Rimsky-Korsakov studied philosophy at university and went on to teach the subject in gymnasiums until 1912, when he took the position of music correspondent for the Russian paper Russkaya molva. (Despite being a friend of Igor Stravinsky, among Rimsky-Korsakov's writings for that publication is included a scathing review of The Rite of Spring.) He then went on to become the founding editor of the first Russian music magazine, Muzïkal'nïy sovremennik (1915–17), which covered musicological study as well as concerts.
After the demise of Muzïkal'nïy sovremennik, Rimsky-Korsakov headed the music department of the Leningrad Saltïkov-Shchedrin Public Library (though he contributed to three issues of the magazine's successor, which began publication in 1922) and taught music theory and music history at Leningrad University as well as the Institute of Historical Studies. Many of Rimsky-Korsakov's more notable efforts were on behalf of his father's work, including the authorship of a five-volume study of his life and work and the establishing of a museum for the late composer.[1] He was married to the composer Yuliya Veysberg.[2]
