Ankhhaf (sculpture)

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Artist"A master artist"
Yearc. 2510 BC
CatalogueMuseum Expedition 27.442
MediumPainted limestone
Ankhhaf
Bust of Prince Ankhhaf, at the Museum of Fine Arts, Boston
Artist"A master artist"
Yearc. 2510 BC
CatalogueMuseum Expedition 27.442
MediumPainted limestone
SubjectAnkhhaf
LocationMuseum of Fine Arts, Boston

The painted limestone bust of Ankhhaf is an ancient Egyptian sculpture dating from the Old Kingdom. It is considered the work "of a master" of ancient Egyptian art, and can be seen at the Museum of Fine Arts, Boston.[1] Its catalog number is Museum Expedition 27.442.

It depicts a mature man and was therefore likely made during the reign of Khafre (circa 2520–2494 BC). One of the earliest – and even after four and a half thousand years, still among the finest – true sculptured portraits, it is an almost unprecedented depiction of the unidealised features of an actual man. Sculptures portraying true likenesses of people (rather than highly stylized portrayals) are rare in Ancient Egyptian art, both before and after the creation of Ankhhaf's bust.[2] Plaster covers a limestone core, which has been painted red, a colour commonly given to males in both sculpture and in reliefs (figures of women were typically painted yellow). The face is stern, with a slightly uneven mouth which makes him appear as though he is smirking from one side, and aloof and impersonal from the other. There is a slight droop to the eyelids, whose eyes were once painted white with brown pupils. The figure once had a beard and ears, which were broken away in antiquity along with part of the figure's nose.[3] The skin colour has been to some extent restored to make it appear more even, and the receding hair (which forms the slight 'bulge' on either side of the upper skull) would originally have been indicated in black or another dark colour.

Site of discovery

The bust was discovered in his tomb, installed within a small chapel oriented to the east and facing the chapel's doorway. His arms may have been sculpted on the small pedestal on which it sat, though these have been lost. It was evident that it had once been the focus of a funerary cult, as the bust had crushed several small pottery vessels of the type used for offerings when it fell in antiquity from its pedestal.[4]

Method of discovery

References

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