Art Nouveau in Antwerp
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The Art Nouveau movement of architecture and design appeared in Antwerp, Belgium, between roughly 1898 and the start of the First World War in 1914. It was principally practiced by the architects Joseph Bascourt, Jacques De Weerdt, Jules Hofman, Émile Van Averbeke, Émile Thielens, Frans Smet-Verhas as well as August Cols and Alfried Defever. Its principal characteristics in Antwerp buildings include whiplash lines and irregular curves in moldings, ironwork, and incised decoration; gentle arches; colorful ceramic tiles, mosaics, and stained glass; gilded asymmetrical ornament; sgraffito; and keyhole windows and screens.[1][2]

Unlike the other major Belgian metropolitan areas such as Brussels or Liège, where Art Nouveau flourished in numerous different parts of the city, Antwerp's Art Nouveau buildings are largely concentrated within a single quarter, Zurenborg, which is a suburban part of the city located about three kilometers from the city center, immediately north of the Berchem train station. The greater part of the structures are situated in the so-called "Golden Triangle" of Antwerpian Art Nouveau, along the streets called the Transvaalstraat, Waterloostraat and Cogels Osylei. The latter, an arterial boulevard, contains a rich cornucopia of highly-ornamented, monumental Victorian- and Edwardian-era architecture, wherein various styles--neoclassical, eclectic, various Renaissance idioms, and above all Art Nouveau--intermingle harmoniously behind small gardens or gates with successive diversity.[2]