The album's graphic design was criticized due to its similarities to Jessica Stam's photos taken by Mert Alaş and Marcus Piggott for a fashion shoot titled "Travel". Director Deniz Akel also claimed that the concept for Gülşen's music video "Karaböcükler" was nearly identical to the one she had shot for Atiye's music video "Beyaz Eşya". In "Karaböcükler", Gülşen throws pirate printed CD covers and her mobile phone, which is full of messages sent by hypocrites, in a washing machine and ends up with the album cover for Ama Bir Farkla, while in Atiye's music video she throws a man inside a washing machine, both symbolizing the act of washing unwanted things away.[4] In response to the criticism, Gülşen stated that the album's main design was the idea of the photographer who, under the inspiration of Mert Alaş's work, had thought that the concept would only suit Gülşen out of the Turkish artists, though she added that she would not have allowed this to happen had she known of the similarities in the first place. In regards to the music video, she mentioned that the whole concept was Süleyman Yüksel's idea, to emphasize on getting rid of things that make life difficult for the people such as fake news and messages.[5]
For her second music video, "E Bilemem Artık", a studio at Om Plato in Mecidiyeköy was turned into a botanical forest. In the video, which was shot by Tamer Aydoğdu, a variety of different animals from Şile Zoo, including iguanas, snakes, parrots, peacocks, pigeons, and birds, were used. Gülşen's appearance alongside these animals while wearing furs was criticized by a number of critics.[6] In response to the criticism, Gülşen joked that she keeps "her beloved close to [herself]". This brought about further criticism, especially from the singer Yeliz who suggested that Gülşen should "then skin her boyfriend, mother and father and keep them in her bag. One should not joke just to have her name mentioned frequently".[7]
