Amoklauf

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Directed byUwe Boll
Written byUwe Boll
Produced byUwe Boll
StarringMichael Rasmussen
Birgit Stein
Christian Kahrmann
Sonja Kerskes
Susanne Leutenegger
Anja Niederfahrenhorst
Martin Armknecht
Ralph Grobel
Amoklauf
Film poster
Directed byUwe Boll
Written byUwe Boll
Produced byUwe Boll
StarringMichael Rasmussen
Birgit Stein
Christian Kahrmann
Sonja Kerskes
Susanne Leutenegger
Anja Niederfahrenhorst
Martin Armknecht
Ralph Grobel
CinematographyRichard Eckes
Edited byRichard Eckes
Music byUwe Spies
Production
company
Bolu Filmproduktion und Verleih
Distributed byBolu Filmproduktion und Verleih
Release date
  • February 3, 1994 (1994-02-03) (Germany)
Running time
62 minutes
CountryGermany
LanguageGerman
Budget50,000 DM[1]

Amoklauf (English: "Rampage") is a 1994 German horror film[2] written and directed by Uwe Boll.[3] Boll's third feature, it established a number of directorial trademarks that would recur throughout the filmmaker's career, such as a scene involving a mass shooting and a premise revolving around "psychologically disturbed men and intersecting systems of oppression conspiring to unleash the violent potential within them."[4]

The film's unnamed protagonist flashes back to or fantasizes about murdering a female cyclist and is then shown pessimistically contemplating human nature while watching an episode of The Price Is Right. After observing a pair of yuppies vivisect a fish at the restaurant he works at as a waiter, the man returns to his barren apartment, where he further ponders humanity, this time while watching Mondo films. The waiter burns a photograph of his mother and flashes back to killing his father while the man was watching The Price Is Right.

The next day, the waiter masturbates and gets drunk but is interrupted by his neighbor, whom he stabs; he returns to drinking and pleasuring himself as the woman bleeds to death next to him. After flashing back to witnessing a possible death in a washroom, the man proceeds to a park, where he shoots at least eight people, staggering off after one of the victims stabs him with a pocketknife.

Cast

Production

Shot on purposefully degraded 35 mm film, Amoklauf was personally financed by Boll with the 50,000 Deutsche Marks he had remaining in his business account after the dissolution of his partnership with Frank Lustig, whom he previously collaborated with on his earlier features, German Fried Movie and Barschel – Mord in Genf. Fearing Amoklauf could be his final film, Boll made it "as if I were saying goodbye" and thus gave it a melancholic tone, music that would "represent the end of a life" and a central theme discussing "the capabilities of what humans can do."[1]

Release

Amoklauf premiered in Berlin, to some walkouts, and was subsequently screened at film festivals throughout Germany and Paris.[1] It was released on DVD in 2005 by Eurovideo and Screen Power Home Entertainment.[5]

Reception

References

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