Aromanticism (album)

The songs on Aromanticism have been seen as chamber songs with "nocturnal-sounding" arrangements.^[3][4] It is also a "heady mélange" that mixes folk and soul music with jazz harmonies.^[5]

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.9/10[6]
Metacritic	85/100[7]
Review scores
Source	Rating
AllMusic	[8]
Chicago Tribune	[9]
Clash	8/10[10]
Consequence of Sound	A−[11]
Exclaim!	8/10[12]
The Guardian	[13]
The Observer	[14]
Pitchfork	8.6/10[15]
Uncut	8/10[16]
Under the Radar	8/10[17]

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Aromanticism received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 85, based on 15 reviews.^[7] Brian Josephs of Spin gave a positive review, stating, "The dreamy project leaves the snide social critiques and radicalisms to the wayside for 36 minutes that feel of its own realm, where the dichotomies and bodily desire feel self-contained. The intimacy is never lost within the set's high concept: For an album centered on lonesomeness, AROMANTICISM feels warm."^[18] Aromanticism was named "Best New Music", with Pitchfork reviewer Jason King calling it "a musical detoxification from the exhausting stream of information that now constitutes a normal day of news."^[15] In his review, Greg Kot of the Chicago Tribune wrote: "The songs run together, serene yet troubled, beautiful yet bruised. They are built to linger."^[9] Nina Corcoran of Consequence of Sound praised the album, stating: "It requires multiple listens. In turn, that helps the listener grow, revealing spaces where their own narrative and experiences can intertwine with his—not in a romantic sense, but in an educational sense. As a result, Aromanticism already has become and promises to remain one of the most emotionally therapeutic albums of the year."^[11]

The Los Angeles Times called it "breathtakingly beautiful", writing, "Sumney places layer upon layer of his voice into tracks until he achieves Beach Boys-esque harmony."^[19] Anna Alger of Exclaim! said: "With Aromanticism, Moses Sumney creates a harmonious world in which he speaks from a position that isn't often recognized. Sumney approaches the complexities of relationships, power structures and an inability to experience romantic love with a quiet, powerful confidence."^[12] Harriet Gibsone of The Guardian wrote: "When music sounds this complete and absorbing, it's a wonder we waste our lives chasing coexistence with sweaty, needy humans anyway."^[13] Kitty Empire of The Observer gave the album a positive review, calling Sumney's falsetto "celestial" but felt the underuse of his lower register was a drawback.^[14] Shahzaib Hussain of Clash echoed the same sentiment, calling Sumney's lower register "a cottony, sinewy part of his arsenal reduced to a mere cameo."^[10]

Credits are adapted from the album's liner notes.

Notes

• ^{^[a]} signifies an additional producer.