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Arabella Rankin

Scottish painter (1871–1943) From Wikipedia, the free encyclopedia

Arabella Louisa Rankin (1871 – 1943) was a Scottish painter and colour woodcut artist.[1]

Born1871 (1871)
Muthill, Perthshire, Scotland
Died1943 (aged 71–72)
Kensington, London, England
Quick facts Born, Died ...
Arabella Rankin
Born1871 (1871)
Muthill, Perthshire, Scotland
Died1943 (aged 71–72)
Kensington, London, England
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Biography

Rankin was born at Muthill in Perthshire.[2]

Arabella Rankin, "Sir Espérance" (1902); the text of the illustration reads "The garden is gay in the month of May/The fire is the flower of the winter's day/God save the King we humbly pray."

Rankin contributed a story, "Kaitrin's Collection", to the 1893 Summer Number of the Dundee Weekly News.[3][4] In 1896, Rankin also won first prize in a contest for artful embroidered book covers, run by Studio International magazine, with her Podley.[5] She also won first prize in a contest run by the same magazine in 1902, for a colour illustration titled Sir Espérance.[6] In 1899, her watercolour titled "A Swimming Match" was exhibited at the Royal Scottish Academy in Edinburgh.[7]

Beyond these very early efforts, Rankin worked primarily with colour woodcuts. Early examples of her prints, such as The Striped Rocks (1920)[8] or Sligneach, Iona (1921),[9] show her using Japanese wood block techniques.[10] Later landscape works, such as Martyr's Bay, Iona and Iona, from 1924 and 1927 respectively, use a more conventional approach.[10]

After a spell in Edinburgh, Rankin worked in London for a time. She returned to Scotland in 1913 and lived at Abbotsbrae in Crieff before returning to London in 1922. She lived in Kensington for the rest of her life.[2][11] Rankin was a member of the Colour Woodcut Society and from 1924 to 1935 exhibited regularly with the Society of Graver Painters in Colour.[10] During her career she had some twenty-four pieces shown at the Royal Scottish Academy and also exhibited with the Society of Women Artists, and the Royal Glasgow Institute of the Fine Arts.[2][12]

Both the Victoria and Albert Museum and the British Museum hold examples of her prints.[13][14]

References

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