Aron of Kangeq

Greenlandic artist (1822–1869) From Wikipedia, the free encyclopedia

Aron of Kangeq (born in Kangeq, South Greenland on April 9, 1822; died March 12, 1869) was a Greenlandic Inuk hunter, painter, and oral historian. His woodcuts and watercolors are noted for their depiction of Inuit culture and history, and the often violent encounters between Inuit and Danish settlers. His storytelling is known to children's literature in Greenland.[1][2][3]

Born(1822-04-09)9 April 1822
Died12 March 1869(1869-03-12) (aged 46)
OccupationsHunter, painter, storyteller
KnownforWatercolours and woodcuts depicting Inuit traditions and Greenlandic life
Quick facts Born, Died ...
Aron of Kangeq
Tupilak, woman and man, watercolour by Aron of Kangeq
Born(1822-04-09)9 April 1822
Died12 March 1869(1869-03-12) (aged 46)
OccupationsHunter, painter, storyteller
Known forWatercolours and woodcuts depicting Inuit traditions and Greenlandic life
Notable workTupilak, woman and man
MovementEarly Greenlandic art
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Art

Aron began drawing after he developed tuberculosis and was no longer able to work regularly as a hunter.[4] In 1858, the Danish administrator Hinrich Johannes Rink invited Greenlanders to submit drawings, maps, and written accounts describing Greenlandic traditions and history. Rink recognized Aron's ability and supplied him with drawing materials so that he could continue his work.[5][6]

Aron worked mainly in small watercolour paintings and woodcuts. Some of his woodcuts were used as illustrations in Rink's newspaper Atuagagdliutit, one of the earliest newspapers published in Greenland.[4]

His drawings often show traditional Inuit stories, hunting scenes, and everyday life in nineteenth-century Greenland. Aron frequently added written captions to his images explaining what was happening in the scene or describing the story being told.[5]

Although his work received little attention during his lifetime, it later gained wider recognition. In the twentieth century the archaeologist Eigil Knuth helped bring renewed attention to Aron's drawings and prints. Today, Aron is considered an important early figure in the development of Greenlandic art.[7]

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