Anh Vo
From Wikipedia, the free encyclopedia
Anh Vo (born 1995) is a dancer, choreographer, and writer based in Brooklyn, New York and born in Hanoi, Vietnam.[1] Vo's work has related to themes of conceptualizing wandering ghosts in Vietnamese metaphysics, queer performance, and decolonial engagement with ritual.[2][3]
Born1995 (age 30–31)
AlmamaterAtlantic College, Brown University, New York University
Websitehttps://www.anhqvo.com
Anh Vo | |
|---|---|
Anh Vo in Brower Park, Brooklyn, June 2024 | |
| Born | 1995 (age 30–31) |
| Alma mater | Atlantic College, Brown University, New York University |
| Website | https://www.anhqvo.com |
In 2012, Vo went to United World College (UWC) Atlantic College in Wales, England, graduating in 2014. In 2014, Vo went to Brown University, for a bachelor in Performance Studies. Vo went to New York University for a Masters of Arts in Performance Studies, graduating in 2019.
Selected works and performances
- Interbeing (2016), Production Workshop, Providence, RI
- 69 Views from the Bottom (2017), Brown University, Providence, RI
- BABYLIFT (2021), Target Margin Theater, Brooklyn, NY[4]
- Yellow for Love (2022), as part of the Octopus series, Performance Space New York, New York City, NY
- non-binary pussy (2023), as part of the Test Pattern series, Institute for Contemporary Art, Richmond, Virginia Commonwealth University, Richmond, VA
- Introjective exhibition (2024), as part of the Queer Durations symposium, Brown Arts Institute, Providence, RI
- Common Fetish (2024), as part of the Means of Production exhibition, Shisanwu Warehouse, Glendale, NY[5]
- Possessed by Capital (10 June, 2025), Downtown Brooklyn (public space), Brooklyn, NY[6]
Selected publications
- “Choreographing Trauma: Abstraction and Awakening in Juliana May’s Folk Incest. Women & Performance, 31(1), 84–87.[7]
- “Secreting the Dreamscape of Capitalism.” (2021) Recess Art.[8]
- “A Love Letter to Dance—A Sacrificial Practice.” (2022) Imagining: A Gibney Journal, Issue #9.
- “A Força Aparicional da Dança." (2023). Translated by João Dos Santos Martin. Coreia #08.
- “Some Hypotheses on Being Possessed: The Body as a Vessel.” TDR:The Drama Review 68, no. 3 (2024): 2-3.[9]