Amaranth Ehrenhalt

Ehrenhalt was born in Newark, New Jersey, on January 15, 1928. Her father, Jack, worked in sales; her mother, Sylvia (Justman), was his bookkeeper. Ehrenhalt was raised in Philadelphia.^[1] As a child, she expressed a passion for art, and by the age of twelve, she was enrolled in a Saturday morning program for artistically gifted children at the Philadelphia Museum of Art, followed a few years later by art classes at Fleisher Art Memorial.

Ehrenhalt graduated from Olney High School in 1945, and went on to study for one year at the Philadelphia Museum School of Industrial Arts (now known as the University of Arts, Philadelphia), after which, she was awarded an Honors Scholarship to the Pennsylvania Academy of the Fine Arts. While attending PAFA, she simultaneously earned a bachelor's degree from the University of Pennsylvania studying French, English, Psychology, and Art History. From 1949 to 1951, Ehrenhalt completed additional studies in Art Appreciation via the Barnes Foundation, attending afternoon classes per week.

Ehrenhalt lived in New York City during the heyday of the New York School of Abstract Expressionism.^[2]

Ehrenhalt is officially recognized as part of the second wave of American Abstract Expressionists. She socialized with Willem de Kooning and Franz Kline, among others. Her social life revolved around the Cedar Tavern on University Place.

Describing life in her fourth floor Greenwich Village walk-up, Ehrenhalt stated: "I painted on the floor, not by choice à la Jackson Pollock but for lack of a table. The painter Al Held and sculptor Ronnie Bladen worked at the Door Store and, upon hearing of my predicament, carried a wooden door up four flights of stairs and plopped it on top of the bathtub. From then on, I could work at a more comfortable height."^[3]

Ehrenhalt traveled to Paris for the first time in the early 1950s, one of many moves between Paris, Philadelphia, and New York. (She has also lived in Los Angeles, Rome, and Pietrasanta, Italy). She lived and worked in France and Italy for over 30 years.^[2]

"I have lived many years in Italy and France and was privileged to know, and sometimes exhibit with many writers and artists who have greatly contributed to modern art, i.e. Giacometti, Sonia Delaunay, who invited me to choose my paint supplies and put it on her tab, Hundertwasser, who painted 3 portraits of me, Yves Klein, Alberto Burri, who asked me to translate between him and Martha Jackson for his first show in New York, Joan Mitchell, Sam Francis, Carlo Levi, an Italian writer who painted a portrait of me, and others".^[4]

In 1951, she traveled to North Africa with the painter Friedensreich Hundertwasser, and is the subject of three paintings titled "Rosyln 1, 2, 3."

Ehrenhalt described life in 1950s Paris, and the cafe scene at Le Select cafe on Boulevard du Montparnasse, a 'replacement' for New York's Cedar Tavern, in an article titled "Cafe Society", published by Vogue Magazine in September 2012:

"Le Select did not discriminate in its patrons-wealthy dilettantes, established artists and writers, and perhaps most of all, the penniless emerging artists hoping to brush shoulders with and find inspiration from the few local celebrities. Le Select had its regulars, whose eccentricities were well known to one another. It was common for Beauford Delaney, the American expat artist who painted James Baldwin's portrait, to make himself completely at home at a table not his own, reaching for someone else's half-finished drink and swallowing it in one gulp... Another frequent visitor was the dark-eyed, dark-haired Yves Klein, sturdy from his intense study of judo, who would apply paint to nude women and have them lean against his canvases...there I would meet painters Pegeen Guggenheim and Ralph Rumney before dinner at Wadja around the corner or a gathering at Michel Mendes France's apartment."^[3]