Amleto Palermi

Amleto Palermi was born in Romeon 11 July 1889, the third child of journalist Raoul Vittorio Palermi and Emilia Scarpelli. A few months after his birth, his family moved to Palermo, where his father took over the editorship of the daily newspaper Giornale di Sicilia.

From a young age, Palermi devoted himself to scriptwriting. Between 1908 and 1919, before returning to Rome, he wrote several plays, including U lupu, Il tesoro d'Isacco, La vela grande and Il primo amore, which were performed by several amateur dramatic societies on national stages.

In 1914, Palermi was hired as a director by the Turin-based production company Gloria Film, officially entering the world of cinema. He secured contracts with other well-known national companies, including Augustus Film, Cosmopolis, Cines and Rinascimento Film. He co-directed his first movie, the drama L'orrendo blasone (1914), with the Italian actor and filmmaker Mario Bonnard. Until the 1920s, he directed numerous films at a frenetic pace, many of which were milestones of Italian silent cinema and starred some of the most popular actors.

He made his directorial debut with the melodrama Colei che tutto soffre (1914), followed by Il diritto di uccidere in the same year. During the second half of the 1910s, he directed several films, including Carnevalesca, starring Lyda Borelli and Livio Pavanelli (1916), for which he co-wrote the screenplay with Lucio D'Ambra. He also directed Soava Gallone in Madre (1916). In 1920, he directed Pina Menichelli in The Story of a Poor Young Man. Menichelli went on to star in several of Palermi's films, including The Second Wife (1922), La dama de Chez Maxim's (1923) and Take Care of Amelia (1925). Palermi also worked as an actor in supporting roles and wrote screenplays for other directors, such as Mario Caserini (La Pantomima della Morte) and Mario Almirante (La Chiromante). In the 1920s, he married Ida Molinaro, with whom he had three children.

In 1925, Palermi's career suffered a temporary setback. He was unable to finish directing The Last Days of Pompeii, the last major production of Italian silent cinema. The commercial failure of this historical epic, the third film adaptation of Edward Bulwer-Lytton's novel after those of 1908 and 1913, marked the end of the Golden age of Italian silent cinema. Palermi was forced to emigrate to Germany in the hope of better fortune, and Carmine Gallone was tasked with completing the film in 1926.

In 1926, Palermi directed The Flight in the Night, an adaptation of Pirandello's Henry IV starring Conrad Veidt, Robert Scholz and Angelo Ferrari.^[2] In 1929, he directed his last silent film, La Straniera. In spring 1930, Palermi directed the first Italian-language sound film, Perché no?, which was shot shot at the European studios of the American production company Paramount Pictures in Joinville-le-Pont, France.

After co-directing La Femme d'une nuit (1931) with Guido Brignone, Palermi moved back to Italy, where he directed several genre films starring some of the great names of Italian cinema, such as Emma Gramatica, Armando Falconi, Isa Miranda, Angelo Musco, Nino Besozzi, Sergio Tofano, Vittorio De Sica, and Fosco Giachetti. His masterpieces are considered Cavalleria rusticana (1939), Saint John, the Beheaded, and The Sinner (both 1940).

The Sinner, which premiered on 6 May 1940, starred Fosco Giachetti, Vittorio De Sica, Paola Barbara, Gino Cervi and Umberto Melnati. It renewed Italian dramatic cinema and was the first film shot in the sound stage of the Centro Sperimentale di Cinematografia, one of the most modern in Europe at the time. Luigi Chiarini, the president of the Centro Sperimentale, played an active role in directing the film and wrote the screenplay together with Umberto Barbaro and Francesco Pasinetti.

Palermi directed his final film, L'elisir d'amore, inspired by Gaetano Donizetti's opera of the same name, in 1941, before falling ill with what was possibly meningitis. He passed away in Rome on 20 April 1941.