Androcles and the Lion (play)

1912 play by George Bernard Shaw From Wikipedia, the free encyclopedia

Androcles and the Lion (Shavian: ·𐑨𐑯𐑛𐑮𐑩𐑒𐑤𐑰𐑟 𐑯 𐑞 𐑤𐑲𐑩𐑯) is a 1912 play by Bernard Shaw. The play is Shaw's retelling of the tale of Androcles, a slave who is saved by the requiting mercy of a lion. In the play, Shaw portrays Androcles as one of many Christians being led to the Colosseum to die but surviving because the lion who was intended to tear him apart recognised him as the man who once extracted an agonising thorn from his paw.

SubjectA Christian is saved by his devotion to an animal
SettingAncient Rome
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Androcles and the Lion
Androcles (O. P. Heggie) and the Lion (Edward Sillward): 1913 premiere
Written byGeorge Bernard Shaw
SubjectA Christian is saved by his devotion to an animal
Genreepic pastiche
SettingAncient Rome
Premiere
Date1913
PlaceSt James's Theatre, London
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Background and first production

Shaw wrote Androcles and the Lion as a counterblast to two plays of which he disapproved: Wilson Barrett's The Sign of the Cross – written in 1895 but still highly popular nearly twenty years later – and J. M. Barrie's Peter Pan. Shaw disliked the religious melodrama of the first, and thought the second appealed greatly to adults but bored children to sleep.[1] He said he wanted "to show Barrie how a play for children should be handled".[2] He based the plot of his play on a fable written by the Roman writer Aulus Gellius in the second century AD.[3]

The play, directed by Harley Granville-Barker, opened at the St James's Theatre, London, on 1 September 1913.[4] It ran for 66 performances.[5]

Characters and original cast

Plot

Androcles, a fugitive Christian tailor, accompanied by his nagging wife, Magaera, is on the run from his Roman persecutors. While hiding in the forest he comes upon a wild lion who approaches him with a wounded paw. His wife runs off. Androcles sees that the cause of the animal's distress is a large thorn embedded in its paw, which he draws out while soothing the lion in baby language.

Androcles is captured and is sent to the Colosseum to be executed with other Christians in gladiatorial combat. They are joined by a new Christian convert called Ferrovius, who struggles to reconcile his Christian principles with his violent inclinations. The Roman captain guarding them is attracted to the genteel convert Lavinia. Eventually the Christians are sent into the arena, but Ferrovius kills all the gladiators before they can harm any Christians. He is offered a job in the Praetorian Guard, which he takes. The Christians are to be released, but the crowd demands blood. To satisfy them, Androcles offers himself to be savaged by lions. But the lion that is supposed to kill him turns out to be the one that Androcles saved, and the two dance around the arena to the delight of the crowd. The emperor comes into the arena to get a closer look, and the lion attacks him. Androcles calls him off and the emperor is saved. He then declares an end to the persecution of Christians. Androcles and his new 'pet' depart together.

Scene in Ancient Roman arena with slender man in tunic and a lion, centre, with the Emperor and other Romans looking on
Final scene, 1913 premiere

Revivals

Adaptations

Radio

Television

Cinema

A film version, Androcles and the Lion, was made of the play in 1952, produced by Gabriel Pascal.[23]

Musical

Richard Rodgers wrote the music and lyrics for a televised 1967 musical adaptation, with Norman Wisdom as Androcles and Noël Coward as Caesar.[24]

References

Sources

Further reading

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