Film Threat described the film as a "genuine ethnographic study in the oral tradition as much as a dramatic feature" and that it is “one of the most honest and harrowing studies of addiction since Requiem for a Dream".[7]